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54 pages 1 hour read

Walter Dean Myers

The Young Landlords

Fiction | Novel | YA | Published in 1979

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Themes

The Virtues of Patience and Compromise

Content Warning: This section of the guide describes and analyzes the source text’s treatment of racism.

As Black teenagers living in New York City in 1979, the members of the Action Group have direct experience with the discrimination and racism that makes life precarious for many Harlem residents. They know that slumlords profit from their dominance of the housing market while leaving buildings in a state of disrepair. They are acutely aware that the criminal justice disproportionately targets Black residents, as seen in Chapter 4 when two police officers bait Chris into giving them a pretext to arrest him for the theft of the stereo equipment. Though they recognize these issues must be addressed and overcome, the teenagers have little access to the levers of power. There is frequently a disconnect between the scope of their ambitions and the reality of what they can accomplish. Thus, when Gloria presents the Action Group with their first task—achieving world peace—they decide to postpone it and move on to the second task—cleaning up the trash in an empty lot, which they also postpone.

Their individual dreams and ambitions often collapse when confronted with reality. Dean imagines that he can control physical items and individuals with the power of his mind, but learns that he cannot mind control obedience out of Kenobi, their most problematic tenant. Bubba decides he wants to become a numbers runner, collecting and dispensing money from those who play the daily illegal lottery, and is swiftly disabused of this notion when the Captain shows him how difficult and dangerous this line of work can be.

When they work together, though, the Action Group discovers that even if they can’t bend the world to their will, they can find the power to make their part of the world a little bit better. The clearest example of this comes when tenant Ella Fox cannot pay her rent. Given that Fox hasn’t paid rent in four months, the Action Group’s most practical course of action as they struggle to keep their building financially afloat is to evict her. However, Gloria reminds them of their idealistic purpose: They did not become landlords to put a single mother out on the street.

By organizing a rent party to raise money for Ella and other financially troubled tenants, the Action Group articulates a vision for a different kind of landlord/tenant relationship—one in which the building operates as a community for the benefit of the people who live in it. The group faces a long series of obstacles in trying to raise the money they need, and they can’t solve all their problems, but by working together and exercising persistence and patience, they rescue Chris from legal jeopardy and build what may be a sustainable model for their building’s financial future.

For Paul, Gloria, and the other teens, the clash between dreams and reality provides a series of hard, important lessons: Most significant problems do not have easy, simple answers. When facing an intractable problem, one must continue to working until a compromise or acceptable solution appears. The epitome of learning, accepting, and proceeding at peace with one’s life in the face of intractable problems comes from the group’s accountant, Pender. In a conversation with Paul, he explains how he has “chosen a compromise with I can tolerate without completely giving up my illusions” (61-62). In keeping with Pender’s observation, one may note that all the victories of the Action Group contain an element of compromise.

The Power of Community

Managing the Stratford Arms, or “The Joint,” is a huge job, one that requires the combined skill and ingenuity of all the Action Group’s members, along with a good deal of help from other members of the community. Throughout the novel, the power of community emerges as a central theme as Paul and his friends work together to solve seemingly impossible problems. The friends face many of the systemic obstacles that plague their neighborhood: housing and job discrimination, lack of public investment, and a police force more interested in harassing Black teens than solving crimes. To succeed in the face of all this, they must rely on community.

Gloria’s decision to form an organization comes in the first chapter, even before the massive organizational problem of the Stratford Arms has presented itself. The Captain challenges her to do something with her life, and she responds not by striking out on her own but by organizing her friends. Though Gloria is the originator of the group, she is keen to ensure that her friends—initially reluctant—are equal participants: “Then she started in about how we were all in this thing together and she wouldn’t feel we were really on her side unless we did some of the talking” (10). By soliciting ideas from the other members of the group, Gloria builds a sense of shared responsibility that will hold them together when things become challenging.

