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28 pages 56 minutes read

James Joyce

Two Gallants

Fiction | Short Story | Adult | Published in 1914

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Background

Historical Context: Ireland in the Late 19th and Early 20th Centuries

Joyce’s publication of Dubliners in 1914 corresponded with a tumultuous period of Irish history. During the late 19th and early 20th centuries, Ireland experienced both political and economic struggles. Joyce remained highly conscious of Ireland’s national struggle throughout his career and indirectly explored these issues in his fiction.

“Two Gallants” is set in the late 19th century of the author’s boyhood. The specific event that likely inspired the story was the fall from grace of the Irish politician Charles Stuart Parnell. The disgrace of Parnell, a prominent Irish nationalist leader, had significant ramifications for Irish nationalists who wanted independence from the United Kingdom. Parnell was a key figure in the fight for Irish Home Rule (self-government), and his downfall stemmed from his affair with Katharine O’Shea, the wife of a fellow Irish member of Parliament. The affair became public knowledge in 1890, causing a scandal that rocked Irish politics. In the context of Victorian morality and the religious beliefs of Parnell’s predominantly Catholic supporters, his political career became untenable (Callanan, Frank. “The Parnellism of James Joyce: ‘Ivy Day in the Committee Room.’Joyce Studies Annual, vol. 2015, pp. 73-97). The repercussions of Parnell’s disgrace were deeply felt within the Irish nationalist movement. As Parnell was seen as a heroic figure by many Irish nationalists, his downfall was viewed as a betrayal by those who trusted him to deliver political change for Ireland.

Ireland’s economic decline in the late 19th and early 20th century was also intertwined with its historical relationship with the United Kingdom. British policies, such as land ownership laws and trade regulations, often favored British interests over those of the Irish population, contributing to economic exploitation. Furthermore, the Great Famine of the mid-19th century (1845-1852) had devastating consequences for Ireland’s population and economy. The failure of the potato crop, exacerbated by British policies and inadequate relief efforts, led to mass starvation, disease, and emigration in Ireland. Irish industries also faced challenges during this period. The decline of traditional sectors such as linen, wool, and shipbuilding, coupled with competition from British manufacturers, undermined the economic vitality of Irish cities like Dublin, further hindering economic growth.

Joyce does not directly depict Ireland’s political and economic turmoil in “Two Gallants.” However, his focus on two Dubliners who rely on petty crime and gambling to get by suggests that the characters are representative of the city’s bleak economic landscape and Ireland’s Social Decline. Meanwhile, Joyce’s theme of Suspicion and Betrayal reflects the disillusionment of Irish nationalists who placed their hopes for the future in Parnell. The author’s reliance on narrative realism separates his work from other Irish poets, novelists, and playwrights of the early 20th century who romanticized their depictions of the nation.

Authorial Context: The Story’s Place in Joyce’s Career

Eventually published in 1914, Dubliners reflects Joyce’s early work as an author. In this collection, he presents a stark and realistic depiction of Irish culture and society. He would continue these themes in his later novels A Portrait of the Artist as a Young Man and Ulysses. While “Two Gallants” aligns with Joyce’s artistic vision and development, the story also differs significantly from the author’s later modernist narratives. In A Portrait of the Artist as a Young Man, Joyce uses such avant-garde devices as stream of consciousness to depict the protagonist Stephen Dedalus’s consciousness. Meanwhile, the passages in “Two Gallants” reflecting Lenehan’s thoughts rely on the conventions of literary realism or naturalism. The story also does not utilize the complex structural features that distinguish Ulysses. In “Two Gallants,” Joyce continues to rely on conventional plot elements even as he subverts them to achieve an impact on the reader.

Joyce’s “Two Gallants” can be interpreted from the perspective of two literary traditions. First, the bleak and realistic nature of the story’s plot reflects the late-19th-century Naturalism movement. This movement included such key figures as Gustave Flaubert, Frank Norris, Jack London, and Stephen Crane. Naturalistic plots eschew romantic notions and focus on the bleak motivating factors that impact human behavior. These authors frequently applied Charles Darwin’s evolutionary theory to their work, presenting characters’ actions as a response to the individual’s external environment (Stasi, Paul. “Joycean Constellations: ‘Eveline’ and the Critique of Naturalist Totality.” James Joyce Quarterly, vol. 46, no. 1, 2008, pp. 39-53). The characters, plot, and setting presented in “Two Gallants” conform to this genre.

Joyce’s reliance on symbolism, imagery, and narrative ambiguity in “Two Gallants” also reflects the traditions of literary modernism. For example, the harp symbolizes the weary, mournful quality of Ireland. Meanwhile, the story’s ambiguity occludes Lenehan’s true motivations from the reader. The open-ended nature of the conclusion also subverts readers’ expectations. This feature aligns with the modernist approach in challenging literary conventions and establishing new modes of representation.

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