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On New Year’s Eve, the night of Martine Allen’s 11th birthday, she dreams that she travels to a lush, jungle-like place. In this place, a fierce storm approaches, and Martine is holding an injured goose. In the dream, her hands surge with electricity, and smoke gathers around her as strange men in animal masks run away. The goose flies away as Martine hears voices, “[…] as old as Time. She knew they wanted to speak to her, but she couldn’t hear what they were saying” (2). Then children begin to chant at her, calling her a “witch.” Martine wakes up screaming and realizes that her home in Hampshire, England is on fire.
As smoke flows into her room, Martine tries to escape, but the doorknob melts with heat. She covers her face with a shirt and briefly considers jumping from her window down onto the snow. Instead, she uses bed sheets to make a rope and descends safely to the ground. Martine, along with several neighbors gathered outside, watches as flames engulf her home. As she screams for her family and tries to run back into the house, her neighbor Mr. Morrison grabs her, and his wife holds her and comforts her through her tears. Just a few hours earlier, Martine was celebrating her birthday with her family, and before saying goodnight, her father reminded her in the last words she would ever hear him say that everything in life has a purpose.
Martine learns that social services are sending her to South Africa to live with her only living relative: her grandmother, Gwyn Thomas. Martine doesn’t know her grandmother, and the idea of moving so far away devastates her. Mr. Grice from social services gives Martine a letter from her grandmother. The letter states that Gwyn Thomas was unaware that her daughter named her as Martine’s guardian and that she has made arrangements for Martine to join her in Cape Town, South Africa. From the tone of the letter, Martine feels that her grandmother doesn’t want her and tells Mr. Grice that she refuses to leave England. She is currently staying with her English teacher, Miss Rose, and ever since her parents’ deaths, Martine struggles to eat and sleep and wrestles with the guilt of surviving the fire. As Martine looks at her grandmother’s letter from Sawubona Game Reserve, she recognizes the stationary and remembers that her mother, Veronica, was happy to receive letters each month on the same paper. However, Martine can’t understand why her mother never told her about Gwyn.
Before her departure, Miss Rose takes Martine shopping for clothing that is better suited for summer and cooks her a large English dinner on her last night, packing an extra slice of chocolate cake for her flight. Mrs. Morrison also gives Martine a pair of binoculars that belonged to her uncle and assures Martine that she can always return for a visit and stay with them. Mr. Morrison wordlessly slips her a small wooden box that contains a flashlight, a Swiss army knife, and a medical kit.
After arriving in Africa disoriented and shocked by the intense heat, Martine waits for an hour in the Cape Town airport, but her grandmother doesn’t arrive. After she speaks with the airport supervisor, Martine realizes that she doesn’t even know what her grandmother looks like. Feeling hungry, lost, and abandoned, Martine assumes that her grandmother decided that she didn’t want her. Just then, a large man calls her name and introduces himself at Tendai. Her grandmother sent him to collect her because she is managing an issue at Sawubona with the delivery of elephants. His powerful presence relieves Martine, and despite the large scar on his face, she trusts him instantly.
Tendai drives Martine along the coast to Sawubona. The name of the preserve is also “a Zulu greeting” (22). Tendai explains that Sawubona is a wildlife sanctuary that her grandfather Henry Thomas, the game warden, owned when he was alive. Tendai, who is a member of the Zulu, has worked on the reserve for over 20 years and greatly respected Henry. He apologizes to Martine that he was not with Henry when he died, but Martine didn’t even know she had a grandfather, much less that he is now dead. Tendai explains that two years ago, Henry was chasing a group of poachers who were attempting to shoot giraffes when he was fatally shot in the crossfire. Because the village lacked critical infrastructure and the seasonal rains washed away any trace of tracks, local officials never fully investigated the case, and none of the poachers were caught or prosecuted. Hearing about the violence in her new home makes Martine uneasy, but Tendai says he is determined to find out what really happened to Henry. The new game warden is Alex du Preez, but Martine can tell that Tendai doesn’t like him.
