55 pages • 1 hour read
Richelle MeadA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide contains descriptions of misogyny, as well as derogatory language toward sex workers and toward those with mental health conditions.
Rose defends Lissa, mocking the other girl (whose name, as Rose and Lissa will later learn, is Mia Rinaldi). With the conflict averted, Lissa heads off to visit “the feeders,” or blood donors, and Rose finds herself feeling conflicted that she is no longer Lissa’s primary blood source. Rose follows Lissa to the feeder cubicle, instinctively looking down on the humans who have volunteered their blood. Despite the necessity of their role, the feeders are scorned because of the addiction that results from repeated Moroi bites. Now, Rose scolds herself for feeling jealous over the feeder’s blissful expression.
After Lissa feeds, they walk toward the regular lunchroom, comparing their schedules, which are similar in the afternoons, when Moroi and dhampir students study together. Because Lissa is a senior, Rose observes the oddity of Lissa’s enrollment in “elemental basics,” but Lissa reminds her that she has not specialized in her elemental magic, which is rare for a Moroi of her age. (The girls will later learn that Lissa’s supposed failure to specialize indicates that she has specialized in a rare element called “spirit,” which allows her to heal others.) Now, they sit with Natalie, Lissa’s distant cousin and Victor’s daughter. Natalie is pleased at Lissa’s return and chatters happily; when she asks where Lissa obtained blood during her two-year absence, Rose lies and claims that it is easy to find human donors; Rose does not want Natalie to realize that she and Lissa broke the social norm forbidding dhampirs to give blood to Moroi.
When questioned, Natalie tells Rose about Mia Rinaldi, claiming that Mia harbors jealousy for Lissa. Natalie assumes that this is because Mia now dates Lissa’s ex-boyfriend, Aaron. A royal Moroi named Jesse walks by and compliments Rose, who reflects that her human genetics make her appearance desirable to Moroi. As the afternoon continues, however, the novelty of her and Lissa’s return wears off. At the end of the day, Rose pulls Lissa aside, promising to find them another way to escape even though she privately has her doubts. Lissa suggests that they stay at school, as it has been a while since she has had the strange sense of being watched, which precipitated their escape. Alarmed, Rose thinks that the only other person she’d heard mention similar things was their old teacher, Ms. Karp, whom Rose considered to be “crazy.”
Rose agrees to stay and urges Lissa to stay out of royal politics: a near-impossibility, given that Lissa is destined to become the head of the Dragomir family, one of the 12 powerful ruling families of the Moroi. The girls reluctantly agree to keep distance themselves from political manipulations as much as possible, though Rose asserts that if anything “goes wrong,” they will leave the academy again. Dimitri interrupts, summoning Rose to her extra lessons. As she walks away with Dimitri, Rose finds herself “sucked” into Lissa’s head again. She “sees” Lissa retreat to the attic of the campus chapel, where she goes to be alone and enjoy the filtered sunlight through the stained-glass window (the most sunlight the Moroi can tolerate). A boy named Christian Ozera enters Lissa’s space, causing Rose to recall the two ways Strigoi can be made: by being forcibly turned by another Strigoi or, in the case of Moroi, by willingly killing someone during a feeding. Christian’s parents engaged in the latter act.
Still in Lissa’s mind, Rose recalls that Christian’s parents were killed by guardians, and Christian reportedly witnessed this incident. Lissa and Christian banter, and then he asks Lissa who really provided her with blood while she was away from school. He assumes it was Rose and promises not to tell anyone. The two sit together, discussing Christian’s specialization in fire.
Dimitri snaps Rose back to her own perspective. She explains that she was “with” Lissa, as part of their psychic bond. She is surprised when he seems briefly concerned, but he does not go easy on her during training. While she does her exercises, he explains that he trained in Siberia and was reassigned to St. Vladimir’s after his previous charge died while on another guardian’s watch.
She compliments his capture in Portland, claiming it better than the near-miss she and Lissa had in Chicago. Dimitri states that his capture was the first time the academy located the girls, but Rose insists that she and Lissa were pursued by psi-hounds in Chicago; psi-hounds are magical, wolf-like canines with superior tracking abilities, and they could only have been sent by the Moroi. Dimitri is unconvinced but lets the matter drop. (Rose later learns that Victor actually sent the psi-hounds.) Now, their practice session ends, and Rose returns to her dorm, where she finds an email from her mother, scolding her for running away.
The next day, Rose aches from the strenuous training. She scolds Lissa for befriending Christian, and Lissa scolds her in turn for remaining in her head so long, even if it wasn’t intentional. Rose warns Lissa against being seen with someone with Christian’s reputation. They go to class, and Rose resists the urge to break up a fight when several royal Moroi torment a Moroi of lower status. A conversation with Jesse causes her to recall the time she encountered “Crazy Karp” while trying to sneak out of her dorm after hours. The teacher had healed the scrapes on Rose’s hands, which was not a Moroi power that Rose recognized.
