47 pages • 1 hour read
Tristan BancksA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
One of the most pervasive drivers of conflict in Two Wolves is the relationship between Ben Silver and his father, Ray. However, this is not the only father-son relationship explored by this text; the novel also dives into Ben’s grandfather and the effects of his actions on his two sons, Ray and Chris. This exploration of paternal relationships is central to the text and characterizes the text’s male characters. Through exploring these relationships, the narrative presents examples of multiple father-son relationships, including both relationships that continue toxic cycles and a central relationship that demonstrates that those cycles can be broken.
Though Two Wolves employs a third-person perspective, the writing is from Ben’s perspective; the reader has access to Ben’s thoughts and opinions, and the narrative follows his journey. When Ben’s father is introduced in Chapter 2, the description is therefore based on Ben’s impressions, which shows the relationship that they have established before the events of the story. Ben’s father is described as “skinny and serious” with an “armful of tattoos, black wraparound sunglasses, and a dirty cap with a gas company logo on it” (12). From the visual description, the reader gains the impression of a man who values open displays of masculinity and toughness. It’s no surprise, then, that he frequently clashes with his son, who is sensitive, sweet, and thoughtful. Ben’s father’s response to his son’s personality is frequently verbal abuse; for instance, when Ben is scared to enter his grandfather’s abandoned cabin, his father first mocks him, calling him a “big girl.” Then, when Ben has his back turned, he jumps out and scares him, causing his son to scream.
While Ben resents this treatment, he also replicates his father’s behavior early in the story; he teases his little sister and lashes out physically when his father steals his journal. Above all, Ben internalizes his father’s insults and has low self-esteem. Their early relationship asserts the importance of a father-son relationship; boys learn to be men from their fathers, and Ben’s father teaches Ben that manliness is cold, harsh, and sometimes violent. This is reinforced when the narrative reveals more details about Ben’s grandfather. Early on, he is a bit of a mysterious figure, but Ben learns that he was a thief and a scammer, and Ben’s father and uncle inherited his criminal tendencies. His grandfather also neglected his sons, hinting that Ray’s coldness might be modeled after his own paternal relationship. The Silver family shows how a poor father-son relationship can result in sons replicating their fathers’ worst characteristics.
This causes a crisis within Ben, who has always desired to be on the right side of the law and to become a detective. He continually worries whether having criminal parents “mean[s] that you [are] more likely to become a criminal too” (135). However, during his and Olive’s escape into the woods, Ben acts differently than his father would, becoming a protector for his sister and ensuring they make it out together. By the end of the narrative, he stands up to his father by doing the right thing, a move that proves to be right for his family—a year later, they are more stable, casting Ben as a provider of sorts. When forced to physically fight his father, Ben comes out on top, demonstrating that he can defend himself even while being a sensitive person. After this, Ben decides that he doesn’t need to lead a life of criminality; he can make his own choices. While sons can inherit their fathers’ toxic behaviors, sons also have the power to break harmful cycles and create new models of masculinity.
In Two Wolves, different characters behave in contradictory and conflicting ways depending on their personal concepts of justice. Ben’s parents steal money and flee because his father feels like they deserve it; the police chase them to pursue legal and societal justice; Ben hides the money to eventually give it to his little sister, hoping to provide for her; and Ben’s grandmother hides her family to protect them, demonstrating familial loyalty. By exploring these differing conceptions of what “justice” means, the novel demonstrates that right and wrong are related to a person’s individual values, with the latter always affecting the former.
Toward the end of the story, the reader finds out why Ben’s father originally stole the money: He needed to pay off debts from his car-wrecking business. Ben’s father clearly believes that he deserves this money; and while he ostensibly wants to protect his family, his concept of justice ultimately only applies to himself. He sacrifices his family to keep this money and not get caught by the authorities; a clear example of this is when he imprisons his children in the cabin with no food, bathroom, or information about when he’ll be back. During the final confrontation between him and Ben, he bites Ben, drawing blood to get the money back, symbolizing how fiercely he values self-preservation over family. To Ben’s father, the money is justice, and since he believes he deserves it, it becomes a slight against him when it is taken away.
