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54 pages 1 hour read

Geoffrey Chaucer

Troilus and Criseyde

Fiction | Novel/Book in Verse | Adult | Published in 1385

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Book 1Chapter Summaries & Analyses

Book 1, Lines 1-56 Summary

The poem begins by describing how the author will tell of the sorrow of Troilus. While most epic poems typically begin with the invocation of a muse, one of the Greek goddesses of the arts, Chaucer begins with a prayer to Tisiphone, one of the furies. The furies are personifications of vengeance and suffering, foreshadowing the tragic outcome of Troilus’ love for Criseyde.

After this invocation, the author identifies himself not as a servant of the god of love but as a servant of those who serve the god of love: He views himself as too unattractive to risk love himself. He hopes to ease the distress of any suffering lovers who might read the poem, and he advises happy lovers to remember those who have not found love or who were betrayed by love, as Troilus was.

Book 1, Lines 57-546 Summary

The poem begins by recounting how the city of Troy was besieged by the Greek army after the Trojan prince Paris abducted Helen. A skilled astronomer named Calkas (also spelled “Calchas”) discovers through his astrological calculation that Troy will fall to the Greeks. Realizing that there is no way to save the city, Calkas flees Troy and goes to pledge his loyalty to the Greek army instead. Calkas leaves behind his daughter, Criseyde, who is a beautiful young maiden. Ector (also spelled “Hector”), the Prince of Troy, pardons Criseyde for her father’s betrayal and allows her to remain in the city.

During the month of April, the young people of Troy go to the temple of Athena, known as the Palladion, for a celebration. Criseyde is there, dressed in somber black. A young knight and prince of Troy named Troilus is also present. He is known to scorn other knights who fall in love, mocking them and calling love foolish. The god of love, Cupid, seeks to avenge himself upon Troilus for this insult by wounding him with love’s arrow when he first looks at Criseyde.

After being struck with the god of love’s dart at the sight of Criseyde, Troilus falls immediately in love with her. However, he seeks to conceal his love, knowing that he will be mocked for so quickly falling in love after mocking it for his whole life. He returns to his room and then collapses at the foot of the bed, singing a song about the paradoxical nature of love, which is both painful and desirable. He feels as if he will die because of his love, describing it as burning and painful. In combat against the Greeks, he does great deeds, but only so that Criseyde will hear of his renown. Outside of battle, he is unable to sleep or eat, becoming so sickly that people believe he has caught a fever.

Book 1, Lines 547-1092 Summary

Troilus is visited by his friend Pandarus, who sees that Troilus is ill and asks if he is terrified of the Greeks or if he suffers from a guilty conscious after committing a terrible sin. Troilus angrily responds that he is sick and will soon die, but the cause is not fear or guilt. Pandarus begs Troilus to tell him what is wrong, reminding him of their old friendship, and Troilus admits that he is in love, correctly guessing that his feelings are a punishment for having derided love. Pandarus offers to help Troilus with his love, but Troilus is skeptical that a man like Pandarus—foolish and unlucky in his own love life—could help him. Pandarus reminds him that those who seem foolish can sometimes guide the wisest men and that a whetstone can help sharpen a blade even though it is not sharp itself. Trying to persuade Troilus to confide in him, Pandarus recounts other stories from classical literature such as the myth of Queen Niobe. However, Troilus just lays silently on his bed and does not reply. Pandarus tries to wake him, thinking that he is asleep, and Troilus irritably responds that he is not asleep, he just does not care about proverbs and old tales, seeing them as irrelevant to his situation.

Pandarus tries a different rhetorical tactic then, accusing Troilus of being too cowardly to pursue his love. Troilus is swayed by this attack on his manliness and courage but still worries that he will be unfortunate in his love. Pandarus persuades him to say Criseyde’s name, causing him to blush and tremble as though terrified. Pandarus is, however, delighted that Troilus has fallen in love with a lady who is noble, honorable, and wise. Criseyde is also his niece, and he promises to help unite the couple. Before they begin, however, Pandarus instructs Troilus to pray for forgiveness to the god of love, asking his pardon for the way that he once mocked love. Troilus obeys, and Pandarus reminds him that those sinners who convert to a religion are often the most loyal followers since they can spot error and temptation the best. The book concludes with Pandarus plotting to find a time and place for Troilus and Criseyde to meet while Troilus returns to focusing on battling the Greeks.

Book 1 Analysis

The beginning of Troilus and Criseyde focuses on the dramatic conversion of Troilus and the uncontrollable nature of romantic love. Epic poems conventionally begin with an invocation to the muses or other gods of classical mythology, and Chaucer both participates in and subverts this expectation when he invokes the furies—goddesses of vengeance—writing, “Thesiphone, thow help me for t’endite / Thise woful vers, that wepen as I write” (1.6-7). By invoking a goddess associated with revenge and the underworld, Chaucer implies that the outcome of Troilus and Criseyde’s love will not be a happy one. This act of foreshadowing lends a dramatic irony to all of Troilus’ actions in Book 1, establishing The Tension Between Free Will and Divine Providence.

Troilus and Criseyde’s first encounter takes place in a temple, a setting that again invokes the presence of the gods, suggesting that Troilus’ sudden attraction to Criseyde is divinely mandated rather than random. Chaucer writes,

In general ther wente many a wight,
To herken of Palladions service;
and namely, so many a lusty knyght,
so many a lady fressh and mayden bright (1.164-66).

While the temple is to Pallas Athena, the goddess of Wisdom, Troilus instead finds his wisdom challenged when Cupid, the god of love, strikes him with an arrow. However, Cupid does not strike randomly, but rather in revenge. Chaucer notes that Troilus had previously scorned love, and because of his speeches deriding romance, “the God of Love gan loken rowe / Right for despit, and shop for to ben wroken” (1.206-07). This detail deepens the tension between free will and divine providence: Troilus’s mockery of love has been motivated by a fear of losing his free will. He insists that he will always make decisions rationally and that he is immune from the loss of self-control that often comes with love. When Cupid takes his revenge, he is rebuking Troilus’ arrogant belief that he can control his own choices.

Though Troilus does not choose to love Criseyde, his uncontrollable desire for her prompts him to engage in a great deal of deliberate planning. In this he enlists the help of his friend (and Criseyde’s uncle) Pandarus. Book 1 depicts the beginning stages of Pandarus’ plan to bring the lovers Troilus and Criseyde together, suggesting that the first step of the process is to regain Cupid’s divine favor. Before arranging a meeting between Troilus and Criseyde, Pandarus first instructs Troilus to pray for Cupid’s forgiveness, telling him, “Now bet thi brest, and sey to God of Love, / ‘Thy grace, lord, for now I me repente, / if I mysspak, for now myself I love’” (1.932-34). He hopes that this will ensure romantic success for Troilus, as divine providence will no longer be against him. Likewise, Pandarus reassures Troilus that converted sinners are often the most ardently faithful:

Esample why, se now thise wise clerkes,
That erren aldermost ayeyn a lawe,
And ben converted from hire wikked werkes
Through grace of God that list hem to hym drawe,
Thanne arn thise folk that han moost God in awe,
And strengest feythed ben, I undirstone,
And konne an errowr alderbest withstonde (1.1002-08).

His speech compares romantic love to faith in religion, a metaphor that Chaucer will frequently return to. While love serves as Troilus’ religion for most of the text, it will eventually prove insufficient, making way for the poem’s final shift toward a monotheistic devotion to the Christian God that precludes all other objects of worship.

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