Seeking a way to circumvent her “house arrest,” Rose asks Headmistress Kirova if she can attend church. Kirova is skeptical about Rose’s religious devotion but allows her to attend Sunday services. However, Rose finds this victory limited; she is not interested in church but enjoys sitting near Lissa. She fixates on the description of St. Vladimir’s guardian, Anna, as “shadow-kissed” and asks the priest for more information. He gives her a book called Moroi Saints. Outside, she finds Aaron gossiping with Lissa about two guardians leaving their posts to marry. Rose thinks that such a thing would challenge the very basis of dhampir-Moroi society. Because dhampirs cannot reproduce with each other due to their mixed human-vampire backgrounds, they became invested in Moroi survival. This has led to the guardian system. Because of Moroi values that urge intermarriage with other Moroi to propagate their species, few dhampirs have long-term relationships, leaving many single dhampir mothers and few dhampir fathers. Single dhampir mothers sometimes create communities together; these communities are frequently visited by Moroi men, who fetishize dhampir women and refer to them using the derogatory term “blood whores” if they allow those men to drink their blood during sex. Marriage between two guardians is considered to be scandalous because it represents the abandonment of two Moroi charges.
As Lissa and Rose walk past the church, slush slides off the roof, soaking them. Mia’s smug face indicates that she used her water affinity to cause this. Rose encourages Lissa to “steal” Aaron in revenge, but Lissa claims to be uninterested in revenge. Back at her dorm, Rose spends time in the common room even though she isn’t allowed to do so. Mason asks when she’ll get revenge on Mia, speculating that due to her punishment, she’ll do it in a way that won’t get her in trouble. He reveals that, despite her airs, Mia isn’t royal; her parents are servants for a royal family. In Moroi Saints, Rose learns that Anna and Vladimir were “bound” together after Vladimir saved Anna’s life. The book calls Anna “shadow-kissed” but doesn’t define the term. (Rose later learns that Anna was brought back from the dead via Vladimir’s “spirit” powers; she will learn that Lissa also revived her from death during the car accident, forging their bond.) At this moment, she does realize that the bond between Anna and Vladimir is the same type of bond that she shares with Lissa.
Rose and Lissa settle back into Academy life. Rose makes progress in her training, although she questions Dimitri’s insistence on making her run during her extra sessions rather than focusing on combat techniques. He argues that running will be her best defense if she “kidnaps” Lissa again and encounters a Strigoi. Even so, Rose finds herself wanting Dimitri’s approval.
Rose suddenly gets a flash of Lissa’s fear and bolts toward the Moroi dorm; Dimitri follows. Frightened but unharmed, Lissa throws herself into Rose’s arms. Someone has left a slaughtered fox on her bed. Rose worries that Lissa will touch the dead animal. (It is later revealed that Rose’s private suspicions are correct; Lissa’s powers include resurrection). Now, Rose reassures Lissa, but Dimitri sends her back to her own dorm and asks her what she knows about the incident. She denies knowing anything, which is partially true; she doesn’t know who could be responsible, but she fears that whoever it is may know of Lissa’s mysterious powers.
Fueled by her anger over the incident with the fox, Rose throws herself into training, earning her peers’ praise. Mason agrees with Rose’s theory that killing a fox is not Mia’s style. Meanwhile, Natalie exacerbates Lissa’s distress by using the fox incident for attention. Jesse and Rose arrange to “slip away” for a romantic encounter, which Lissa criticizes as irresponsible.
When a boy named Ralf tries to bully Lissa, he suddenly bursts into flames; Christian used his fire affinity against Ralf, frightening Ralf but not burning him. Because using offensive spells is forbidden by the school rules and is also a taboo in Moroi culture, the incident incites gossip. Rose, concerned that “Christian might really and truly be a psycho” (111), once more urges Lissa to stop spending time with him. Lissa refuses to give up her friendship with Christian but promises to be careful. Later, when Rose feels “sneakiness” from Lissa, she tries for the first time to make their bond manifest, using meditative techniques to enter Lissa’s mind.
Through their bond, Rose sees Lissa meet Christian in the chapel. He claims that he attacked Ralf for Lissa and contends that using magic as a weapon would help the Moroi in their war against the Strigoi. He says that the Moroi and guardians used to fight together, with Moroi adding their magic to the dhampirs’ physical strength. When Lissa references Christian’s parents, he deflects, saying she can’t afford to be so judgmental about “forbidden” magic when she uses compulsion. Lissa tries to deny this, but Christian contends that it’s the only logical explanation for how she and Rose were able to survive out in the human world. He is impressed that she can use her skills against Moroi and dhampirs. As their flirtation intensifies, Lissa nervously confesses Rose’s qualms about Christian. Christian implies his willingness to use violence against whoever left the dead fox in Lissa’s bed, which alarms and thrills her.
