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59 pages 1 hour read

Lucy Score

Things We Never Got Over

Fiction | Novel | Adult | Published in 2022

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Chapter 43-EpiloguesChapter Summaries & Analyses

Chapter 43 Summary: “Day Drinking” (Naomi)

At Honky Tonk, Naomi steels herself to see Knox by telling herself she is the “ice queen swan” (454). When Knox arrives, he apologizes. Naomi offers little reaction. During the shift, however, a sexy woman wearing suede, stiletto-heeled boots and jeans that looked painted on comes in and kisses a stunned Knox. She comes over to Naomi and introduces herself as Lina, one of Knox’s exes. She wants to talk and takes Naomi to a biker bar.

Over drinks, Lina shares her story about her relationship with Knox some 10 years earlier: Knox dumped her after a sex-crazed month for the same reasons he dumped Naomi. Sloane joins them, and Naomi confides her concerns about getting guardianship of Waylay, given how attached Waylay and Knox are. They are commiserating over their broken relationships when Lucien and Nash walk in. 

Chapter 44 Summary: “The Babysitters” (Naomi)

Jokingly dubbing themselves the women’s babysitters, Lucien and Nash join the table. Naomi tells them about her frustrations, about how everything in her life seems “wrong or broken or a mess” (471). The table sympathizes. Lina suggests Naomi be strong as an example for Waylay. Nash tells her that Knox has been an emotional mess since their father developed an alcohol addiction when they were kids.

When several of the women head to the restroom, Nash tells Naomi he has been looking into the red-haired stranger from the library. Nash is bothered by the coincidence of the man’s visit and Naomi’s cottage being broken into. Convinced that her sister is involved, Naomi texts Tina to tell her she will help her find whatever she is looking for. She reasons that that’s the only way to get her out of her life.

Her phone rings: Knox is calling. Naomi, exasperated and drunk, tells him to lose her number and that she intends to make tomorrow her last night working at Honky Tonk. Her heart aching, she hangs up.

Chapter 45 Summary: “The Bar Fight” (Knox)

When Naomi arrives for her shift the next day, Knox asks her to come to his office during her break. When she declines, he slings her over his shoulder and carries her there. He finally tells her about his relationship with his father; Duke, the man they met at the shelter for unhoused individuals in Washington, is Knox’s father. Knox shares with Naomi about his father’s alcohol addiction and how he carries those memories with him. In the end, his father preferred drinking to his family and abandoned them. “That’s in my blood” (487), he tells her, and he cannot in good conscience inflict that on Naomi and Waylay. “I can’t be what you deserve” (490). With that, Naomi departs the office.

Chapter 46 Summary: “Tina Sucks” (Naomi)

When Naomi heads to the bar restroom to gather herself, she gets a disturbing text from Waylay telling her she is in trouble. Naomi heads home and finds Tina waiting for her. “He’s got Waylay” (493), she says. Naomi has no idea who “he” is, but the two get into Naomi’s car. Before Tina pulls away, she snaps a pair of handcuffs on Naomi. Tina berates her: “For the smart one, you sure are stupid” (494). Tina drives Naomi out of town to an abandoned industrial park near Washington. She uncuffs Naomi and leads her into a warehouse. Naomi sees a group of men and Waylay in her pajamas, gagged and bound to a chair. Naomi recognizes among the men the red-haired stranger from the library. He introduces himself as Duncan Hugo.

In short order, Naomi finds out that the boxes of appliances, stacks of televisions, and racks of designer clothes in the warehouse are stolen, and that Hugo is the son of a prominent and ruthless crime lord in Washington. This operation marks Hugo’s break from his father’s organization. Hugo explains that Tina—whom Naomi deduces is his girlfriend—hid a computer flash drive with important information about his operation in her apartment, but Waylay found it and hid it. He wants the flash drive and believes that if he threatens to shoot Naomi, the girl will give it up.

Chapter 47 Summary: “Missing” (Knox)

Back at the bar, Knox assumes that Naomi’s hasty departure from the bar was not about their conversation. He suspects something is wrong when he cannot reach either Naomi or Waylay. He notifies Naomi’s parents, and her father tells Knox he can track Naomi through the GPS on her phone. They locate where Naomi is, notify Nash, and almost the entire bar heads to the industrial park.

