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Pramoedya Ananta ToerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: Chapter 6 contains a description of rape.
Max Lane, the translator who translated This Earth of Mankind three times, sets the stage for the economics of Indonesia that made it attractive to Europeans. He describes the characteristics of Dutch colonialism, how it disempowered Natives and made the Netherlands, like other colonial powers, very wealthy.
The characters in the novel are divided into several distinct groups. Lane describes the groups’ languages, the way they relate to each other, and most importantly, their relationships with the Dutch colonial rulers. He concludes the Translator’s Note by saying he tried to make the novel as easy to read as possible, though translating phrases with specific cultural meanings can make this process difficult.
Minke, the narrator, identifies himself by this name, implying it means “monkey”—though it can also be translated to “mine.” He writes about a series of events that happened 13 years ago, meaning the novel’s present day should be 1912. He refers to someone who left him, a woman whom he is uncertain he will ever see again. Minke took notes throughout his life prior to writing the novel, and he compares these notes so he will know what to say.
Minke gives an overview of his early childhood, describing the wonder of growing up in a world of new technologies and human capabilities in the process of shifting from manual labor to mechanization. Because he receives an education of “a very broad general knowledge […] of the same level in many of the European countries” (16), Minke becomes aware of scientific and industrial advances around the world.
In subtle self-references, Minke reveals he is Muslim, though living under Dutch Reformed Church rule. He is a Native, meaning his parents are Javanese. Minke’s grandfather was an extremely influential Javanese man who made his education possible.
Minke confesses his infatuation with the new Dutch ruler, Queen Wilhelmina, born the same year he was. He keeps a picture of her in his room. Robert Suurhof, a fellow student at H.B.S., an exclusive prep school in the city of Surabaya, bursts into Minke’s room without knocking and finds him “crouched over the picture of that maiden, that beloved of the gods” (19). Calling Minke a “lady-killer,” Robert S. invites him to visit the home of a young woman who is allegedly more beautiful than the queen. Along the way, Robert S. explains to Minke that he has no real interest in the girl, despite her beauty and wealth, because she is an Indo. Though Robert S. is also multiracial, he tells Minke that he will only settle for a girl of pure European descent.
Minke and Robert S. travel in an expensive carriage to the home of Herman Mellema, a reclusive Dutch entrepreneur whose home and businesses thrive because of the management of his Native concubine, Nyai Ontosoroh. Robert Mellema, Herman’s son who is about Minke’s age, greets the two boys but expresses reserve toward Minke, who is fully Native. Annelies Mellema, Robert M.’s younger sister, greets the boys. Minke is instantly smitten by her beauty. In their conversation, Minke reveals that he is a Native, rather than an Indo like the three others. The two Roberts leave to hunt, and Annelies takes Minke on a tour of the Mellema plantation, Wonokromo. Annelies introduces Minke to Nyai Ontosoroh, her mother, who surprises him when she speaks perfect Dutch. Nyai tells Minke to call her “Mama,” as he is reluctant to call her Nyai (in ordinary conversation, calling someone “nyai” would be considered an insult). In the process of touring the plantation, Minke tells Annelies that she is the most beautiful woman he has ever seen and kisses her on the cheek. Her confused reaction causes him to believe he will be kicked out.
As Minke eats supper with the family that evening, Herman enters the dining room and challenges Minke’s presence since he is a Native. Nyai orders Herman to leave and apologizes to Minke. After supper, Nyai tells Minke that Annelies has no friends and implies that he can be her friend. She then invites him to live at the Mellema home. Darsam, Nyai’s fearsome servant, accompanies Minke and Robert S. home.
Minke continually receives entreaties from Nyai to return to Wonokromo. He cannot stop envisioning Annelies, and wonders if he has been bewitched by a spell cast by Nyai. Minke turns to his furniture business partner, Jean Marais, a Frenchman and worldly war veteran, for advice. Jean tells a reluctant Minke that he has fallen in love with Annelies: “You’re really in trouble; it’s serious when you can’t tell somebody they’ve fallen in love” (55-56). Jean is an artist who ended up fighting for the Dutch against rebellious Natives in Aceh, a province on the northern end of Java, where he lost a leg. He fathered a child, May, with a Native woman who was a prisoner of war and whose brother killed her because of their relationship.
Returning to his room, Minke finds Nyai’s servant Darsam waiting for him with a letter from Nyai. She writes that Annelies has become withdrawn, and she herself must neglect her business duties to care for the girl. Nyai requests that Minke return and stay in their home, to which he complies.