Back in her own head, Rose feels unsettled by the growing relationship between Christian and Lissa. Later, she meets Jesse and reveals Mia’s parents’ humble jobs, knowing Jesse to be a fervent gossip. They kiss. Rose tells him that she doesn’t want to have sex, and he agrees, but he attempts to bite her during their encounter. She stops him, but her instinctual interest makes him realize that she gave Lissa her blood during their time away. He claims that she “[likes] it [like all] dhamp girls do” (122). Though his pressure upsets her, she uses humor to diffuse the tension.
Just then, Dimitri bursts in, scolding a frightened Jesse and sending him away. When they’re alone, Dimitri notices Rose’s half-dressed state; she is surprised to find herself curious about sex with him. Dimitri scolds her for getting into “that kind of situation” (125) and makes suggestive and unkind comments about her reputation. He says that Rose is unlike other teenage girls, because she will soon have someone’s life in her hands. He was her age when he met his late charge, Ivan Zeklos. Rose suddenly realizes that Dimitri’s former employer was related to Jesse. Dimitri promises to teach Rose about combat if she promises to be fully dedicated. She agrees, and they plan to start the following day.
These chapters focus primarily upon The Complexities of High School Dynamics as Rose and Lissa settle into the culture of St. Vladimir’s Academy. However, Mead punctuates these scenes with Rose’s private contemplations about the various rules and strictures of Moroi society, thereby expanding on the novel’s world-building. The protagonist’s ruminations encompass both the mores that she accepts without question and those that she dislikes, particularly given her recent experience In the “human” world with its different values. Yet for all that Rose lingers on the differences between the values of the insular vampire society and those of the human world, the novel presents these two worlds as having significant overlap, particularly in their prejudices and taboos.
As the growing stresses of the school environment introduce new conflicts and divisions that challenge the two girls’ close bond, Mead shifts the narrative’s focus to the issue of The Implicit Romance between Best Friends. For example, when Lissa returns to the “feeders”—the humans who donate blood to Moroi in exchange for the high that they feel upon being bitten—Rose confronts her conflicted feelings about donating blood to Lissa while they were on the run together. When she feels jealous at seeing the feeder provide this service to Lissa, she reassures herself that she is not addicted to the lure of a vampire’s bite. The framing of this fear not only positions addiction as a social taboo, but it also judgmentally places blame for the addiction on the person who experiences it. While the role of human feeders is later framed as deserving a certain level of respect, this role is persistently noted as “lesser” in the eyes of the vampiric community. Likewise, although the humans who provide this necessary service may merit dignity, the mores of vampiric society arbitrarily dictate that dhampirs who give blood are behaving in a way that is beneath them.
For Rose, the social taboo of addition is further complicated by the stigmatized characterization of dhampir women who share blood while having sex with Moroi, referred to, in the text, by the derogatory term “blood whores.” Rose fears that if it becomes widely known that she donated blood to Lissa, she will lose the respect of her peers. Additionally, because she enjoys the euphoric reaction caused by vampire bites, she worries that she is somehow lesser than she was prior to this experience. The novel thus presents a society in which sexual politics are particularly precarious for dhampir women, who are fetishized for their “unruly” bodies, which are perceived as being sexually desirable (and available) to the Moroi. This misogynistic portrayal of dhampir women puts them in considerable danger, and this impression is reinforced by the fact that such women are underrepresented in the guardian classes due to their frequent relegation to roles oriented around sex and child-rearing. Accusations of being a “blood whore” can result in the relegation to a “dhampir commune,” a place where dhampir women are given few ways to make a living aside from accepting wealthy Moroi sexual partners. Gossip is therefore dangerous for dhampir women like Rose, as being named a “blood whore” could leave her with little option but to become one in order to survive.
Rose must therefore walk a very fine line to preserve her status in the vampire community. She is asked to continually orient herself in relation to a perceived public idea about her sexuality, which identifies her as promiscuous despite her private insistence that she has never had penetrative sex. However, neither can she fully reject the notion of dhampirs as being inherently sexual without challenging the status quo of her society; such an act would identify her as rebellious and interfere with her ambition to protect Lissa. In Chapter 9, for example, she ignores her own discomfort and makes jokes in order to deflect Jesse’s sexual propositions rather than rejecting them forcibly. She assumes that this indirect approach will be more effective, as it safeguards Jesse’s pride. Vampire Academy thus explores and develops the genre’s conventional associations between vampirism and sex—a trope that Bram Stoker’s Dracula first established. However, Mead’s version of this trope shifts somewhat from the usual pattern, for Rose must navigate a series of complicated sexist values regarding the different sexual activities or relationships that supposedly indicate the “worth” of a woman.
By Richelle Mead