logo

61 pages 2 hours read

T. J. Klune

Under the Whispering Door

Fiction | Novel | Adult | Published in 2021

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 14-17Chapter Summaries & Analyses

Chapter 14 Summary

Everyone is wary as Alan Flynn, an angry-looking young man, arrives at the tea shop. He refuses to believe what Hugo and Mei tell him. Alan tells them about how he was murdered and left in an alley begging for help, but no one listened. He does not believe Hugo understands him and, after drinking his tea, goes into a rampage, knocking over the tea set and flipping any physical thing he is able to touch. Hugo consoles him, telling Alan that everything that happened to him is real, but that he understands that it is not fair. He promises that he will do what he can to show him that there is more to the world than the anger he knows now. Hugo tells the others to go as he takes care of Alan.

Mei, Nelson, and Wallace talk about how the Reapers and Ferrypeople get the files. Distrustful of the Manager that writes them, Wallace wonders if they actually get the files after a person’s death or if they would have time to save people like Alan. Feeling accused by Wallace’s assumption, Mei says there is no other way because death happens no matter what. Wallace regrets what he said and goes to take a walk to the backyard to clear his head.

In the backyard, Wallace immediately sees Cameron and can’t move before the Husk grabs hold of him. Wallace sees stars flash before him and then realizes he is seeing Cameron’s memories. He sees memories of Cameron’s parents’ disappointment in him and years of solitude, but also of three years living with the man he loved before his sudden death. Wallace then sees one of his own memories from a few weeks ago: He asked Mei the longest time a guest had stayed at the tea shop, and she said two weeks, but it was always harder for those who took their own lives.

Wallace tells Cameron he is sorry before they are pulled apart by Mei and Hugo. Wallace only sees the Husk, despite hearing Cameron tell him that he was still there. Hugo looks devastated as Cameron turns and walks away, and Wallace never wants to see him so unhappy.

Chapter 15 Summary

Alan tries to leave the tea shop, but his skin begins to flake. He returns, blaming Hugo for his problems. Wallace suggests they close the tea shop, afraid of what Alan can do, but Mei says Hugo knows what he’s doing. Wallace tells Alan to stop when he tries to attack Nelson, stating plainly that his only options are to stay in the tea shop, become a Husk, or go through the door. He feels hypocritical because Alan is acting exactly as he did when he first arrived.

Hugo pulls Wallace aside to tell him he will have to spend more time with Alan the next few days. Both regret this and admit that they like spending time together. Wallace tells Hugo that he saw Cameron’s memories, and Hugo is surprised that the Manager had lied to him about Husks losing themselves. This revelation makes Hugo thoughtful. He calls Mei and tells her to give Wallace a hug for him because he and Wallace cannot touch.

Wallace talks with Nelson about Nancy and how it feels to lose a child. Nelson tells him that people always have things they want to say but don’t think to say before it’s too late. Wallace considers this later as he talks with Hugo, and asks him if he would want to be with him if things were different. Wallace is surprised when Hugo says yes. 

Chapter 16 Summary

Wallace daydreams of meeting Hugo at different times, such as wandering into the tea shop when he was alive. Wallace thinks Alan is learning to accept his death, but one day, Nancy returns to the tea shop. Alan tries to get closer to her and Hugo than Wallace is comfortable with. Wallace tells Alan that Nancy is off limits, but as she is leaving, Alan shouts her name. He knows that Nancy heard him. Alan tries to go after her, but the others are able to stop him. Nelson tells Wallace to let Alan be and that he will eventually come around.

Later, Wallace finds Hugo in the backyard in the middle of a panic attack. He stays with him, silently letting Hugo know he is there. They talk about death, and Wallace is surprised to learn that Hugo is still not used to it. He tells Hugo he has faith in him to help Alan. They both confess that they wish they had met one another when Wallace was alive.

Harvey, the local health inspector, pays the tea shop an unexpected visit. Nelson promises to be on his best behavior, even though he is convinced the health inspector has it out for Hugo because Hugo once rejected him romantically. As Harvey heads into the kitchen, Wallace hears Alan move from the spot he had been standing in all day. Alan says that Harvey looks just like the man who killed him. He discovers that his anger gives him power, which he uses to lift Harvey in the air and choke him without touching him. He does the same to the others, holding them back so they cannot move. Wallace, however, realizes that dying has made him brave. Wallace tackles Alan, who is in the middle of threatening him, and Alan abruptly stops. Wallace sees that everyone else has also stopped moving, and the clock on the wall stands perfectly still. He touches the hook in his chest, but he somehow feels it is dead. Outside, he sees a bright light, and then the shadow of the antlers of a great stag. It is the same one he thought he saw the night he tried to run away.

Chapter 17 Summary

The stag is bigger than any Wallace has seen before and its antlers are covered with lights and flowers. As soon as it appears, the stag vanishes, and a little boy takes its place. He is wearing the flowers in his hair and a shirt that says “JUST A KID FROM TOPEKA” (439). The boy comes to the door, telling Wallace they need to talk, but Wallace is terrified and wants him to leave. The boy enters, and Wallace knows he must be the Manager.