Minke arrives with his luggage at Wonokromo, suspicious of Nyai’s intentions. Annelies looks gaunt, but rejoices in Minke’s presence and moves him into his own bedroom. While he unpacks his bags, she points out that he brought a numb er of unopened letters. Minke questions Annelies about her brother Robert M., who dislikes his family, and about her father Herman, who seldom comes to the plantation. He wrestles with the strangeness of their relationships, noting, “A puzzling family indeed, each member playing their part in this fearful play” (67). Annelies is grateful that Minke will stay with them, saying he is their first guest in five years. Minke thinks, “How lonely were the hearts of this girl and her mother in the midst of this abundant wealth” (68). As Minke makes notes of his perceptions, Nyai comes to his room to welcome him and offer him a carriage to drive him to school.
During his first evening at Wonokromo, Minke tells Annelies the story of Jean’s service with the Dutch army, describing the lonely existence of Jean’s daughter, May. Nyai describes the loneliness Annelies has experienced since her removal from private school as a child. Minke admires Nyai for having achieved and learned so much despite being denied an education.
Here, the first-person narration shifts from Minke to Annelies, who shares with him Nyai’s life story, as told to Annelies. The night after Annelies met Minke, she was so upset that she asked to sleep with her mother. Annelies and Nyai had a lengthy conversation about happiness and how Herman’s sudden “madness” robbed Nyai of happiness—leaving her determined to help Annelies achieve happiness.
Nyai then describes her childhood, having been “Sanikem” before becoming a concubine. Her father, Sastrotomo, was a clerk who yearned for a better paying, more prestigious job. He wished to become the paymaster of a sugar factory, to whom citizens would bow in respite. He groveled and placated the Dutch overlords, alienating other Javanese though failing to become a paymaster. Nyai describes the extremes her father sank to, saying “How he humiliated himself and his dignity” (80). By the time she was 14, Nyai’s father had already refused many suitors’ requests to marry her. Instead, he brokered a deal to give her as a concubine, a nyai, to regional Dutch supervisor, Herman Mellema. Against the pleading of her mother, her father made Nyai pack her clothing and ride to Herman’s home, where she became his concubine.
In telling her story, Nyai explains to Annelies that she has provided for her and raised her as she has so the latter might never experience the same fate. When Nyai’s father came to see her, she refused, perceiving herself to be an orphan. Herman relocated to Surabaya, buying a large acreage for his dairy cattle. From the beginning, he taught Nyai how to manage the farm. She studied in the evening, learning Dutch, studying business management, and saving money. Nyai realized Herman was more dependent on her than she on him. As Herman spent less time at home, Nyai expanded their business ventures and learned how to present herself as a lady. During this period, Nyai and Herman were happy together. She said to Annelies, “He fitted exactly the Javanese description of a husband: instructor and god” (92). Herman went to the Dutch court and acknowledged Robert M. and Annelies as his children, granting them certain legal rights. Because he had not married Nyai, she had no legal rights. However, Herman placed his businesses in Nyai’s name, intending to protect her income.
Nyai reveals that a young Dutch engineer came to Surabaya and learned Herman lived there. The man came to Wonokromo and identified himself as Maurits Mellema, Herman’s son by his wife in the Netherlands, whom he never divorced. Maurits condemns Herman and proclaimed that, as Herman’s rightful heir, he would take all his possessions one day. When Maurits left, Nyai verbally attacked Herman for keeping his wife a secret. From this moment on, Herman slowly receded from Nyai and Wonokromo; Nyai assumed all business responsibilities. This estrangement has since become permanent. Herman comes and goes without interacting with Nyai or his children. As Robert M. grows older and graduates from prep school, he also wanders aimlessly.
Annelies’s brother, Robert M., invites Minke into his room. Robert M. quizzes Minke about his intentions and feelings for Annelies in a condescending tone, saying, “What a pity you’re only a Native” (105). He then invites Minke to play games and go hunting with him. Distrusting Robert M., Minke is evasive and refuses his requests. As Minke remains aloof, Robert M. grows angry, reminding him that he is “only a Native” and issuing a vague threat.
Annelies summons Minke from Robert M.’s room. Nyai appears, holding a copy of Minke’s article “An Extraordinary Nyai That I knew (sic)” (109). Minke admits that he wrote the imagined story, using the pseudonym “Max Tollenaar,” about Nyai. Nyai surprises Minke by telling him a great deal about Native literature. She encourages Minke to continue to write as he learns more about human experiences and human nature. However, intuiting that he is planning a story about Robert M., she asks him to allow her to read anything he writes about her family.
Minke gives up his plan to write an article on Robert M. He reflects on Robert M.’s desire to sail with the British Navy. Minke notes that his fellow students pay little attention to Japan, and that the Indies have done little in regards to their absence of a navy—given that the British and Dutch conquered different parts of the East Indies with superior navies. (This is foreshadowing, as Pramoedya Ananta Toer is writing after World War II, during which the Japanese occupied Indonesia.)
