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Louise KennedyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
One day after school, the headmaster tells Cushla that she’s doing too much for Davy by paying for his lunches and giving him rides. She replies that she’s only doing her job as a teacher. When she drops Davy off, Tommy tells them that their father is home and asks Cushla to come inside. Cushla feels faint when she sees Seamie McGeown’s injuries. She expresses her hope that the culprits will be arrested soon, and Tommy observes, “I hope they find them before I do” (130). Cushla weeps as she drives home. Michael calls and asks her to meet him that night, and she reluctantly accepts even though she wants nothing more than to curl up in bed. Apologetically, Cushla hugs her mother and tells her that she’s going out with Gerry.
Cushla tells Michael all about the McGeowns. He observes sadly, “There are Tommy McGeowns appearing in front of me every day of the week” (134). Michael makes dinner for them both and tells her that he loves her. Cushla says that she’ll return the sentiment another time because she’s “been doing all the running” (136). While they’re having sex, a car pulls into Michael’s driveway and drives off before he can see who it is.
Members of the Royal Ulster Constabulary put on a dance for the students at St. Dallan’s. One of the officers tells Cushla that he sometimes goes to her family’s pub, and he watches while Gerry dances with her. A year has passed since the start of the Ulster Workers’ Council strike. Looking back on those early days, Cushla recalls the virulent anti-Catholic sentiment that gripped her town, the scarcity of food and fuel, and the ways that regulars at her family’s pub treated her like a stranger. Michael comes into the pub for a drink, and Cushla pouts when she realizes that he won’t stay long because he’s going back to his wife. She teases him, “I was going to tell you a reason why I like you but I don’t want to seem too keen” (142). He asks if she has plans for the weekend.
Cushla travels to Dublin and checks into a hotel, where there is a room reserved for Mr. and Mrs. Lavery. She and Michael attend a performance of A Doll’s House at the Abbey Theater, where he introduces her to some, but not all, of the acquaintances they encounter. Back at their hotel, Michael asks Cushla, “Do you think we’re ridiculous?” (148). She admits that she does sometimes and can’t help but feel angry about it.
The next day, Cushla and Michael go shopping, see some places from his days as a student at Trinity College, and visit the National Gallery. When they return to the hotel, Michael asks her if she’s happy, and she honestly says she is. That evening, he takes her to a fine dining restaurant, and she burns “with want. That she might get away from her family, her mother, and be with this man” (153). He mentions an upcoming film by Stanley Kubrick, his interest in the movie’s use of chiaroscuro, and his desire to see it with her. While Michael pays their hotel bill at the end of their trip, Cushla purchases souvenirs for Davy from a religious shop. Michael and Cushla kiss each other goodbye and part ways on their return to town.
St. Dallan’s receives a bomb threat, and the teachers evacuate the students into the church. Slattery gives Cushla’s students pictures of Padre Pio and tells them to expect no leniency from him when they make their First Confessions on Saturday. Gerry asks her to attend a wedding with him, and she agrees. When she brings Davy home that afternoon, Betty informs her that someone at the school sent a social worker to check on her children. Cushla hurries back to school to confront the headmaster, who reported Betty as a way of punishing Cushla for intervening on behalf of the McGeowns.
When Cushla returns home, she finds her intoxicated mother in the bathtub bleeding from a cut on her eyelid. Gina says, “You left me…all by myself” (161). Cushla finds 30 empty gin bottles hidden around Gina’s room, the kitchen, and even the bathroom. Cushla calls the number for Michael’s flat, but there’s no answer. She calls Eamonn at the pub and tells him that their mother’s drinking has gotten out of hand, but he answers, “I’m up to my ballix here, wee girl” and hangs up on her (163). She drives to Michael’s home but leaves when she imagines his wife there. She pulls over, picks a piece of gorse, and smokes until nightfall. When she returns home, she makes her mother tea and worries about what will become of Betty and her children.
Cushla attends Penny’s art exhibition, and is concerned when Michael misses it. By the time he joins Cushla and his friends at Penny’s house, it’s nearly 10 o’clock at night. Michael had a trying day at work and drinks heavily, prompting Penny to observe to Cushla, “We are worried about him [...] Everything looks so clear to him and it’ll do him no good here. And he’s drinking too much” (171). Victor is his usual snide and prejudiced self toward Cushla, but she puts him in his place using her knowledge of the Irish language. Later that night, Michael gives her a key to his flat and asks her to stay the night with him even though he spends it working. When she awakens the next morning, she is alone in the bed, and Michael is drinking.
