57 pages • 1 hour read
Jhumpa LahiriA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Lilia is the story’s protagonist and narrator. While her perspective is naïve for most of the story (she is 10 years old when the main action takes place), her ignorance is not her fault. There is evidence that her parents keep her relatively sheltered: They don’t allow her to watch all the news with them once the war has started, and her mother is proud that her daughter has a “safe” life in America. Her teachers also discourage her interest in her own cultural heritage in favor of propagandized American history.
Because she occupies these two different cultural spheres, Lilia must learn to navigate the moments when they come into conflict with one another. At home she is constantly aware that there is a war going on and that people are suffering, but at school, no one seems to realize this war is even happening. Similarly, she sees the reality of war on the news every night, but at school, she learns about war in a child-friendly way (construction paper dioramas and field trips to important monuments). Lilia’s dual cultural identity prevents her from feeling like she belongs anywhere. Her knowledge of her own heritage is secondhand, but as a second-generation immigrant and a person of color, she is also different from her peers. Her journey toward greater maturity therefore closely parallels her efforts to understand where she fits in, highlighting the theme of Coming of Age as a Second-Generation Immigrant.
Outside of Lilia, Mr. Pirzada receives the most characterization in the story. He is an intelligent, charming, considerate man from Dacca who is in America to study the foliage in New England. While he is away from home, the Bangladesh Liberation War breaks out and he loses contact with his family. He spends many nights at Lilia’s house to eat dinner and watch the news, hoping to glean any information he can about his family’s safety. The introduction of Mr. Pirzada and the subsequent bond they form catalyze Lilia’s coming-of-age arc. It is through him that she learns what is going on in Pakistan (and more broadly, learns about the world outside America), which piques her curiosity about her cultural heritage. It is also through witnessing Mr. Pirzada’s separation from his family and experiencing his eventual departure that Lilia first understands real loss.
Even with the deep connections he builds with Lilia’s family, Mr. Pirzada is never quite fully present. Each night he sets his pocket watch to local Dacca time to feel more connected with his absent family, and Lilia initially describes him as a man who seems to be “balancing in either hand two suitcases of equal weight” (27-28)—a metaphor for the opposing pulls of America and Pakistan. Despite his circumstances, Mr. Pirzada carries himself with grace and is always extremely well dressed. Lilia notes that the “superb ease” with which he interacts with her parents and seamlessly blends into their lives makes her feel “like a stranger in [her] own home” (29). Like Dora, he functions as a foil for Lilia, revealing the ways in which Lilia is not quite culturally aligned with her parents.
Lilia’s parents are first-generation immigrants from India who went through many struggles before arriving in America (food rationing, curfews, riots, and the threat of being shot are all mentioned). Her father is a university professor and her mother works part time at a bank. They complain about many of the things they miss from home and are somewhat reluctant to assimilate into American culture; they seek out other immigrants to befriend so that they can maintain as much Indian culture as possible at home. They are Lilia’s sole connection to Indian culture, and they have differing opinions about what that connection should look like. Her father is concerned that she only learns about American history and geography at school, believing she should know what is going on in the wider world (particularly India and its surrounding nations). Her mother is less concerned about this and sees it as a point of pride that Lilia is getting an American education, which she takes as a symbol of the American dream. In this way, her parents reflect opposite sides of the identity struggle that many immigrants face: the desire not to lose touch with one’s cultural heritage versus the potential value in assimilating, which can mean a safer life filled with more opportunity.
Dora is a minor character who serves as a foil to Lilia, highlighting how Lilia struggles to fit into American culture. Dora is a typical white American girl from a typical white American family. She follows the rules and does as she is told, and she seems to be a good friend to Lilia. At school, when they are given a research project on the American Revolution, Dora sticks to the curriculum. Dora has nothing to be curious about because she fits into American culture perfectly: The romanticized American history her school teaches was designed for people like her. Later, when the two girls go trick or treating, both are dressed as witches. However, only Lilia receives confused comments from other people, who remark that they’ve “never seen an Indian witch before” (39). Witches are not real, so they could just as easily be Indian as anything else. However, in the American cultural imagination, whiteness is the default. Dora exists in the story to emphasize that despite being born in America, going to an American school, and participating in American traditions like Halloween, Lilia is never allowed to feel like she fully belongs in the US.
By Jhumpa Lahiri