35 pages • 1 hour read
Philip K. DickA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
A man offers to fly Joe to Des Moines in exchange for the bottle of “Ubique,” which is an antique. When Joe arrives in Des Moines, he calls the mortuary and is told that “Mr. Runciter will be lying in state for the balance of today and tomorrow morning” (145). The mortuary sends a car and a man named Mr. Bliss to pick up Joe and bring him to the funeral home. Every person and object Joe sees now appears to be from the 1930s. Mr. Bliss’ racism reminds Joe how far people have come since that time, and why it might not be a good thing to remain stuck in this time.
Joe reunites with the inertials after the funeral and discusses the situation with them. It appears they’re all stuck in the 1930s, just like Chip. Joe explains, “We haven’t gone anywhere. We’re where we’ve always been. But for some reason…reality has receded; it’s lost its underlying support and it’s ebbed back to previous forms” (153).
Joe goes inside to view Runciter’s body, which appears shriveled and burnt like Wendy’s. This frightens Joe who returns to the group outside. The inertials tell him that Edie Dorn left the group to go back to the hotel. Joe fears the same thing will happen to her that happened to Al and Wendy because she is separated from the group: “If any one of us gets separated from the group,” Chip tells them, “he won’t survive” (156). They split into two groups and borrow cars. They hope to make it to Edie Dorn before she dies.
Joe realizes that his people are tired even when they’re nearby other inertials. He asks Pat why she hasn’t used her ability: “Do what you did when I first introduced you to Runciter” (159). She claims that she hasn’t been able to use her power since landing on Luna. A cop pulls Joe over and gives him a citation with a special note on it that reads, “You are in much greater danger than I thought. What Pat Conley said” (161). Joe reads further and sees mention of Archer’s Drugstore. He finds out that the drugstore has been closed for a while. When he approaches it, the building oscillates between different forms—one of the past, one of the future: “A shimmer, an unsteadiness, as if the building faded forward into stability and then retreated in to insubstantial uncertainty” (163).
Joe chooses the past form of the building to enter. He approaches the druggist and asks for Ubik. The druggist explains that it’s expensive, $40. Chip just wants to look at the bottle. The message from the citation continues on the bottle. The message tells Joe that Pat’s claim about not being able to use her ability is a lie. Joe returns to the hotel. Another inertial, Don Denny tells him about Edie: “We found her…[a]nd it wasn’t pretty, not pretty at all” (167). Edie Dorn is dead. Pat approaches the two men. They show her the citation and accuse her of lying to them. He accuses her and Ashwood of working for Hollis and infiltrating Runciter Associates. He asks, “Is this what really happened to us—not the bomb blast but you?” (169). Pat smiles. A bomb in the lobby detonates.
Denny leaves to go get a doctor. Joe asks to be taken to the elevator to go back up to his room. He wants to be alone. He feels tired and now looks like Edie Dorn when she died. Pat brings Joe to the elevator, showing no remorse for what’s happening to him. He feels compelled “to stretch out, on his back, alone, upstairs in his hotel room” (172). The elevator, however, reminds him of the one Al saw, so he takes the stairs.
Joe struggles with his disintegrating body on the staircase, again feeling compelled to be alone. Pat, however, enjoys watching him suffer. She admits to working with Hollis and Ashwood to bring down Runciter and his team. She says, “you are dying off, one by one” (175). Joe continues to struggle up the stairs, and, once he’s reached the top, Pat gives him the keys to his room and leaves him to die. Inside, Joe sees Runciter seated in a big chair. Runciter He holds up an aerosol can of Ubik and sprays Joe with it. “It should work on you right away,” Runciter says, “you should already be getting a reaction” (181).
The most important revelation in these three chapters involves Pat Conley’s connections to the Hollis Corporation and her plot to kill all of Runciter’s inertials. Pat represents Joe’s greatest fear involving what happened on Luna: that they may be stuck in a time lapse from which they cannot escape. Pat kills off those closest to Joe first, or those whom she simply does not like. To Joe, Pat represents a kind of pure evil:
Something…has crushed me like a bent-legged insect, he said to himself. A simple bug…which can only descend step by step into what is deranged and foul. Into the world of the tomb which a perverse entity surrounded by its own filth inhabits. The thing we call Pat (178).
With this condemnation, Dick asks a new question in the novel: can such a thing as a pure evil (or filth, as Dick put it) exist? How does one fight against a malice so pure? This is not a new question for authors to tackle, as we have seen it asked throughout the history of literature. One might say that Pat exists as an allusion to the Devil or Satan. Also, no one really understands the power Pat wields and how exactly it manifests itself. Runciter and Joe will need to understand what is happening, should they hope to return to normal.
Positioning Pat as a Satanic figure also puts her in direct conflict with Ubik, which exists as a form of divine intervention representing God. From this perspective, the novel’s central conflict is framed as a battle of Biblical proportions over Joe’s life and soul. Yet as forthcoming chapters will show, Pat’s exact role in orchestrating the explosion and the time slippages is far from settled. Given Pat’s jealousy as a spurned lover of Joe’s, it is possible that her admission of guilt is a false one, an instance of taunting designed to hurt Joe. In any case, the narrative will soon reveal that a different character other than Pat is the book’s true Satan figure.
By Philip K. Dick