On the day of her students’ First Confession, Slattery tells Davy that he is a bad boy and makes him kneel until Tommy comes for him. Cushla gives Davy the missal and the rosary she bought for him in Dublin, but she can tell that she’s lost the McGeown family’s trust since they were reported to social services. The next day, Seamie and Betty attend Davy’s First Communion. During the party afterward, Gina gives Davy a five-pound note, and Cushla learns that Tommy has started a laboring job with his uncle.
Gina invites Gerry to dinner and is pleasantly surprised to find she approves of the young man. Michael calls Cushla to ask how her students’ First Communion went, but their conversation is cut short when Michael’s son asks for him. Gina thinks that Cushla and Gerry went to Dublin together, and he tells Cushla, “I don’t mind covering for you, but you need to let me know, so I don’t land you in it” (179). He asks her to be careful because something like this could cost her her job. Later that night, Tommy calls Cushla and says, “I told my mummy that you wouldn’t be that good to us and then report her” (181). Cushla shares Betty’s hope that Tommy might go back to school one day, so she promises to bring him some books.
In the novel’s third section, Cushla and the other characters find moments of light amid the darkness of the Troubles. Part 3’s title refers to the way works of visual art treat light and shade. Fittingly, this section includes Penny’s exhibition as well as Cushla and Michael’s visit to the National Gallery. At this point in the story, the couple’s relationship is still delicate, and their different backgrounds make Cushla feel uncertain and vulnerable at times: “Had she sounded needy or clingy? If she wasn’t here she would be at home with her mother, but there were lots of places Michael could be. He had friends, money. A family” (135). Cushla attempts to ease these insecurities and assert a degree of control over her situation by choosing not to reciprocate when Michael tells her that he loves her for the first time in Chapter 13. Still, his words mark an important development in the plot.
While Cushla and Michael’s trip to Dublin affords them a temporary escape from their responsibilities and families, Navigating Ethical Dilemmas remains a central aspect of their relationship. When she asks him if he had to lie to spend the weekend with her, his answer shows how he attempts to shield himself from guilt: “I don’t lie, Cushla [...] I omit to mention things” (147). At the end of the chapter, Cushla’s conscience pricks her when she purchases a missal and a rosary for Davy: “She had little faith, but enough to feel the badness of it. That she was bringing religious souvenirs home from a dirty weekend with someone’s husband” (155). The couple’s weekend getaway underscores the ethical dilemmas and complexities they face, but the trip also shows how much Cushla values their relationship. For example, she’s happy even though she will soon be “at home with her mother, lurking by the phone, waiting” for Michael’s call (153). She knows that the affair is likely only a temporary arrangement, but she wishes that it could become a permanent escape from her difficult family life.
The narrative’s sense of urgency increases sharply when Cushla returns home and learns that Bradley has reported the McGeowns to social services. The headmaster’s cruel deed is intended to punish Cushla as much as Betty. Bradley isn’t the only one trying to penalize Cushla. Gina also suggests that her binge drinking is retribution for Cushla’s weekend trip when she says, “You left me…all by myself” (161). Earlier in the novel, Eamonn treated Cushla harshly and implied that their mother is exclusively Cushla’s responsibility. He cements this position in Chapter 16 when he refuses to offer any support after his sister reaches out to him about Gina’s drinking. Cushla’s isolation intensifies when she is unable to reach Michael and cannot bring herself to enter his home. Although she strives to help many of the people in her life, she is left alone when she faces hardships in Chapter 16.
Chapter 17 further develops the theme of The Complexities of Relationships in a Divided Society. Cushla is divided from Michael not only by religion but also by class, and being around Michael’s friends makes her feel inferior and unwelcome. The narrator describes how Cushla sees herself after the art exhibition: “She washed her hands and saw in the mirror what they saw. A dalliance, someone not to be taken seriously” (168). However, there are signs that she is learning how to hold her own among Michael’s friends, such as how she cleverly parries Victor’s remarks instead of allowing his wealth and status to intimidate her. The ending of Chapter 17 combines light and dark in a manner that gestures to Part 3’s title, “Chiaroscuro.” Michael gives Cushla a key to his flat, but her joy at this relationship milestone is dimmed by her new concern for Michael’s drinking.