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55 pages 1 hour read

Danielle Steel

Triangle

Fiction | Novel | Adult | Published in 2024

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Chapters 9-12Chapter Summaries & Analyses

Chapter 9 Summary

The police visit Amanda and reiterate their belief that her break-in was likely sexually motivated. They ask numerous questions but are ultimately unsurprised when Amanda cannot identify a suspect. They advise her to enhance her security measures and avoid any communication with the stalker, even to discourage him, cautioning that the stalker’s attention may persist for at least a year. They mention that while Olivier’s presence might deter the stalker, it could also provoke him. Amanda forgets to tell the police about the dead fish she found but assumes Johnny Vegas left it, thinking it lacks the characteristics of a sexual crime.

Olivier and Pascal discuss Amanda’s stalker situation. Pascal mentions he has not noticed any suspicious activity around the gallery. Olivier makes plans to return home for several days for Stephanie’s birthday, as his sons are returning home to celebrate. However, he intends to spend the night with Amanda after Stephanie’s birthday dinner.

Olivier takes Stephanie, their sons, Edouard and Guillaume, and Lizzie to dinner for Stephanie’s birthday. During the evening, Edouard shares that he has received a permanent job offer from J.P. Morgan in Geneva. Guillaume reveals his plan to return to Argentina to pursue amateur polo. At one point, Olivier asks Stephanie about her travel plans, prompting her to wonder aloud if he brings other women home in her absence. Later that night, as Olivier prepares to leave for Amanda’s, Stephanie’s pointed questions about his intentions irritate him and hint at her unease.

When Amanda and Olivier discuss his marriage, Olivier reflects on how Stephanie seems unsettled by his relationship with Amanda—not from a personal desire for him but because of the potential disruption a divorce would bring to her life.

Chapter 10 Summary

Tom visits Amanda at work and, horrified by the recent break-ins, strongly recommends that she hire security. He offers to come by and help, but Amanda declines.

The gallery hosts another successful show, during which Pascal comments on how lovely Amanda and Olivier seem as a couple. Amanda, in turn, observes that Pascal’s relationship with Delphine is becoming more serious than any of his past relationships.

At an Hermès event where Stephanie serves as one of the judges, Amanda introduces herself; she sees Stephanie as a good person caught in difficult circumstances. Amanda also meets Lizzie, whom she finds lively and fun. Observing Stephanie and Olivier’s marriage from a distance, Amanda concludes that the two are fundamentally mismatched.

When Amanda later tells Olivier that she met Stephanie, he is shocked. This encounter cements Amanda’s belief that Olivier will never divorce Stephanie, adding tension to her relationship with him. They spend most of the night discussing and arguing the issue.

Afterward, Olivier returns home only to find that Stephanie has already left for England and will likely be gone for two months. Unsure of how best to discuss divorce with her from a distance, Olivier also questions how to address the topic with Amanda.

Chapter 11 Summary

With things still unsettled between him and Amanda, Olivier receives a call from Lizzie with alarming news: Stephanie was thrown from a horse and sustained multiple injuries, including a broken pelvis, shoulder, arm, and leg. Her recovery will take several months, beginning with surgery in Sussex, England. Concerned for her well-being, Olivier immediately plans to travel to the hospital. Lizzie also asks if she, Victoria, and Veronique can stay at Olivier’s home to support Stephanie during her convalescence, and he agrees. However, he worries about how Amanda will react to the situation.

The doctor estimates Stephanie’s recovery will take three to six months. On his way to England, Olivier stops by the gallery to share the news with Amanda. He assures her that, regardless of their relationship status, he intends to ask Stephanie for a divorce once she has recovered. Amanda advises Olivier to focus on caring for Stephanie and suggests they revisit their relationship once the situation has stabilized. When Olivier asks Amanda to spend the night before his departure, she declines, keeping her emotional distance.

Later, Amanda confides in Pascal about the turn of events. Pascal encourages her to give the relationship with Olivier a chance, but Amanda remains skeptical. She believes Olivier and Stephanie’s prolonged time together during her recovery will inevitably mend their fractured marriage.

In Sussex, Stephanie is surprised to see Olivier at the hospital. He explains that it is his duty as her husband to support her in such a critical time. Stephanie’s closest friends—Valerie, Veronique, and Lizzie—coordinate a schedule with Olivier to ensure she always has someone by her side. After a few days, they arrange for Stephanie to be transported home via ambulance, where a team of nurses joins her friends to assist with her recovery.

In Paris, Olivier calls Amanda several times a day, but he senses her growing emotional distance. Despite his assurances, Amanda remains convinced that his time with Stephanie will rekindle their bond. Stephanie, meanwhile, is more comfortable relying on her female friends and nurses for support, though Olivier takes a regular shift to oversee her care. Although Amanda and Olivier speak daily, Amanda refuses to meet him in person.

Chapter 12 Summary

Pascal urges Amanda to reconnect with Olivier, but she refuses, mourning the end of their relationship. Meanwhile, Tom calls to share that he has nearly finished his book and invites Amanda to lunch. During their conversation, he reveals that the story ends with the death of the protagonist’s love interest. Amanda admits to Tom that she no longer sees Olivier.

