logo

48 pages 1 hour read

Thomas King

Truth and Bright Water

Fiction | Novel | Adult | Published in 1999

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Prologue-Chapter 10Chapter Summaries & Analyses

Prologue Summary

Content Warning: This section refers to domestic abuse, child abuse, emotional manipulation and abuse, sexism and sexist language, anti-gay language, animal death, suicide, and colonial trauma.

The narrator, Tecumseh, describes the Shield, the river that separates the American town of Truth from the reservation of Bright Water in Canada. The Shield connects three of the area’s most visible landmarks: the bridge between Truth and Bright Water, twin stone pillars called “the Horns,” and a dilapidated church. The church was initially built by Methodists for the local tribes and then passed through the hands of many other Christian denominations before falling into disrepair.

Chapter 1 Summary

Tecumseh, his dog (Solider), and his friend (Lum) are hanging out by the river. Lum has a gun, and the two boys take turns shooting at the bridge to pass the time. Their conversation turns to the prospect of getting summer jobs and to the reappearance of Monroe Swimmer, a famous artist who comes from Bright Water. While the boys talk, a woman in a truck drives out to the Horns. She gets out, performs a short dance, and throws the contents of a suitcase into the river. As the boys watch, she turns the radio on in her truck before jumping into the river herself. The boys rush to the place where the woman should have hit the water. Not only do they not find her, but they discover that her truck is also mysteriously gone. The only evidence they find is what the woman threw from her suitcase—a human skull with a red ribbon looped through the eye sockets.

Chapter 2 Summary

The next day, Tecumseh tries to tell his mother about the woman who jumped into the river. His mother, a hairdresser, largely ignores his story since she’s tending to a client. Tecumseh also tries to tell the client, Lucy Rabbit, about the jumping woman, but Lucy is more preoccupied with getting a hairstyle that will make her look like Marilyn Monroe. As Lucy and Tecumseh’s mother chat, it’s revealed that the narrator’s aunt, Cassie, has come to town and that Tecumseh’s mother will be visiting her for a few days.

Chapter 3 Summary

Tecumseh visits his father, Elvin, who is talking to a real estate agent, Miles Deardorf, and a local named Skee Gardipeau. Miles announces that he has sold the rundown church to Monroe Swimmer. None of the men can imagine what Monroe would want with the church. The townspeople have varied memories of what Monroe was like before he gained notoriety in Toronto. Some remember him as a prankster, while others remember “a darker side” (25) to the talented young artist. As Miles tells it, Monroe became famous for painting an uncommissioned mural on a posh restaurant’s window while customers inside watched. The stunt vaulted him to national fame, but now he has allegedly returned to his hometown, though no one has seen any signs of him.

Chapter 4 Summary

Tecumseh again visits with his father, a craftsman, who is building figurines of wolves he believes he can sell at high prices to white consumers. They head to a local restaurant, where Elvin shows the figurines to Skee, who is skeptical about whether they will earn as much money as the father hopes. Skee, Elvin, and Tecumseh discuss what job Tecumseh will take on for the summer; Tecumseh tries to broach the topic of the jumping woman, but the conversation moves on before he can.

Chapter 5 Summary

Tecumseh relates the history of the “Cousins,” a group of wild dogs who live around the church. The locals tell many stories about the purpose of the Cousins, including that missionaries brought them to police the local population and that the dogs helped guard early encampments against soldiers and ghosts.

Chapter 6 Summary

Soldier goes missing, so Tecumseh goes out in search of him. His search leads him to the church. He finds that Monroe has been painting the church’s exterior such that the building itself blends into the landscape around it. He finds Soldier inside the church, where he also encounters Monroe. The famous artist is nothing like what Tecumseh imagined: He uses a wheelchair, wears a wig, and assumes that Tecumseh has come in search of employment. Tecumseh plays along because Monroe tells him that he’ll be paid handsomely for his work. The nature of the work, though, isn’t immediately clear. Tecumseh sees that Monroe has painted a platform green to blend in with the grass and titled it “Teaching the Grass About Green” (43); he has also painted a kite blue and called it “Teaching the Sky About Blue” (49).

Chapter 7 Summary

Tecumseh and his mother travel to Truth, where Cassie is visiting Tecumseh’s grandmother. Tecumseh has fond feelings for Cassie but also wonders about some of her more mysterious attributes, like the tattoo on her hand associating her with the American Indian Movement (AIM). Cassie regales the family with tales of her travels abroad, but Tecumseh notices that there’s tension between Cassie and his mother and grandmother. At one point in the conversation, the grandmother mentions the name “Mia,” and both Cassie and Tecumseh’s mother immediately avoid the subject. The discussion instead turns to Monroe’s return, and Tecumseh’s mother asks Tecumseh to leave the room and tend to the chickens outside. Tecumseh reluctantly obeys; he tries to eavesdrop on the women’s conversation but never hears anything he can make sense of.

