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33 pages 1 hour read

Jerry Spinelli

Wringer

Fiction | Novel | YA | Published in 1996

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Symbols & Motifs

Nipper

Nipper is an important symbol in the novel. For Palmer, his beloved pet pigeon symbolizes the true injustice of the Family Fest pigeon shooting. Palmer views Nipper as a complex and beautiful creature who has a unique and loving personality. Palmer loves Nipper and can’t understand why the people in his town hate pigeons enough to kill them by the thousands every year. He realizes that 5,000 Nippers die during the pigeon shoot every year, and they die for no other reason than they were born pigeons. Palmer’s love for Nipper is complicated by his inability to reconcile the Family Fest pigeon shooting with anything good.

Nipper also symbolizes friendship for Palmer. Palmer has always detested the Family Fest pigeon shooting because he has views pigeons as innocent creatures who don’t deserve to be shot. When Nipper appears in his life, his hidden feelings about pigeons are allowed to freely surface. He fully embraces Nipper as his beloved pet and friend. His friendship with Nipper causes him to live selflessly for his bird; he sacrifices his reputation and feelings to ensure Nipper’s safety. These sacrifices ultimately lead Palmer to take self-agency for the first time in his life.

Toy Soldiers and War

War is an important motif throughout the novel. When Palmer LaRue is nine-years-old, he believes the most valuable possession in his parents’ house is his father’s toy soldiers. They have been passed down to each boy in the family for generations, and Palmer anticipates the day he will inherit them. These toy soldiers symbolize maturity for Palmer, because he knows his father will only trust him with the prized toys when he’s old enough to take care of them.

When Palmer thinks of soldiers in Chapter 5, he considers the honor and respect that “comes to soldiers who survive great battles” (22). He likens himself to a soldier when he receives The Treatment from Farquar, because he believes the pain will lead to respect and honor from his peers. This war imagery is enhanced by the “World War I canon,” (22) which is where Palmer first receives The Treatment.

Palmer’s views about the toy soldiers and war begin to change between his ninth and tenth birthdays. By the time he’s ten, he realizes Farquar’s abuse doesn’t equal honor and respect. This is around the same time he buries his once beloved toy soldiers in the backyard. His change of heart stems from his relationship with Nipper. He’s always hated the Family Fest pigeon shooting, but after loving Nipper, he no longer thinks about 5,000 pigeons being killed during the shooting—he thinks about 5,000 Nippers dying. The pigeon shooting feels more personal than ever since loving Nipper, and Palmer views the event like an unfair war against an innocent population who cannot defend themselves. 

Eyes

Eyes are an important symbol throughout the novel. One of the things that first haunts Palmer during the Family Fest pigeon shooting is the way the pigeons’ eyes look so full of life, and the way the eyes of an injured pigeon stare up at him without blinking. Palmer sees personality in the eyes of a pigeon, and he’s haunted by nightmares where their eyes stare in judgment at his lack of agency. When Beans and the boys pull him from the nightmare, they go to where the pigeons are caged; Palmer focuses on the birds’ “[t]en thousand orange eyes” (63) as the boys terrorize the creatures in their cages.

By the end, Nipper’s eyes are symbolic of freedom. Palmer holds Nipper in his hands and sees the world from his bird’s eyes. He “looked down from the sky upon the field, the thousands of upturned faces, and saw nothing at all to fear” (228). Palmer knows Nipper has nothing to fear because he’s taken action to save him. This moment is in stark juxtaposition to Palmer’s first pigeon shooting, where the desperate eyes of the wounded bird looking up at him signaled despair because of his inability to act to save its life.

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