52 pages • 1 hour read
Akwaeke EmeziA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Joy tries to discourage Feyi from staying in the house while Nasir is gone. Feyi assures her that she will be mostly alone. Feyi confesses that in Alim she feels she has a friend whom she can talk to about Jonah and who makes her feel less alone. When Feyi goes to help Nasir pack, she finds his trip has been moved up. He has forgotten about her commission, but when she reminds him, he tells her congratulations and hugs her goodbye. At midday, she goes for a swim. She fantasizes about Alim finding her until she remembers him dancing with Rebecca. She takes her sketchbook to the kitchen. Alim comes in and asks if she is sleeping better and if she has eaten. She offers to make something, and he jokes he does not want food poisoning. He calls her “sweetness,” which turns her on. When she begins to cut the vegetables, he says she is not doing it right, so he goes behind her and puts his arms around her to show her. She feels his breath on her neck and drops the knife. He begins to kiss her neck, and then she turns and kisses him. She disregards the alarm bells in her head, feeling alive. Alim lifts her onto the counter, breaking a bowl and pressing himself to her. She tells him to slow down and he apologizes, pulling away and looking distraught. Feyi clarifies that she did not mean to stop unless he wants to, and he says he does not want to stop either.
Feyi feels like she is on fire as she touches his skin, but he pulls away. She asks if he’s okay, and he says he is worried about the safety of her and his kitchen. Feyi laughs that those are fitting thoughts for a chef. He carries her to his room, where he confesses that he has been fantasizing about her. He stops himself and says they should talk. Feyi apologizes, and he objects that he kissed her first. They establish that they both want each other. When he pulled away from her on the mountain, he did it because he did not want to hurt his son. Feyi confesses that she is scared and wants to skip the talking part, but he says they need to.
Feyi tries to deflect by saying it was just a kiss, and he asks if that is all it was. She is evasive, but he asks her to be honest no matter what she is thinking. She knows it will be terrible for his children and that her own parents will not approve. She admits that she has been trying to avoid her feelings. To her surprise, he says he has felt the same way. She says she has not felt this way about anyone since Jonah, and that she feels like they could be next to each other in their aloneness. She says she has a life off the mountain, and he says he can go with her, because he can cook all over the world. He confesses that he has been fighting his feelings for her for weeks and that he had a moment of clarity when she was standing in his arms. He has spent 20 years making everything for his children, but now he wants to be selfish. They joke about her licking the mousse off his finger, and he says that is when he decided he was tired of denying himself after giving up Devon, his previous lover. Feyi argues that he does not really know her and that his kids are going to hate them being together. Alim thinks that the feeling that he is not alone will be worth it. They agree that if they are going to set their lives on fire they will burn together.
Feyi wakes up next to Alim and watches him sleep. The night before, they had continued talking, and their verbal intimacy felt just as tender as anything physical. Alim stirs, and the reality of wearing his clothes and being in his bed hits Feyi. She says his family is going to implode and she is not worth it. She notices he has painted his toenails blood red. He says she knows herself best, but he does not understand what changed since yesterday. If she wants to change her mind, then she just needs to say so. Feyi asks if he is scared, and he says he is terrified, which relaxes her. She realizes he is kind. Alim notes that his wife would be furious, not because of what he did, but because he was reckless. He thinks she would want them to do the kindest thing possible and talk to Nasir before they go further. He asks what Jonah would have thought, and she says he would have thought it was funny because he enjoyed messy humanity and because she is mad at herself for having feelings for someone else. They both admit they do not want to go back to not living because of their grief. Alim says whatever happens between them has nothing to do with Nasir, but Feyi objects that if they had sex it would hurt him since she and Nasir were taking it slow. Feyi says that she cannot move quickly, because she does not want it to backfire. Alim agrees and says he will give her all the time she needs. To her amazement, he uses the same metaphor for his feelings for her that she has mentally used for him: that she is filling him with light. He says he knows they will work out because she is his friend. His comment is something she never expected to feel again, and she hears Jonah’s voice say she is recovering. She knows Jonah would be happy to see her with someone so kind and gentle.