Tendai takes Martine to the house of his aunt, Miss Grace, who she prepares a delicious meal for her guests. While Martine eats, Grace says that she looks like Veronica, and Martine is startled to hear her mother’s name. Tendai scolds Grace for mentioning Martine’s parents, but she states that Martine should know the truth. Before Martine can ask any further questions, Tendai says it is time to leave. Grace places her hands on Martine’s head, and “Martine felt an electric current pass through her” (27). Grace says that Martine has a gift and that she must carefully consider her decisions before acting.
Martine and Tendai finally reach the fenced entrance to Sawubona Game Reserve, and Martine gets her first look at the buffalo and elephants inside the enclosure. Martine wants to know more about whether her mother ever lived at the reserve, but Tendai says she must ask her grandmother. He lists the animals kept at the reserve: “Twelve other elephants, […] eight ostriches, one hundred and fifty springboks, ten wildebeest, eighteen kudus, twenty zebras, six lions, four leopards, seven warthogs, a couple of troops of baboons, [and] a few waterbucks” (30). Tendai also explains that the local people believe there is a legendary white giraffe on the reserve, even though they officially have no giraffes. He has seen tracks that disappear before he can follow them. Tendai thinks that someone is playing tricks on them, but the local groups believe strongly in a legend about a child riding the white giraffe, which imbues them with power over the animals. They enter the gates of the compound, and Martine is filled with anxiety over meeting her grandmother for the first time.
Martine’s grandmother is dressed in denim and has little to say to her except that she has grown up. When Martine tries to tell her about all she has seen since arriving, her grandmother cuts her off and says that she should only speak if someone speaks to her. Gwyn is angry with Tendai for taking Martine to Grace’s home, calling her a “crazy old magic woman” (62). Gwyn serves Martine egg sandwiches for lunch and explains that she runs a strict household. There is no television and no talking back, and she only goes to Cape Town twice a year. Martine is taken aback by her grandmother’s stern disposition and is further upset when she learns that she must start school the next day. Gwyn takes her to a local shop to purchase new shoes and a school uniform. After dinner, as she helps to clear the table, Martine slips on the newly-polished floor and breaks the teapot. Gwyn is exasperated and questions aloud why her daughter would think that she would be a good guardian for a child.
Martine retires to her room in tears, feeling utterly alone. However, she loves the beauty of South Africa and enjoys lying in the grass, watching the animals as the sun sets. From her room, she has a clear view of the watering hole and watches the animals eat and drink as the day ends. Exhausted from her journey, Martine snuggles into her new bed and wonders why her mother never told her about Sawubona. She falls asleep thinking about the white giraffe.
The next morning, Marine awakens to a beautiful scene of the elephants bathing in the watering hole, but she still feels anxious about starting school. Gwyn has prepared Martine breakfast, which the girl interprets as an apology for her grandmother’s abrupt behavior the previous day. Gwyn drives Martine to Caracal School, which looks “more like a lovely campsite” (40) than a school. Moreover, Martine feels self-conscious as she is the only kid at the school with light skin. She meets Elaine Rathmore, the principal of Caracal, who gives her a tour of the school and explains their environmentally conscious focus. She also shows Martine their extensive sports facilities. Martine has never been athletic, and she remembers what Grace said about having a gift and wonders what her gift is.
Mrs. Rathmore introduces Martine to Lucy van Heerden, a beautiful, tanned blonde girl who takes Martine under her wing. Lucy introduces Martine to the “Five Star Gang” (42), or the popular kids who are all wealthy and attractive. The group makes her feel included, but Martine feels out of place, just as she did at her boarding school in England, since she isn’t interested in the same things that other teenagers are. She notices a small boy sitting alone at lunch, and Lucy explains that he is an “outcast” and that the students call him “Buddha Ben” (44) or “Bonkers Ben” (45) because he doesn’t talk. Martine doesn’t like that the other students bully him and decides to become his friend, but she loses her nerve when she tries to speak to him and later forgets that he exists at all.