All the while, Knox excoriates himself for pushing Naomi away and being afraid of love. Nash provides an important lead: The getaway car used in his shooting was found in pieces in a chop shop run by the Hugos, a notorious DC crime family. In addition, a confidential informant told DC police that young Hugo was striking out on his own with the help of a woman, presumably Tina. Knox gets a phone call from one of his poker buddies. The town’s motorcycle club staked out the facility where Naomi is being held, suspecting it was a chop shop. They saw Naomi being led in wearing handcuffs. Knox finally knows where to go and what to do.

Chapter 48 Summary: “The Ol’ Switcheroo” (Naomi)

Desperate, Naomi suggests to Hugo that perhaps Tina has the flash drive and is planning to double-cross him. Suddenly, Tina says that she notices that Naomi is starting her period and that they need to go to the bathroom.

It is a ruse. Tina suggests that she and Naomi switch clothes; dressed as Tina, Naomi would be able to walk out of the warehouse and get help. Tina already told Waylay about the plan, and she and Naomi will make a run for the door. They switch clothes and return to the warehouse.

Tina, now as Naomi, tells Waylay it is okay to reveal where the flash drive is. Naomi, as Tina, removes the duct tape across Waylay’s mouth. She tells Hugo she hid the flash drive in the Knockemout public library. The library is already closed. Hugo settles down for a long night, but first, he tells Tina that he is on to her and Naomi’s switcheroo. As he gets close to Naomi, she remembers Knox’s advice and knees Hugo in the groin, then cracks him across his mouth when he doubles over. Tina unties Waylay.

The cops arrive outside the warehouse. In the confusion, Tina grabs a stack of cash from a table and tells both Naomi and Waylay she is leaving. Hugo grabs Naomi by the throat and starts to choke her: “You ruined everything” (524). Before Naomi passes out, she hears a familiar voice telling Waylay to run. Her last thought is that Knox had arrived.

Chapter 49 Summary: “The Cavalry” (Knox)

Aware that Naomi passed out, Knox begins to beat up Hugo. Knox turns his attention to Naomi just as she is coming to. Cops swarm into the building along with Lucien, Nash, Sloane, Stef, and patrons from Honky Tonk. They’re all there to help Naomi and Waylay. The building secured, Knox tells Waylay she is getting a birthday party and then tells Naomi they are going to get married.

Knox discovers that Hugo and his partners fled into the Virginia countryside, but Tina was arrested trying to steal a Mustang just two blocks from the warehouse. Naomi assures Waylay that she will never leave her, and Knox echoes the reassurance.

Waylay reveals to the police that she made a copy of the flash drive and that it was in her shoe the whole time. She peeked on the flash drive in the library and saw it was a list of names, among them Nash’s. Nash decides he needs to see the list.

Epilogue Summary: “Party Time” (Naomi)

It is Waylay’s birthday, one week later. Knox splurged on a massive backyard party. To negotiate her sentence, Tina cooperated with the feds and revealed that the list on the flash drive was a list of informants and police officers compiled by Hugo’s father. They were all to be eliminated as part of the Hugo family’s expanding operations. His son wanted to impress his father, so he decided to start taking care of the list, but he got no further than Nash.

Liza J., for her part, offers to switch houses with Naomi and Waylay; she will take the cottage, and they will take the house along with Knox. Knox approaches Naomi during the party and offers her an engagement ring: a massive, solitaire diamond surrounded by three smaller stones. As he proposes, he says, “I’m going to remember how fucking lucky I am, every single day. And I am gonna do my best to be the best for you” (541). He also tells her that she “make[s] broken things whole again” (541). He tells Naomi and Waylay to move into the big house, and he wants to give his cabin to Naomi’s parents. Then Knox surprises Naomi with the signed papers naming her Waylay’s guardian; Tina, facing prison time, agreed to sign over her parental rights.

Epilogue Part 2 Summary: “Five Years Later” (Knox)

A party is being planned. Unable to have children of their own, Naomi and Knox adopted two girls, a three-year-old and an infant. Waylay will be going off to college, most likely on a soccer scholarship. For now, Waylay is looking forward to her senior year with her boyfriend, Theo. The family gathers to welcome the two new additions, and among them is Knox’s father. He is now more than three years sober and living in Washington with his new girlfriend and two cats. Both of Naomi’s parents welcome their new grandchildren. Naomi tells Knox she is sure they are in for an exhausting few years raising the new kids and seeing Waylay off to college, but she is so thankful. Overcome with happiness, Knox tells Naomi how much he loves her and promises to spend the rest of his life making sure he shows her just how much.