The first section of This Earth of Mankind could be referred to as the “innocence section” of the narrative. The relationship between Minke and Annelies evokes the atmosphere of childlike romance. Their walk across the plantation, as Minke watches Annelies with the animals and workers in the sunlight, and her watching his discomfort with the odd smells and unusual environment, have a playful, pastoral purity.
This air of sweet romance continues after Minke and Annelies’s separation. After their first meeting, each is cast off-balance. Minke ends up going to see his trusted confidant Jean, who immediately says he is in love with Annelies and encourages him to see her repeatedly, which will reveal if his feelings are true or merely a passing attraction. The poignancy of Jean’s words touches Minke, as he knows the older had known real love and lost it brutally (his lover was killed by her own brother). A parallel scene occurs when Annelies lies in bed with Nyai, wanting to ask her opinion of Minke; her mother reflects on the brutality of her own loveless childhood. Like Jean, Nyai’s earliest romantic experience ended with loss. When at last she came to love and appreciate Herman, she discovered he had a wife and son whom he had abandoned. This was the reason he never married Nyai, his concubine—he legally could not. This fact doomed all Nyai had worked for, leaving her at the mercy of Dutch law, to which she was a non-person. This is one of Pramoedya Ananta Toer’s bitterest examples of impassable Cultural Divisions in 19th Century Javanese Society disrupting the lives of innocent Natives.
Another similarity shared by Minke and Annelies in the first section is the overcoming of their doubts and preconceived notions. Annelies has never heard anyone tell her how beautiful she is due to being sheltered. Thus, when Minke voices this very compliment, she is so stunned that she must ask her mother if he is being sincere. Later, when Minke kisses Annelies, she is at a loss as to how to take it. She waits for Minke to leave before confiding in her mother about the kiss. Nyai’s response is to stop the carriage and confront Minke—not because she is outraged but because her dream for her daughter is finally coming true. She senses Annelies’s attraction and only wants to be certain, through a second kiss, that Minke is a person of integrity who shares her daughter’s feelings. Annelies’s crush fulfills for Nyai what she never had—pure love. Nyai’s only wish for her daughter is that she be able to choose her own love and not be trapped as either concubine or wife to a man she did not chose, a common happening in a society rife with Entrenched Misogyny. Minke is exactly the person Nyai wants in Annelies’s life. While readers may react negatively to Nyai’s openness to allowing someone so young to have a romantic relationship, it should be noted that Javanese culture in this era encouraged arranged marriages for daughters by the time of their sexual maturity.
Like Annelies, Minke also wrestles with doubts. He is subject to the same prejudices held by the vast majority of Javanese society. It is nearly impossible for him to perceive that a Native woman (Nyai) could effortlessly run a large agricultural organization, speak eloquent Dutch, and face down a Dutchman (Herman) who is technically her owner. More than these unexpected realities, Nyai challenges Minke’s concept of the “unworthiness” of nyais, concubines. The misogynistic disconnect here, as revealed by Toer, is that few of the Pure-Bloods’ kept women were concubines by choice. Rather, poor or greedy fathers often sold their daughters to members of the upper classes, irrespective of their wishes. Just as Jean wisely counsels Minke to explore his love for Annelies, he advises him to be fair and just in his thoughts toward others, a practice that combats prejudice.
This section’s air of innocence actually begins with Minke’s wide-eyed descriptions of the changing world he learns about at school. His first observations and declarations about the Dutch East Indies are equally innocuous: He describes the distinctions between himself and other students as if describing things that are incidental and not at all important. Going forward, his naiveté will disappear, replaced with new awareness. Toer will demonstrate that there are many ways to lose one’s innocence.
A minor theme that develops in this section is loneliness, spoken and unspoken. Minke tells Nyai about the loneliness of May, Jean’s daughter, who has almost no social network, constantly begging her father to pay attention to her to little avail. Nyai responds by saying her own daughter suffers with loneliness as well. Withdrawn from school a decade ago, Annelies has no peer or playmate in her life. Though Minke and Nyai do not address it, they also feel loneliness. Minke is the only Native and Muslim at his prep school; he is the only student in his boarding house and is estranged from his family. With Herman no longer a part of Nyai’s life, she has no equal, and society considers her a pariah, leaving her isolated.
This section also foreshadows future disruption. Toer’s introduction of the bearish Herman and the brooding Robert M. assures that their disruption of the serenity of Wonokromo will continue. The brooding silence of Minke’s classmate Robert S. as the pair ride away also implies something amiss.