Later, Tom invites Amanda to a movie. While Amanda initially finds the evening pleasant, things take a dark turn on the drive home. Before she can exit the car, Tom forcibly grabs her, kissing and groping her roughly. Amanda struggles to escape, and Tom tears her shirt when she tries. Amanda manages to flee to her apartment, but Tom follows her through the building, shouting obscenities and kicking at her door after she slams it shut. He eventually leaves, but Amanda is left bruised, shaken, and unable to sleep.

The next day, Amanda confides in Pascal, wondering if Tom could be the stalker harassing her. Pascal dismisses the idea, citing Tom’s career and education as reasons he would not be the culprit. Despite the severity of the attack, Amanda decides against contacting the police.

Fearful for her safety, Amanda begins taking Lulu everywhere with her. A few days after the incident, Pascal takes her to dinner and drives her home. Upon arriving at her apartment, they discover it has been broken into and vandalized. The criminal destroyed her couch and several paintings and scrawled the word “bitch” across a painting that resembles Amanda. The scene reinforces Amanda’s suspicions that Tom might be responsible, especially since the English slur matches what he screamed during his attack.

The police question Tom about the break-in, but he denies any involvement. Instead, he accuses Amanda of fabricating the assault and vandalism to retaliate after an argument, even suggesting she damaged her belongings to claim insurance money.

Concerned for Amanda’s safety and emotional well-being, Pascal contacts Olivier, informing him about Tom’s attempted assault, the break-in, and Amanda’s lingering feelings for him. Though Olivier feels deeply worried for Amanda, he also feels powerless to help her from afar.

Chapters 9-12 Analysis

Steel continues to develop the theme of Appearances, Perceptions, and Reality in this section as Olivier and Stephanie candidly reflect on their marriage, which lacks solidity. Stephanie doubts their choice to remain married for their children, admitting, “Sometimes I wonder if it was the right thing to do, for the children’s sake. Maybe they needed parents as a unit, not just two separate individuals who love them” (138). While Olivier initially defends their decision, he privately acknowledges the marriage’s long-standing failure: “Their marriage had been a terrible mistake […] It had been an even bigger mistake to stay together. […] Having less money would have been better than twenty-six years of a loveless marriage. And it couldn’t have been good for their kids either, although they had survived” (140). This moment reveals Olivier’s gradual realization that survival is not the same as happiness and that clinging to a failed marriage has cost them both a chance at fulfillment. Moreover, this section foreshadows that Stephanie, like Olivier, doubts the marriage and is considering a divorce.

Despite this acknowledgment, Olivier struggles to reconcile with The Link Between Love and Marriage. When Amanda accuses Olivier of being unwilling to leave his wife, he starkly assesses their union: 

Divorce was always out of the question, but so was a real marriage […] Divorce means public failure to her, and humiliation. Our marriage is a disaster and always has been, but no one knows that. She’d rather have a secret failure than an honest admission of defeat, and I went along with it for my own reasons. It was convenient for me too (142). 

Olivier’s statement highlights his complicity in maintaining the facade of a functional marriage and the incongruence between appearances and reality. While outwardly Olivier and Stephanie present a stable union, their relationship lacks intimacy or passion; in this way, it is a marriage of convenience rather than connection.

Despite taking steps to confront how their relationship is not functional, Stephanie’s accident disrupts Olivier’s plans to ask for a divorce and forces him into a caretaker role. For Amanda, this feels like fate intervening to rekindle Olivier’s relationship with Stephanie, echoing her past trauma and deepening her insecurities. Whereas she was just beginning to make strives regarding Embracing Vulnerability in Interpersonal and Romantic Relationships, she now takes steps backward. Ironically, while Olivier and Stephanie rebuild a semblance of friendship, their renewed interactions only underscore the marriage’s hollowness. Stephanie finds solace in her friends, while Olivier seeks excuses to escape his home, now overrun with Stephanie’s social circle. Through this dynamic, Steel critiques the dissonance between outward appearances and internal truths, particularly in relationships bound by societal expectations rather than genuine affection.

The theme of Appearances, Perceptions, and Reality extends to Tom’s character. For much of the novel, Tom presents as a kind, easy-going man, albeit overly persistent in pursuing Amanda. His sudden assault on Amanda, however, shatters this façade and reveals a darker side. Despite this, neither Amanda nor Pascal suspects Tom of being the erotomaniac stalking her. Pascal articulates their shared disbelief: “The guy has some impressive degrees. He’s smart, educated, went to one of the best colleges in the States, he’s an attorney. […] He’s not a cat burglar or a pervert, he’s just a shit” (180). Pascal’s reasoning—that a man of Tom’s background would not engage in obsessive, criminal behavior—highlights the dangerous power of preconceived notions. Because Tom holds an outward appearance buoyed by impressive accolades, many people fail to acknowledge his capacity for violent, abusive behavior. His outward appearance and others’ positive perceptions of him allow him to deceive people and get away with predatory, dangerous behavior. Steel uses this subplot to critique how societal perceptions of respectability and success can obscure harmful behavior, allowing people like Tom to evade suspicion. Tom’s duplicity reinforces the novel’s central tension between appearances and reality, illustrating that the most dangerous threats can often hide in plain sight.

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