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Content Warning: The source text and this guide depict the sexual violation, traumatization, and abuse of an Ojibwe child by a residential school, as well as scenes of cultural erasure and its resultant physical and emotional distress.
Chanie “Charlie” Wenjack is the 11-year-old protagonist of Wenjack. Two years before the novella’s plot occurs, Canadian authorities forcibly removed Wenjack from his family and enrolled him in the Cecilia Jeffrey Indian Residential School, 600 hundred kilometers away from home. After this school’s white teachers subject him to horrific physical, sexual, and emotional abuse, he and two friends—who happen to be brothers—make a spontaneous decision to climb over a fence and escape. The group successfully reaches the home of the brothers’ uncle and aunt, but there is not enough food there to support Wenjack in addition to the rest of the family; thus, the uncle sends Wenjack away on the eve of a terrible winter storm. Both the aunt and the uncle encourage him to return to the school, and the uncle warns him to hurry so that he won’t perish in the cold.
Wenjack sets out alone but cannot face going back to the abusive school. Instead, he follows a set of train tracks in a direction he believes will lead him to his own family. Unbeknownst to him, his home is so far away that it will be impossible for him to reach it before the storm arrives. Once it hits, he is incapable of surviving its bitter forces and eventually succumbs to a combination of injuries, illness, and exposure. Wenjack’s death is foreshadowed by numerous literary devices: the rapidly cooling weather, his slow, duck-footed walk, a persistent lung infection that causes him breathing difficulties and forces him to cough up bloody phlegm, and the appearance of bad omens during his journey, including the sound of an owl hooting in the night and an out-of-season sighting of a hummingbird.
Despite his untimely end, Wenjack’s journey empowers him to experience a symbolic return to his culture and identity. The text demonstrates this, among other ways, through the evolution of Wenjack’s first name. In the opening chapters, he goes by the Anglo-Saxon name “Charlie,” given to him by the white teachers at his residential school. This symbolizes his Loss of Indigenous Language and Culture. Once he escapes the school’s clutches and reenters the woods, the spirits that inhabit the forest creatures refer to him by his given Ojibwe name: Chanie. His personal relationship with the spirits further reestablishes his connection with Ojibwe culture. When Wenjack dies, a mother lynx collects his spirit. He is then joined by other animal spirits in the afterlife. Together, they ensure that he remains permanently warm, happy, and loved: “[W]e watch the boy warm in our presence, watch him dance and eat and share his shy smile” (97). Although Wenjack’s physical death is a tragedy, it is a metaphysical triumph in that it enables him both to escape and heal from the pain and trauma of the residential school system. Wenjack’s journey is thus a victory of Resilience and Resistance: During his final days of life, and the eternity he enters via death, his return to Ojibwe ways is rendered permanent. The corrupt forces of colonialism can never take this spiritual victory and peace from him.
Wenjack’s two friends, who are unnamed, escape from the school with him. The brothers have an uncle and aunt nearby, and they propose to Wenjack that the three of them escape the school and travel to the home of their relatives. The brothers move faster than Wenjack during this journey, but they leave behind clues in the forest—like broken sticks and chewed bark—to ensure that he can follow them.
The text makes evident the brothers’ disconnection from their heritage by showing how the boys are embarrassed at having held each other through a freezing night: “[T]hey will feel the shame of having touched one another, if even just for warmth” (22). The white residential schoolteachers have imparted to the boys a belief in the improperness of touching another male. This is not a value that belongs to the boys’ own culture. Regardless, this episode dramatizes the cycle of trauma and violence inflicted by white colonists on Indigenous peoples. Upon discovering that Wenjack and the younger brother are holding one another, the older brother kicks his younger brother, who then kicks Wenjack, who is confused as to why they are upset with him. This illustrates how cruelty is a learned behavior and how pain that results from cruelty can be reenacted on others.
Once the trio reaches the relatives’ cabin, the uncle informs the brothers that their parents are dead. Later, the uncle takes the brothers hunting. The text implies that the boys will live with their aunt and uncle permanently. Even so, the family is on the edge of starvation, and the uncle decides that Wenjack cannot remain with them. The brothers gently touch Wenjack goodbye as he leaves the hunting cabin. They will never see him again.
The uncle, who is unnamed, struggles to feed his family during the lean autumn and worries for the long winter ahead. The text shows him to be a generous man. He refuses to consume any of the fish he prepares after Wenjack and the brothers arrive, preferring instead to feed his daughter, his starving nephews, and their friend Wenjack. The uncle also insists that his wife eat the scrapings left in the bowl, instead of consuming them himself.
The uncle tells his nephews about the death of their parents. Wenjack recognizes that the uncle wants his nephews to know that “they still have family” (46). While the uncle assumes the responsibility of caring for the brothers without complaint, he is reluctant to allow Wenjack to stay. He “fears the boy carries a burden” and tells his wife to “send the stranger away” because his trauma surpasses their ability to heal (54). The uncle’s comments characterize Wenjack’s pain by showing how his emotional trauma is visible even to outsiders. Wenjack’s suffering hence separates him even from people of his own cultural background.
The uncle’s failure to care for Wenjack, a suffering and isolated boy, raises ethical and emotional questions. The uncle himself is struggling under the weight of poverty and political oppression; the fact that he foregoes feeding himself shows that his resources have already been stretched to their absolute limit. His decision to send Wenjack away is motivated by his own primal fear for survival and his perceived duty to prioritize his own family’s well-being. It is unclear whether he understands that this decision is tantamount to signing Wenjack’s death warrant, but in encouraging Wenjack to return to the abusive environment of the school to ensure his immediate survival, the uncle reveals the impossible choice many Indigenous peoples faced: attempting to adapt to an inherently violent program of assimilation versus holding on to traditional ways of life that colonialism was rendering obsolete.
Wenjack refers to his teacher as Fish Belly because his pale skin is the white color of a fish’s belly. Fish Belly is portrayed as a sinister antagonist. He beats boys for running away from school or for using their native language instead of speaking English. He also inflicts other punitive punishments on the students, denying them food or water if they can’t think of English words and washing their mouths out with soap if they speak in Ojibwe. Fish Belly thus functions as a literary device through which the colonial state inflicts cultural genocide, for he is the mechanism through which Indigenous language and culture are lost.
Fish Belly also subjects Wenjack to horrific sexual abuse, which leaves the boy utterly broken and isolated. Even after Wenjack escapes the residential school, he has nightmares of being covered in the “sweat of the teacher pounding above” (75), a reference to Wenjack’s rape. The inescapable nature of Wenjack’s sexual trauma reminds readers of the collective trauma of the First Nations, which underwent cultural genocide—as well as sexual, emotional, and physical abuse— at the hands of the residential school system. Countless “Fish Bellies” unrepentantly exploited and preyed upon Indigenous children, and their behaviors continue to have negative ramifications for Indigenous communities today.
By Joseph Boyden