Chapter 43-Epilogues Analysis

Romance readers understand that Knox and Naomi will get back together despite breaking up in Knox’s office and their mutual determination to embrace being free of the other. Part of the implicit contract between readers and writers of romances is the assurance of a happy ending. The novel’s two Epilogues tie up loose narrative lines tidily and give each principal character the promise of a joyous tomorrow. The novel does not offer unearned, fairy-tale endings that ignore reality, nor do the resolutions strain credulity. Rather, the novel offers hope and stability that has been earned through mutual healing. Characters were tested, and their love and relationships were subjected to doubt and danger. In the end, they discovered that moving forward only makes sense with someone else: the people they have struggled to understand, get close to, and ultimately, love. This ending that affirms hope and offers the promise of tomorrow centers on two conditions: first, the embrace of a wide community of family and friends (The Power of Community), and second, the need for honesty, vulnerability, and sharing fears, anxieties, and joys (The Courage to Love).

For all the suspense in these closing chapters—the kidnappings of Waylay and Naomi, the revelation of Tina’s underworld involvement, the warehouse showdown, the police intervention—the novel offers Naomi’s increasingly widening community of friends and family as the best hope against such sinister threats. The book does not shy away from the reality of the criminal enterprise in which Tina is involved. The premise of a crime lord’s bungling son who is desperate to prove he can run the family business not only taps into the novel’s larger investigation into the dynamic of fathers and sons but sets up a genuine threat to Naomi. Handcuffed by her sister, Naomi is suddenly what she most feared since Warner slapped her during the rehearsal dinner: helpless.

While Naomi’s Journey to Self-Discovery has made her more independent and confident, her rescue does not come solely from her resourcefulness or courage. Although she demonstrates both, she must rely on others. Beginning with the biker bar scene in which her friends gather to commiserate about her breakup, Naomi begins to understand the reach of friendship. The people of Knockemout have decided to care about her. The swarm of cars, trucks, and motorcycles that gather at the warehouse testifies to the depth of their concern. This detail alone ensures the novel’s movement toward a happy ending. As a survivor of domestic abuse, Naomi was familiar not only with physical abuse but social isolation. As Warner’s fiancée, she had no one to turn to. In the book’s climax, Score reveals that this is more than a romantic love story. Knox does not burst into the warehouse like a solitary action hero; he is part of a phalanx of ordinary people who care about Naomi. Nobody asks them to help or rallies them with some hokey, now-or-never, inspirational speech. They help because it is unthinkable not to. With this, Score subverts standard romance tropes that center the action on a damsel in distress and her knight in shining armor; Naomi defends herself, and Knox works together with their community to help her. While many romances center romantic love to the exclusion of all other relationships, Things We Never Got Over emphasizes that love and community are equally important and powerful.

The two Epilogues affirm the importance of this community. Both are picnic get-togethers in which friends and family feel the generous love and support of each other. This underlines that good news is only good news when you share it with others who care. Naomi’s and Knox’s love is contextualized by the town and their families, but that support network is only one piece of the puzzle. Knox finally gets the courage to allow Naomi into his life and heart, by revealing his fear of inadequacy. His chiseled body and Clint Eastwood-style machismo mask a man frightened of becoming his father, who he watched develop an alcohol addiction after events he could not control tore him apart. For all the cinematic suspense of the warehouse rescue, the novel’s emotional climax happens in Knox’s office when he shares the depth of his vulnerability with Naomi.

In the last Epilogue, Score takes a step beyond the fairy-tale ending of a wedding. We understand that Naomi and Knox’s marriage has had challenges. They have not been able to conceive a child, Tina is approaching her release from prison, and Hugo was never apprehended. Waylay is preparing to leave home for her own life, and now the two face the new challenge of raising their adopted children. It is a wonderful and terrifying future. Rather than fold in the face of obstacles or pretend they can clean up whatever mess is ahead, Naomi and Knox have both learned that the best way forward is to simply be there for each other. They vow to prove their love for each other every day, no matter what happens. That is no fairy tale, happily ever after; rather, it is an inspirational, happy-enough ever after. 

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