By opening the novel with Martine’s prophetic dream, the author immediately establishes an element of magical realism that dominates the rest of the narrative. As the girl envisions a fire while her home actually burns around her, the eeriness of her dream, coupled with its prescient images, creates a sense of mystery and implies that Martine is not an average adolescent. Overshadowing the mystery of the clairvoyant dream is the profound trauma that Martine experiences because of the fire. In a single night, she loses her entire family and must begin the process of uprooting herself from the country she knows and starting a new life halfway across the world, with a woman who is technically family but remains a perfect stranger to her. Through Martine’s experience of sudden loss, trauma, and survivor’s guilt, the author explores the theme of Accepting Fate or Directing Destiny. Martine must come to terms with the fact that she can’t undo what happened to her parents, and she is not at fault either for their deaths or her survival. Though she at first refuses to move to South Africa, she realizes that starting a new life with her grandmother is her only option, and she must surrender to her fate and whatever is on the other side. Through Martine’s traumatic experiences, the author explores the universal theme of grief as the girl must learn to mourn her losses while also accepting the inevitability of change and transition.
To further emphasize this transition, Martine’s physical journey to Cape Town is also symbolic of her metaphorical Coming of Age in the Wake of Tragic Loss, as the journey to Cape Town marks a significant shift not just in her life, but also in her outlook on the world as a whole. Throughout the course of her spiritual journey, she slowly but steadily transitions from being a child to an adolescent, teetering on the cusp of adulthood.
Without the security of her parents’ guidance and protection, Martine’s new life as an orphan forces her to rely on her own judgment to navigate an adult world full of people whose motives range from sincere to nefarious. Her first test comes when she finds herself alone at the airport, fearful that her grandmother has already abandoned her. When she meets Tendai, she must listen to her instincts and decide whether she can trust him. Learning to listen to inner intuition and make wise, calculated decisions is an important part of the growth process for an adolescent, and Martine’s journey to South Africa moves her into a place where she must develop awareness and discernment as she navigates an unfamiliar environment and people.
Tendai is a welcoming presence who soon introduces her to a second friend and ally: Miss Grace, who soothes the jet-lagged, disoriented Martine with a hearty meal and profound words of wisdom. Together, Tendai and Grace serve as representations of the history, folklore, and cultural traditions of Africa. As reassuring presences in Martine’s new life, they help the girl orient herself to her new surroundings and embrace the cultural knowledge of the people. However, Grace’s profound yet mysterious blessing on Martine leaves the girl feeling uneasy about her new life. Martine is still healing from the loss of her family, and to be told that she has a special “gift” is a heavy burden. Yet despite these mysteries, Grace’s warm greeting stands as a sharp contrast with Gwyn’s harsh and cold greeting, and thus, the two women are quickly established as foils. Unlike Grace’s open and accepting attitude, Gwyn’s demeanor indicates that she is a woman hardened by life and unused to the presence of children. Coupled with the sharp contrast in the weather and landscape, Martine must now process her rigid, stern grandmother, who doesn’t appear to enjoy her company.
Despite her grandmother’s frosty welcome, Martine feels instantly comforted by her surroundings, especially the animals. The presence of animals can be a great comfort for children who have experienced trauma, and although Martine only sees them from a distance, watching the animals drink and bathe at the watering hole brings her peace despite her grandmother’s distant approach. Martine, like all children, craves unconditional love, validation, and protection, and in the absence of humans, animals can provide some of that care for a child.
In contrast to her immediate connection to the land and animals, however, Martine doesn’t assimilate well at her new school. Admitting that she never truly fit in at her old school, Martine finds that, even though she has traveled halfway around the world, teenage social dynamics are exactly the same, and so she encounters the very same difficulties. Her new school has similar social hierarchies to the English boarding school she left, from the dominant popular groups like the Five Star Gang to the lone outcasts like Ben. It is immediately apparent that in addition to wrestling with her grief and settling into a new life, Martine must also navigate the murky and often painful waters of school politics. Thus, the first few chapters of the novel emphasize the extreme difficulty of the many life changes that Martine must assimilate; from her family life to her school environment, she must find her way in an entirely new country and culture: a tall order for an adolescent girl who has just lost everything she has ever known.