The police, on the other hand, are shown to have the opposite concept of justice and pursue Ben’s father because he has broken the law. They present an easy-to-follow moral code, reacting only to crimes like stealing money or driving erratically. While Ben wants to be a police officer and believes in his role as a law-abiding citizen, he has to contend with different ideas of right and wrong in the novel. Justice, in Two Wolves, is relative, not absolute. He would have never stolen money on his own, but once he is fleeing with his family, he decides to hide it rather than turning it over right away, thinking that “[h]e [knows] how crazy it was, how wrong” (157). Ben’s concept of justice, in this situation, shifts because his personal values—specifically, his love for his sister—prevail over the law. Later, when his sister asks why they don’t surrender, he asserts that his main motivation is keeping them safe and together rather than putting them into foster care. For him, justice is a united family. Ben’s grandmother makes the same calculation and decides to hide her fugitive family instead of turning them over immediately. Her love for them outweighs her commitment to society’s concept of justice.
By the end of the narrative, while Ben is back on the right side of the law—he is getting the hidden money to return it to the police—he has also accepted that his personal idea of justice might differ from others. For example, lets his father escape back into the bush, even after their physical altercation. Instead of feeling like the “bad wolf” inside him has triumphed over the good, he figures out that there are no wolves inside him at all, “[a]s though he had released his wolves from captivity” (226). Ben’s transformation involves accepting that his concepts of right and wrong are malleable, which allows him to have peace, releasing him from his previous assumptions.
Early on in Two Wolves, Ben reads a notebook that originally belonged to his deceased grandfather. On the last page of the notebook, Ben’s grandfather wrote:
An old man tells his grandson one evening that there is a battle raging inside him, inside all of us. A terrible battle between two wolves. One wolf is bad—pride, envy, jealousy, greed. The other wolf is good—kindness, hope, love, truth. The child asks, ‘Which wolf will win?’ The grandfather answers simply, ‘The one you feed’ (19).
Though his grandfather died while he was a toddler and they never had this conversation in real life, his grandfather’s character choices in his parable are easily interpreted as him and Ben, grandfather and grandson. As such, the question of the two wolves becomes the foundation for Ben’s coming-of-age arc and affects how he defines himself as a man.
Throughout the novel, Ben ponders these words continuously. He worries over which traits he’s feeding and whether that means the bad wolf will win. These concerns are amplified by the continuing and changing nature of The Relationship Between Fathers and Sons explored by the narrative—Ben dreams of his father in the form of a vicious wolf, clearly associating his father’s characteristics with being bad. While Ben doesn’t want to be like his father, he recognizes some of these traits in himself, such as his initial treatment of his sister. Still, he resists acting like his father, especially after realizing his father is a criminal. When he finds out that his grandfather and uncle were also criminals, his concern over the wolves inside him heightens, and he worries that becoming the bad wolf is inevitable. Toward the end of the story, while Ben and his family are hiding out behind his grandmother’s henhouse, the wolves factor into his decision-making in regard to giving himself up to the police, thinking of himself as the “wolf” behind the henhouse. In this moment, the good wolf wins out, representing Ben’s break with his family and his decision to be a law-abiding citizen.
However, at the end of the story, Ben doesn’t decide that he’s going to feed the “good” or the “bad” wolf; instead, he decides to reject the entire premise of his grandfather’s words, writing that “he felt empty now, totally empty. In a good way. As though he had released his wolves from captivity” (226). Through battling his father, Ben defeats the main source of his misery. His father is the embodiment of the “bad” wolf Ben sees within himself—the criminality passed down through generations that he doesn’t know whether to escape. In triumphing over him, he triumphs over the battle within himself. The wolves within him no longer matter because he learns that he doesn’t need to have the battle to be a person. In rejecting the premise of the parable, Ben rises above it and gains a greater understanding of his own motivations and personality, ready to move into the future without his father’s influence.