This chapter is interpolated with Tecumseh’s memories of the time Cassie brought a Swedish woman to visit. Tecumseh remembers visiting the pair at night in their room, where the Swedish woman was wearing nothing but her undergarments. They began to play a game of poker, and the Swedish woman asked Tecumseh if he had ever seen a woman naked before. As the game went on, the woman eventually removed her bra. Auntie Cassie sent Tecumseh away late in the night.

Chapter 8 Summary

Tecumseh describes a quilt his mother sewed that began as a conventional quilt but eventually began to incorporate hair, quills, chicken feet, and even razors. Elvin postulates that the quilt is the mother’s way of “dealing with frustration and disappointment” (62). The quilt also depicts people and places, some of which Tecumseh interprets to be himself, his father, and Truth and Bright Water.

Chapter 9 Summary

Tecumseh theorizes about why the woman jumped into the river. His first thought is that the woman was angered by a romantic betrayal, but this idea doesn’t account for her dancing. His next thought is that she was grieving the death of a loved one and wanted to die by suicide, but this theory doesn’t explain the presence of the skull in her suitcase.

Meanwhile, Tecumseh finds Lum in his house with the skull. The boys argue about where to hide it, eventually deciding on a space in the rafters. Afterward, the boys go out to the railroad yard, where they discuss the indignity of a summer job cleaning boxcars and the possibility of getting a job that would instead take them out of Bright Water. Lum races the train as it comes in, eventually daring to get on the track in front of it as he runs.

Chapter 10 Summary

Tecumseh remembers a time his mother planned a vacation while his parents were still together. His father, citing financial concerns, resisted the idea of a hiking vacation from the start, but his mother insisted. After a day spent in their tent because of rain, Elvin returned to town saying he’d be back to get them later that day. He never returned, and Tecumseh and his mother eventually took the bus home.

Prologue-Chapter 10 Analysis

The novel begins with a two-page prologue that describes three of the narrative’s most important symbols: the Horns, the church, and the Shield. This heavy emphasis on the geographic layout of the area creates a clear visual of Truth and Bright Water as places that the Shield both divides and connects. In this way, the Prologue symbolically lays the groundwork for many of the novel’s overarching tensions. This is a book that deals with the desire to mend the bridges between family members who no longer want to live together, with the need to explore the outside world without sacrificing devotion to a community that’s rooted in a specific place, and with the seeming impossibility of making sense of a history that’s been kept secret. The Shield acts as a visual symbol of all the novel’s themes that deal with division and the longing for connection, including Loyalty to a Community Versus the Desire to Leave Home and The Search for an “Authentic” Indigenous Identity.

The jumping woman, whose actions set the main plot in motion, will haunt Tecumseh until the novel’s final chapters and is another symbolically rich starting point for developing the novel’s central tensions. The jumping woman’s motivations are unknowable for Tecumseh; he spends the entirety of Chapter 9 theorizing about why she jumps and what she’s doing with the skull. Even though her motives are inscrutable, her figure is immediately familiar to the boys, so much so that Lum thinks she might be his mother. This dichotomy embodies one of the novel’s primary tensions: the desire to know more about a mysterious personal history. These opening chapters set up a number of such mysterious histories, such as Monroe’s relationship to Bright Water, the reasons for Tecumseh’s parents’ estrangement, and the identity of the woman named “Mia,” whom the women of Tecumseh’s family only discuss in whispers.

This section of the novel also touches on mysterious histories that meld the personal with the political. One of Cassie’s defining attributes in Tecumseh’s mind is the tattoo on her hand that says “AIM”; he reflects that “I don’t know if auntie Cassie has really been a member of the American Indian Movement or if she just got the tattoo to be cool” (56). The American Indian Movement is a grassroots political movement started by formerly incarcerated Indigenous men in the late 1960s. The movement began by bringing together Indigenous people in urban areas to combat issues facing the community, such as police brutality and poverty. Cassie’s potential association with the AIM characterizes her as someone worldly and connected to urban centers separate from Truth and Bright Water. For Tecumseh, the association also raises the idea that Cassie might be someone who has different answers to the questions that plague Elvin, his mother, and the other members of the community—questions about how to form Indigenous identity in the face of colonial trauma and ongoing oppression. Cassie’s possible ties to the AIM suggest new ways of thinking about these issues, but the truth of this history, like so many others in this novel, is one Tecumseh must work to uncover.

This opening section also sets the tone for how the novel is structured. Though the first few chapters follow a linear approach to storytelling, King quickly begins to employ a less conventional narrative structure. Chapter 5, for instance, breaks away from the narrative of Tecumseh’s life to tell the history of the Cousins. The narration in this chapter, still using Tecumseh’s first-person voice, incorporates histories from other members of the community to give information about the Cousins. This nonlinear approach to narrative-building reflects a non-European oral storytelling tradition.

blurred text
blurred text
blurred text
blurred text