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66 pages 2 hours read

Sharon Creech

Walk Two Moons

Fiction | Novel | Middle Grade | Published in 1994

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Chapters 41-44Chapter Summaries & Analyses

Chapter 41 Summary: “The Overlook”

After struggling to wake Gram up, Gramps drives to the Coeur d’Alene hospital, where he learns she’s had a stroke. While Gramps stays with Gram, Sal waits outside the hospital, wondering whether Gram would have gotten sick if they hadn’t gone on the trip. She realizes, however, that life is unpredictable, and that it would be counterproductive to avoid things that are enjoyable or meaningful just because something might go wrong.

Sometime after midnight, Gramps hands Sal the keys to the car—ostensibly so she can fetch anything she needs from it, but really so she can drive the rest of the way to Lewiston herself. Although reluctant to leave Gram, Sal says goodbye and presses on. Four hours later, Sal reaches Lewiston Hill, where there are several steep switchbacks. Despite her terror, Sal drives on until she reaches an overlook, then parks and gets out. Another car pulls up, and the man inside—a local—comments on the road’s dangerousness before pointing down the hillside to “something shiny and metallic reflecting the moonlight” (257): A bus skidded off the hill a year ago, and only one person on board survived.

Chapter 42 Summary: “The Bus and the Willow”

The man drives away, and Sal makes her way down to the bus on foot. She had hoped to be able to get inside and look around, but the bus is too mangled, so she climbs back up the hill as the sun rises. A sheriff is parked behind Sal’s car, and scolds her for fooling around on the bus before asking where her family is. Sal responds truthfully and explains about her mother; the sheriff asks her to get in his car. Sal expects to sheriff to put her in jail, but he instead takes her to the cemetery where her mother is buried. Seeing the grave finally brings home the reality of her mother’s death to Sal, and she spends several moments committing the place to memory. She hears birdsong coming from a nearby willow, kisses the tree, and returns to the sheriff’s car, telling him that her mother “isn’t actually gone at all. She’s singing in the trees” (263).

Chapter 43 Summary: “Our Gooseberry”

The sheriff drives Sal back to Coeur d’Alene. Sal wants to know what the night of the bus crash was like, but the sheriff doesn’t want to upset her. Eventually, however, he concedes that while he isn’t sure whether he saw her mother, he does remember her father’s arrival at the station. He also remembers Mrs. Cadaver: “Nine hours after the bus rolled over, as all those stretchers were being carried up the hill, and everyone despairing—there was her hand coming up out of the window and everyone was shouting because there it was, a moving hand” (265). Sal explains that her mother and Mrs. Cadaver sat next to one another throughout the trip, and that her mother told Margaret about her family back in Bybanks. This is what Mrs. Cadaver explained to Sal on the day Mrs. Winterbottom returned, but Sal “still thought that there might have been a mistake” until she saw her mother’s grave (267).

When Sal reaches the hospital in Coeur d’Alene, there’s a message waiting for her: It states that Gram died early that morning and gives her the address of Gramps’ hotel. The sheriff drives her there, offering to help in any way he can. Gramps, however, has already arranged for Gram’s body to be brought back to Bybanks for burial, so the sheriff leaves. Sal notices a piece of paper in Gramps’ suitcase, and he explains that he wrote a love letter to Gram last night. He admits that he misses Gram, and Sal sits with and comforts him.

Chapter 44 Summary: “Bybanks”

Sal explains that she, her father, and Gramps are once again living on the farm in Bybanks. Although the family misses Gram, they find new things to do and enjoy. Gramps gets a puppy and continues to teach Sal to drive; they also play a game where they imagine what they’d be thinking if they were walking in a particular person’s moccasins. This game has helped Sal understand that her grandparents planned the road trip for her sake, and that it was also for her sake that her father didn’t take her to Lewiston when he first learned of his wife’s death. Sal also credits Phoebe’s story with helping her process her mother’s death. Although she still doesn’t fully understand why suffering and death exist, she’s now able to face them without becoming consumed by them.

Recently, Sal has realized there are three things that make her jealous: the fact that Ben wrote about another girl in his journal, the fact that her mother wanted more children, and the fact that Phoebe’s mother returned. However, she and Ben have exchanged valentines, and he, Phoebe, Mrs. Cadaver, and Mrs. Partridge are planning to visit Bybanks soon: “But for now, Gramps has his beagle, and I have a chicken and a singing tree, and that’s the way it is” (276).

Chapters 41-44 Analysis

Although Creech foreshadows Sugar’s death throughout the novel, she doesn’t confirm it until the moment Sal reaches her mother’s grave; in fact, she even refrains from identifying the place Sal and the sheriff drive to as a cemetery, so as to keep the reader in suspense until the last possible minute. The effect of this isn’t simply to provide readers with a twist ending, but rather to ensure that readers experience the same transformation that Sal does over the course of the novel. Sal narrates her story herself, and it isn’t until she sees her mother’s headstone that she fully believes in her mother’s death. Sal’s acceptance of a reality she spent more than a year denying is an indication of how much she has matured since the bus crash; in the aftermath of Gram’s death, Sal even takes on the role of caregiver, comforting Gramps and helping him grieve in a way that feels appropriate to him.

Sal’s acceptance of her mother’s death is intertwined with several other important realizations. She notes, for instance, that her earlier denial of the truth wasn’t so much a failing or a mistake as it was a necessary step in her grieving process, and even admits that she “still fish[es] in the air sometimes” (273). In other words, she suggests that a certain amount of storytelling—even fantastical or extravagant storytelling—is healthy, because it helps people cope with the very real pain that comes with living. The alternative, as she realizes while Gram is in the hospital, is to become so paralyzed by fear and sadness that life itself becomes impossible: “[I]t occurred to me that a person couldn’t stay all locked up in the house like Phoebe and her mother had tried to do at first. A person had to go out and do things and see things, and I wondered, for the first time, if this had something to do with Gram and Gramps taking me on this trip” (252).

As this last sentence suggests, Sal’s ability to understand the thoughts and feelings of others has also evolved over the course of the novel. In fact, the “moccasin game” she plays with Gramps is effectively an exercise in taking other people’s perspectives, and like empathy more broadly, it also helps Sal better understand herself and her own place in the world; when Sal remarks, “If I were walking in Phoebe’s moccasins, I would have to believe in a lunatic and an axe-wielding Mrs. Cadaver to explain my mother’s disappearance,” she’s struck by the parallel to her own past actions (272-73).

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