While Alim cooks, Feyi remembers him dancing with Rebecca and gets jealous. She asks him if he has slept with Rebecca. He is both surprised and amused, asking if it matters. She takes his amusement as an affirmative. She gets upset, and he apologizes, saying it amused him because Rebecca is an old-school lesbian, which surprises Feyi. She objects that they were dancing so closely, and he says it was just the style, but also that it is fun to dance with someone one trusts. Feyi realizes she has been so worried about his kids that she has not thought about how her life might change. Will they be long-distance? Her mother will be upset, and she has no idea if he wants kids or to get married. She laughs at the idea of being Nasir’s stepmother. She asks if Alim prefers Feyi not to tell Joy, but he says she should tell Joy he is well-endowed. Joy is horrified when Feyi explains what is going on and then asks when all this happened, as it has only been 24 hours. Joy asks if she is really okay, and how they are going to tell Nasir. Feyi says she does not know. Joy says she can just come home, and it tempts Feyi. Joy says she is worried because it’s the first time Feyi has had real feelings since Jonah, and the stakes are high. She wants something less complicated for Feyi despite being the person to tell her to take a chance on people. Joy suggests Feyi subconsciously wants to stay because it’s “a shitshow” and that messiness is proof you are alive, as Jonah liked to say. Feyi says that it might work okay because she survived losing Jonah. Messy and alive are good for her. Joy is convinced and they laugh, making Feyi feel like everything is okay as long as they have each other.
Alim asks Feyi to go for a walk. He takes her through a garden to a small wood-and-glass house. It is a studio he has had redone so she can have her own space when she is there. He says he wants her to stay. When she asks how long, and adds she has a life in New York, he says he takes it back and just wants to be wherever she is. Feyi says she wants to be there for now and thanks him. She thinks with him, she could build a house that would never fall.
Joy asks Feyi if they have had sex yet, and Feyi objects that they are waiting until they tell Nasir. Joy laughs that Feyi has a sugar daddy. Feyi says they talk about everything except having sex. She turns the topic to Joy’s married girlfriend, Justina, and Joy says she came out to her husband and that it did not go well. Justina left her a message about it going bad, then blocked her number. Joy says she will get over it. Feyi wants to tell her that she does not have to keep choosing unavailable people, but then realizes it would be hypocritical for her to lecture.
Feyi hears the door open and thinks it is Alim, but instead, it is Nasir, who says the job ended early. Something about the way he is talking makes Feyi nervous. She asks if everything is okay. He becomes furious and asks where Alim is. She says he is out and is more frightened when Nasir says it is just the two of them. He backs her into the wall and tells her Mr. Phillips, his father’s friend and garden designer, told Lorraine he saw Alim in the garden kissing a young lady. Nasir thought it had to be someone else, but Mr. Phillips described Feyi. Feyi begins to cry, and it makes Nasir more angry. He accuses her of having sex with his father and asks if she has a signature move that she used on Milan and Alim that he did not get to experience because he was taking it slow. He calls her trash and tells her to get out. She is too scared to move, so he goes up to her room and starts to throw all her things into her suitcase. When she asks him to listen, he rants that he thought she was special even though she had baggage.
He sweeps her cosmetics off the bathroom counter, and one bottle shatters, the broken glass reminding her of the accident. It snaps her out of her fear, and she starts resisting, yelling at him to stop and trying to drag her suitcase back. He tells her she deserves to be treated like trash and throws her stuff into the hall, kicking it. He screams in her face that she had sex with his father and needs to get out. Alim comes home and pulls him away from Feyi. He yells at Nasir to wait outside, and despite protesting, Nasir does. Alim makes sure Feyi is okay, inspecting her and worrying about the glass. Feyi says his fussing is going to make things worse because Nasir is watching, so he apologizes and goes out. Feyi can hear them downstairs. Alim is furious that Nasir would treat someone that way. Nasir says Feyi cannot stay in his home, but Alim cuts him off, saying “Boy, this is my house” (211). Hurt, Nasir leaves. Feyi begins to try to clean things up, but Alim tells her to leave it. She breaks down and Alim holds her, apologizing that he was not there. They hold each other on the floor with her things still strewn around them.