The Joint presents not only economic problems but also problems of community, as the tenants—living a precarious existence in a neglected building—have learned to distrust one another and especially to distrust their landlords. When the teens first meet tenant Lula Jones, she immediately calls the police on them, resulting in their arrest. By immediately turning to the police when faced with any potential conflict, she robs herself and the Action Group of an opportunity for mutual understanding. The character who most embodies this damaging isolation is Askia Ben Kenobi, who lives on the top floor and imagines himself a modern Jedi warrior, quick to karate chop anyone who mocks him. Kenobi’s eccentric personality leads others to avoid him, deepening his isolation and motivating him to behave in threatening ways that only isolate him further. The Action Group members do everything they can to evict Kenobi, seeing him as a threat to the financial viability of their building, but when they decide instead to treat him as a member of their community, he proves indispensable—standing guard outside Tony’s store to prevent him from escaping before the police arrive.

As the narrative progresses, Walter Dean Myers shows the progression of the relationships between the teens, tenants, and neighbors. Those who initially seemed bent on obstructing the Action Group become their biggest supporters. The effect of this becomes clear during the street fair, where the tenants employ their uniqueness to help the Action Group raise much needed money to keep the apartment complex solvent. Pete quietly sells his illegal liquor. Kenobi’s equally mystic girlfriend reads fortunes. Tina Robinson challenges everyone gathered to chip in a little more money for the cleanup. In the Action Group’s moment of greatest frustration, when they know and can prove the innocence of Chris, it is tenants Tina and Kenobi who lend their gifts to summoning the apathetic police into action. The Joint becomes the epicenter of a community focused on mutual support, and this community is capable of facing challenges too great for any individual alone.

Systemic Racism in Late 20th-Century America

Throughout The Young Landlords, the young friends who make up the Action Group must contend not only with the challenges of running an apartment building while they are still in high school, but also with obstacles arising from systemic injustice. The Captain first makes this clear in Chapter 1, as he exhorts Gloria to work toward making the world a better place while she is young: “What I do comes from not being able to do nothing better. What you do is ‘cause you don’t want to do better” (6). The Captain’s work, running an illegal neighborhood lottery, requires business acumen, mathematical acuity, and organizational skill—qualities that might serve him well in the corporate world if he could access that world. A complex patchwork of systemic injustices—job discrimination, disinvestment in this Black neighborhood, underfunded public schools, and more—has made it so that this talented individual can succeed only by working outside the law. He doesn’t want to see the same thing happen to Gloria and her friends, and he tells her that if she wants a better life, she has to start working for it now.

The police in the novel—with their combination of aggressiveness and apathy—embody the societal racism that confronts the central characters. Their first appearance comes when they swiftly move in to arrest Paul, Dean, and Gloria when the teens go through the building introducing themselves as the tenants’ new landlords. While the police accuse the teens of belonging to the Spanish Lords gang and of stealing the pocketbook of a young woman, they do not listen as Gloria desperately tries to explain that she and her friends are the new owners of the Stratford Arms. Paul encounters the police again when they burst into the Captain’s office while he interviews Bubba for a position as a numbers runner. Paul eventually judges, from the timing and behavior of the police, that the Captain himself orchestrated their arrival—implying that the police have a working relationship with this illegal lottery owner. When Paul and Dean go to the police station to explain why they entered the darkened warehouse—where someone shot at them—the detective condemns their behavior and threatens them, with no mention of the fact that—as Paul knows—the warehouse is full of stolen goods. When Paul and his father solve the crime of stolen stereos, the peace officer he reports this to explains that it will take days before the police respond, and then only if he goes through the proper channels. Meanwhile, their initial arrest of Chris shows a willingness to disregard due process when under pressure to make arrests. Posing as civilians, they ask him where they can find cheap stereo equipment. One officer winks at Chris, and when a confused Chris winks back out of politeness, this is enough to justify his arrest.

Myers does not offer a clear, affirming pathway for dealing with systemic injustice. Rather, the book’s implicit argument aligns with the Captain’s lesson to Gloria in Chapter 1: A better world is possible if people work persistently and together. The teens form an organization with the explicit goal of making their world more just. Initially, their aim is to address the problems of the whole world, writing letters to heads of state arguing for world peace, but soon they realize that their efforts must begin in their own neighborhood. As their community grows, they become more effective. They enlist their recalcitrant tenants in the work of raising money for the Stratford Arms. They learn the habits of the police and carefully plan out events so that the police must take proper action at the proper moment. All the problems of systemic racism in Harlem are not solved by the end of the book, but the Action Group has a sustainable plan in place to make the future better than the past.

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