46 pages • 1 hour read
Junji Ito, Transl. Yuji OnikiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Kirie, Shuichi, and Maruyama plan to escape Kurouzu-cho before Mitsuo becomes a snail person. As they climb Kurouzu-cho’s hills, they look down on the row houses. They see one of the volunteers adding onto a house; he shouts up at them that when they return, they can live in his row house. Kirie notices that the local plant life has begun to twist into spiral shapes. Her group comes across another group attempting to leave town. The two groups realize that despite taking different routes, they ended up at the same spot; it seems all paths lead back to Kurouzu-cho. They decide to leave together.
The other group has one of their men on a lead line because he is becoming a snail; they plan to eat him once he turns. Later that evening, the man completes his transformation. One man enters the shell headfirst and begins eating the snail person raw. Kirie’s group leaves when the others begin fighting over who gets to eat the snail person. The group gets lost, and Maruyama inspects tree stumps to try and find moss to indicate which way is north. When Shuichi inspects one of the stumps, he sees the contorted body of his father in the tree rings and becomes terrified. Maruyama tries to check her watch, but its hands have bent into spirals. She remarks that “It feels like time…is leaving us behind” (543).
Kirie’s group encounters the party they left behind. The other group suspects that Mitsuo is turning into a snail, but Kirie tells them that his covered back is a backpack under a blanket, not a shell. The next day, Mitsuo completes his transformation. Kirie, Shuichi, and Maruyama run away with Mitsuo to save him from being eaten by the other group. Kirie leaves Mitsuo on a cliff, prodding him with a stick and urging him to leave; she promises to return for him. The other group catches up to them, so ecstatic over the thought of eating Mitsuo that their bodies contort into stringy spirals. Kirie’s group runs away as the men’s bodies begin twisting together.
Kirie, Shuichi, and Maruyama come across a precipice. They look down and see an enormous spiral of row houses. At first, they think the spiral is a new town, but Shuichi points out that it is Kurouzu-cho. Maruyama notes that it isn’t possible to build so much in such a short span of time—but Shuichi suggests that they are in a “time spiral” (560). When the group reaches town, Kirie decides to find her parents. She enters the row house spiral with Shuichi and Maruyama.
Kirie peeks into a townhouse and inquires about her parents. The residents do not know anything; they instead throw out a twisted corpse and ask Kirie if she could dispose of it. As Kirie, Shuichi, and Maruyama advance into the spiral, they find more contorted corpses thrown out of the row houses. A man notices the group and is revealed to be the volunteer who’d been expanding his house when they left for the mountains (in Chapter 17). He tells the group that it has been years since they left. Kirie asks him about her father, and he says that he heard of a potter living by Dragonfly Pond.
Kirie, Shuichi, and Maruyama try to find a way out of the spiral, but they keep encountering dead ends. Shuichi muses that Kurouzu-cho is cursed to endure the spiral forever: Every few centuries, the spiral comes back to haunt the town, and the town (and any memories of the spiral’s horrors) is destroyed. Shuichi spots a smoke spiral in the sky, and Kirie realizes it is tunneling towards Dragonfly Pond. The group enters a row house, trying to follow the smoke. While Kirie and Shuichi make it out, Maruyama is trapped by the residents and perishes.
Kirie and Shuichi come across a series of empty row houses. The water in Dragonfly Pond is gone; in its stead, lies a tunnel spiraling underground. The couple decides to venture down together.
As Kirie and Shuichi make their descent, the steps seem to go on forever; an unknown amount of time passes. They encounter a body whose limbs are looped in spirals. As they step over the body, it calls out to them and asks to be carried. When Shuichi denies its request, it bites Kirie’s ankle before launching itself at Shuichi, wrapping around his body like a python. Shuichi and the twisted being fall into the chasm below.
Kirie races down the steps to Shuichi. She sees light at the bottom of the chasm and comes across what appears to be an enormous ammonite fossil; it is the top of a spiral tower. Kirie cannot reach the tower and ends up falling. She thinks she is going to die, but somehow, her “body fell slowly, as if a great whirlwind were carrying me down” (599). She lands atop a pile of corpses, all knotted together in snake-like spirals.
Kirie realizes she is in a vast spiral palace full of spiral towers, orbs, and looped stones. At its center, lies an enormous orb emitting a mesmerizing light. Kirie searches for Shuichi; further in, the corpses are so old that they’ve turned to stone. Suddenly, she comes across her parents, fossilized in an embrace. Shuichi crawls to Kirie, his legs injured.
Shuichi looks at the orb and realizes it is the source of Kurouzu-cho’s curse: It emanates cursed rays every few centuries, luring the town’s residents to its underground palace. Shuichi says he is too exhausted to go on. Kirie pledges to stay with him, and they take each other’s hands. Their arms become entwined like two snakes. As they embrace, the spiral palace grows upwards towards Kurouzu-cho and completes itself. Time stands still, rendering the curse “over [at] the same moment it began” (610). As Kirie remains in Shuichi’s embrace until the end of time, she muses that a new Kurouzu-cho will be built on top of the ruins and the spiral curse will awaken once more.
The final chapters of Uzumaki are dedicated to explaining the origins of the spiral curse. There is a distinct lack of supernatural horror in Chapters 17-19; instead, the curse’s origins are purely natural. In Chapter 19, Kirie discovers a vast spiral palace of stone and organic material under Kurouzu-cho. In explaining the spiral curse, Chapters 17-19 finalize Uzumaki as a book that is frightening because it ultimately denies the supernatural. Its horror stems from the idea that the natural world could turn against and contort humankind’s way of life at any given moment.
Kirie’s escape attempts in Chapters 17-18 embody natural horror. Every attempt is thwarted by the spiral, which continuously returns Kirie to a chaotic existence. She is bound to her physical location and its new social order; so, too, is humankind bound to the planet and its natural (and man-made) laws. Kurouzu-cho’s cyclical history, wherein every few generations are subjected to the spiral curse, represents history itself. Although society advances, political events such as imperialism, tyranny, and world wars repeat themselves as humankind’s memory is “wiped clean,” convinced that these are artifacts of the past—just as Kurouzu-cho’s residents are destined to perpetuate the curse.
Although Uzumaki’s conclusion is bleak at a first glance—with every character dying as a result of the spiral curse—there is a glimmer of hope as well. In fact, hope is perhaps the most important component of Chapters 17-19. The book’s final acts are those of love and devotion. When Kirie realizes escape is impossible, she decides to commit herself to finding her parents; Shuichi and Ms. Maruyama agree to go with her out of support. Before descending into the underground tunnel, Shuichi insists on accompanying Kirie. The illustration of their clasped hands before their descent (586) mimics one of Uzumaki’s final images (607). After Shuichi realizes he cannot leave the spiral palace because of his injuries, Kirie returns his many acts of devotion by deciding to stay with him. They clasp hands once more, and Ito includes several panels of their arms twisting together like snakes (mirroring Chapter 5, “Twisted Souls”) to convey their eternal embrace and lasting devotion.
While Kurouzu-cho ultimately falls to the perpetual spiral curse (and, as Kirie notes, will continue to do so as time spirals on), love and devotion also survive to the very end. Uzumaki weaves a frightening tale, but Junji Ito makes a conscious decision to end it on a non-frightening note. Through Kirie and Shuichi’s eternal embrace, Ito makes it clear that humankind’s most enduring trait is not cruelty, but the ability to endure—to love and be loved.
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