Alim makes Feyi stay in his room while he cleans her room up. She feels that maybe Nasir was right and that she should go home. Alim asks her if she wants to go home and she is surprised that he sounds uncertain. She explains how Nasir found out about them from Mr. Phillips, saying it is the worst possible way for Nasir to find out. She asks again if he wants her to leave, and he says no. He would understand if she wants to go since his son was violent toward her, but he wants to see her every day and make sure no one hurts her again. When he takes off his shirt to get in the shower, she asks him to take off his shorts too. He does, and Feyi goes to him and holds him from behind. She asks when he will get tired of her, and he counters that he feels the same and worries that he is so much older than she is. They remind each other that they are not going to make plans. She says what they are doing is impossible, and when he asks if she truly believes that, she shrugs and says it’s what everyone else will think. She says she wants to be with him, but that their world does not feel real. He says they are both real and so are their feelings, and he is not running away. She can watch him or join him in the shower, and when she says she wants to watch, he flicks her with a towel. They both laugh and head to the bathroom.
Feyi wakes up that night from a nightmare about Jonah’s death, and Alim holds her and helps her recover. He tells her about Marisol, and they trade memories until morning.
Chapters 13 through 18 introduce the romance tropes of forbidden love. Feyi and Alim finally confess their mutual feelings, and for a moment they give in to their attraction, offering them a taste of what they could have together. Alim stops them before they consummate their relationship, however, forcing Feyi to talk about what they are doing before letting things get out of control. Though they both feel a strong sexual and emotional pull to each other, Feyi insists that being together is “impossible” because of her prior relationship with Alim’s son and the fact that their lives are hundreds of miles apart, hers in Brooklyn and his in the Caribbean. The stakes are raised even higher when Nasir learns of them in the worst way possible, making the goal of final unification between the couple seem almost insurmountable—a common part of the romance novel formula. However, Emezi subtly subverts forbidden love plots of other romance novels by having her characters discuss their feelings and situations openly and maturely, rather than relying on misunderstandings to build tension.
The fact that Feyi and Alim communicate openly and can maintain their connection despite their lack of sexual intimacy further develops the theme of The Importance of Friendship. The core of Feyi and Alim’s relationship is built on mutual understanding, rather than on sexual desire. Because they are more than simply attracted to each other, the couple can speak to each other like friends, with honesty and vulnerability, even in difficult moments such as after Nasir confronts Feyi. Alim declares in Chapter 15 that he knows they can make their messy relationship work simply because Feyi is his friend. It is this quality that makes him different from both Milan and Nasir, whose relationships with Feyi were driven by desire. While Nasir tries to be friends with Feyi first, his sexual attraction is the core motivation for pursuing her friendship, a fact that becomes obvious when he accuses her of pursuing his father only for sex.
Chapters 13 through 18 also reaffirm The Link Between Grieving People, as Alim and Feyi bond further over reminiscences of their spouses. When Feyi tells Joy that their conversations are more intimate than anything physical, the comment baffles and amuses Joy, but for Feyi, the deep pain she shares with Alim allows them to experience shared catharsis. When she wakes in Alim’s arms after a nightmare about Jonah’s death, he invites her to share her feelings and memories, and he offers his own in return. Feyi and Alim offer each other a place where they can be fully themselves, including the pain and love they will always carry for their lost spouses. Rather than having to compartmentalize or ignore her grief to love again, Feyi can honor and share it.
Finally, The Power of Art and Music once again advances Feyi and Alim’s relationship. They finally give in to their physical attraction when Alim begins to share his creative work with Feyi, assisting her in the kitchen. The combination of sexual and emotional attraction with the power of creating becomes overwhelming to them. Always the artist, amid an argument, Feyi notices that Alim has painted his toenails red, the color that symbolizes her passion and pain. They are the same red of the blood she uses in her artwork and the same color of her dress. His red toenails symbolize that they are indeed meant to be together.
By Akwaeke Emezi
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