Though Wallace is clearly powerless, the Manager calmly says he has been excited to meet him. He says he feels bad for Alan and all of his anger. The hook in Alan’s chest appears before the Manager pulls it out of him, and Alan drifts up toward the ceiling. The Manager takes Wallace to the door at the top of the stairs but promises not to force him through it. However, he says he will do so with Alan.

The Manager tells Wallace that he does not know why Wallace is still here. He claims that he is an anomaly who is affecting Hugo’s ability to perform his duties as a Ferryman. He gives Wallace one more week to stay in the tea shop before he will return to escort him through the door. Wallace tries to bargain with him, saying that he will do what the Manager wants if he helps Cameron, but the Manager does not care about the Husks or about what Wallace thinks. He leaves Wallace and sets time back to normal, promising to return in one week.

Chapters 14-17 Analysis

By this section of the book, Wallace’s character has undergone significant change. When he meets Alan, Wallace is able to see how terrible he acted toward the others in the first few days after his death. Like Wallace was, Alan is a nuisance to those around him, but the difference between them shows in Alan’s intense anger and his violent outbursts. While Wallace was also in denial about The Transitory Nature of Life and the tea shop family’s role in his transition, his anger was driven by fear and an unwillingness to accept that everything he’d worked for all his life had been so quickly rendered meaningless. Alan, on the other hand, is driven by the pain of being ignored as he died, and he wants to hurt others the way he has been hurt. Wallace feels hypocritical when tells Alan, in no uncertain terms, what his choices are; he knows that like Alan, he thought there was a way to escape death, and that the tea shop family was simply refusing to listen. Wallace’s acceptance of his found family and everyone’s faith in Hugo makes them oblivious to the harm Alan can, and does, cause.

Wallace’s growth is made most clear by his effort to protect Nancy from Alan, even though he had been insistent on knowing what she was doing with Hugo just weeks before. Not only was Wallace trying to protect Hugo’s feelings by stopping Alan, but he knew that bothering Nancy after what she had gone through would be objectively wrong. This reveals a major shift in his values; he is not the same man who fired his paralegal over a small mistake when her life was already spiraling. Wallace hasn’t changed completely—he doesn’t trust the transition process the way Hugo and the others do, and with his preconceived notions of the afterlife shattered, Wallace finds himself bereft of religious faith. However, in exchange, he’s come to trust those in the tea shop. When he accuses Mei of being too trusting of the Manager and possibly having the opportunity to save people like Alan before they die, it doesn’t take much convincing for Wallace to realize that he is in the wrong, and he goes to think about what he has done quietly without taking it out on anyone else. Not only has Wallace learned to care for others, but he is also able to acknowledge his mistakes with maturity and grace.

Memories take on a new power in these chapters as Wallace encounters Cameron up close for the second time. Cameron’s memories are more poignant with the added context of what happened to him; they are also the first sign that the Manager is either not all-knowing, or a liar, as Cameron clearly has not lost his humanity after all. The scene between Cameron and Wallace emphasizes Found Family and the Importance of Connection, as it is only through Cameron reaching out to Wallace that the tea shop family understands he can be saved after all. This sets up the plot for the novel’s climax, which ties Wallace’s connection to Hugo and the others with the idea of rescuing Husks.

The topic of free will also resurfaces with the Manager’s first official appearance. Once again, the Manager represents a contrast between respecting free will and demonstrating unimaginable power; he promises not to force Wallace through the door, but he makes Alan transition with nothing more than an idle comment about Alan’s rage. This isn’t dissimilar to his treatment of Hugo’s former Reaper, indicating that the Manager primarily cares about disruptions to his routine. This notion is strengthened by the Manager’s reasoning for giving Wallace a time limit: He believes that Wallace is distracting Hugo from his duties, which throws a wrench in his carefully controlled system. Although he does not literally send Wallace through the door like he does with Alan, the Manager still takes away Wallace’s free will and forces him to face The Transitory Nature of Life even though he is not yet ready. The fact that the Manager does not seem to understand that Wallace lingers out of his developing love for Hugo further proves that, while the Manager may preside over life and death, he cannot truly understand human behavior.

Wallace and Hugo’s relationship takes a turn into tragic romance as the two finally confess that, were things different, they would want to be together. Just before confessing to Hugo that he wished he would have met him when he was still alive, Wallace claims that “honesty was a weapon” (420). When Wallace confesses his feelings for Hugo, he uses honesty as a weapon “upon himself, and he [is] flayed open because of it, nerve endings exposed” (420). This is a different sort of painful truth than many of the others in the novel, such as the fact of Wallace’s death or the reality of Mei’s family’s rejection of her. In this way, Klune shows how Wallace’s open vulnerability is something painful; however, this use of honesty eventually makes him and his relationship with Hugo stronger. Emboldened by the knowledge that their feelings are mutual and that he has a set end date for his time with him, Wallace is finally able to shed the remnants of his past, as well as his fear of transitioning, and demonstrate just how much the power of connection has changed him.

blurred text
blurred text
blurred text
blurred text