White Fang

London’s narrative is set in the Yukon Territory in the late 19th century. Due to the harsh climate, settlement was sparse. Indigenous communities are the original inhabitants of the region, and Russian fur traders and missionaries arrived in the mid-19th century. Settlement increased drastically with the Klondike Gold Rush of 1896. American, Canadian, and European men flocked to the region, where they set up camps to mine for gold. The influx of population and wealth increased trade—and conflict—with local Indigenous communities. Because the Yukon is notoriously harsh due to its intense cold and lack of available resources, survival was a major challenge to both Indigenous people and white gold rush mining communities.

The novel’s geographical setting frames White Fang’s journey from a precarious existence in the wilderness to the relative security of living among humans. White Fang is half wolf, half dog, and this dichotomy symbolizes his conflicting instincts to, on the one hand, live freely in the wilderness, and on the other, to desire the comfort and affection of human society. The setting complicates White Fang’s relationship with humans.

The desperation men develop in such brutal circumstances informs the way they treat animals like White Fang. Some, like Henry and Bill, have a working relationship to their animals; they rely on each other for survival and protect one another, but they are not especially affectionate. The Indigenous camp treats their animals as an extension of their community; White Fang learns whom to trust and whom to avoid. To Beauty and the other men who use their dogs for fighting, animals are objects to be used for their owners’ pleasure, with no regard to their own wellbeing. Only to Scott is Wild Fang truly a pet. To mark the transition, London moves his narrative from the Yukon to California, where White Fang settles into an idyllic Californian country life.