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The narrative returns to the evening after the party, when Blair catches Aiden watching Whitney as well as Jacob’s friend’s girlfriend; Blair is dismayed but also feels “superiority” over the girlfriend because of the young woman’s “tawdry vibe” (153). Whitney, Blair, and Rebecca see Mara, and Whitney comments that it is “too much for her on [their] side of the fence” (154), suggesting that Mara is no fun. Rebecca looks displeased and tells Whitney and Blair about Mara’s son, who died young. Blair wonders if Rebecca condemns their lack of empathy, as they don’t sit and chat with Mara like Rebecca does. As mothers, Blair thinks, Blair and Whitney can understand how Mara feels more than the childless Rebecca.
Blair looks back at the girlfriend who caught Aiden’s eye and sees Aiden and Jacob ogling the woman. She senses that her marriage is destined to end.
Mara has been “trying to decide how the aloneness feels” in Albert’s absence (157). Ben comes to tell her what happened to Xavier. When he leaves, she goes to the basement, where Marcus’s room is untouched. He would be 61 now. She set up this room to separate Marcus from his father. She remembers the trip to Portugal she planned when Marcus was 10 and how Albert said he’d take care of the tickets. Marcus dreamed of riding in an airplane, and Mara bought him a toy plane. It wasn’t until their suitcases were packed that Mara realized that Albert never bought the tickets. Later, Albert got drunk and said “vicious” things. In front of Marcus, Albert told Mara that she “ruined” Marcus, and Marcus never spoke another word to her again.
When Whitney pulls into her driveway after work on the afternoon before Xavier’s accident, she avoids Blair. Normally, Blair’s company is “like warm milk” (162), but sometimes she makes Whitney feel jealous. Whitney can tell that Blair wants to be close but that she also doesn’t want Whitney to see the problems in Blair’s life. Whitney senses Blair “shrink[ing]” and has felt her “hungrily consume” Whitney’s relationship with Jacob. Whitney enjoys having the upper hand in their friendship.
When Whitney goes inside, the children clamor for her attention. She yells at Xavier to take off his dirty socks, but he resists. Xavier wants to play chess before bed, but Whitney tells him no. He says he’ll play with Louisa because she’s nice to him. Trying not to cry, he tells Whitney that he knows she doesn’t like him. She moves to hug him, but he shoves her away. She yells, he runs, and she goes upstairs to her room while the twins wail for her.
Aiden tells Blair that he’s going out with friends. Aiden leaves, and Chloe says that Blair doesn’t love him anymore. Blair tells her everything is fine, but she realizes that she just encouraged her daughter to doubt her own intuition. She is inadvertently teaching Chloe that women pretend. Blair never thought she’d be like her own mother. She recalls going to her grandmother’s house with her father when she was little. They stopped on the way home while he went into a strange woman’s apartment, leaving Blair in the car. When he returned, he told Blair that her mother was a “good woman” because she put up with a “lot more than she should” (170). When they got home, Blair watched her mother stiffen at her father’s touch. Though Blair didn’t realize at the time that her father was having an affair and that her mother knew, she sees it now.
Whitney wakes up in her hospital chair. She recalls the exchange on Wednesday night and admits that Xavier was right when he said she sometimes didn’t like him. She sees Jacob’s coat on another chair and knows he is back from London. She dry heaves, and Jacob walks in. Whitney wishes he would hurt her because she wants to see how it feels. She wonders what he’s thinking about Xavier’s fall. She thinks of what Xavier wrote on his bedroom wall and “what happened right before her son fell from the window” (175). She starts heaving again.
Xavier’s doctor tells Rebecca that his brain damage might be worse than expected. Entering Xavier’s room as Jacob leaves it, she tells Whitney that she’s been pregnant five times and that she wants Whitney to know this, given her earlier question. Whitney simply says that she’s sorry without offering platitudes or advice, for which Rebecca is grateful. Jacob returns and Rebecca walks to the cafeteria with him. He says that social workers are asking questions about Xavier and the window. Jacob says that he trusts Whitney, but he worries their home might become a crime scene. Rebecca knows she must tell Ben she’s pregnant tonight.
When Rebecca gets home, she takes a shower. Ben comes in, asking if he can join her, but she’s afraid he’ll notice her belly. Rebecca updates him on Xavier’s condition. She asks him about playing catch with Xavier, and Ben explains that Xavier wanted to try out for the softball team. Blair thinks of the tiny baseball glove she bought during her first pregnancy, and though it was only three years ago, Rebecca thinks about how different she and Ben are now.
Rebecca can’t sleep, so around 3am, she gets up. She steps outside, crossing the street to the Loverlys’ property. She scans the grass where Xavier lay, thinking that maybe her new connection with Whitney drew her there.
When Rebecca goes home, Ben is awake. She shares her suspicion that Xavier’s fall wasn’t an accident. She kisses Ben’s knuckles, and he moves on top of her. They have sex, his movements sharp and “angry”; she worries that the wetness between her legs is blood and pushes him off, only to find that it’s not. She knows he was “somewhere else,” but so was she.
These chapters further develop Whitney and Blair’s relationship dynamic in connection to the theme of Female Rivalry. Whitney knows that Blair both envies and feeds off Whitney’s relationship with Jacob in some way, but she puts up with this because she gets something from Blair: the satisfaction of having the upper hand. Whitney has watched Blair diminish for years, and she knows Blair only tells half-truths, unwilling to feel discomfort. All of this reassures Whitney of her own choices; ironically, her fear of losing the upper hand doesn’t cause her to question whether she actually has it. However, her involuntary “heaving” at Xavier’s bedside symbolizes her loss of control.
Blair likewise seeks power where she can, as when she enjoys the “sense of dominance she feels entitled to” over the young woman at the party (155). This woman isn’t from the neighborhood, and, more importantly to Blair, she isn’t a mother. Blair also feels that Rebecca cannot understand Mara’s pain in having lost a son, though Rebecca has taken the time to get to know Mara and Blair has not. “Rebecca can’t possibly understand like [Blair and Whitney] can,” she thinks (155). Where Whitney prizes her marriage (in part because Blair envies it) and her ability to maintain her career, Blair prizes her motherhood, judging Whitney for her inattention to her children and deprecating the empathy of women who aren’t mothers. Whitney and Blair’s secrecy with one another reflects their fight for power, as each weighs how much they can share before they lose control.
Whitney and Blair are not the only characters the novel juxtaposes; Mara’s developing backstory invites comparison with several characters, but Whitney in particular. Both women have sons they consider “different” than other children, though they respond to their sons in diametrically opposing ways. Where Whitney yells at and criticizes Xavier, Mara becomes Marcus’s only confidant. At the same time, both women’s relationships with their husbands suffer as a result—Whitney’s because she is ashamed of her abusive behavior and feels she does not deserve Jacob, and Mara because she resents Albert’s treatment of Marcus. Side by side, their stories underscore the common Sacrifices of Motherhood.
Whitney, Blair, and Rebecca are also much more like their mothers than they think. When Whitney was disrespectful, her mother would hit her and then immediately show affection, causing Whitney to associate physical force with love. Her memories of Xavier—her intense feelings of love and concern for him as well as her violence toward him—continue this dynamic. She even wants Jacob to strike her, as her father hit her mother, because she thinks she “deserves” it. Meanwhile, the interactions between Blair’s mother and father taught her that being a “good woman” means pretending everything is fine, even when nothing is. Her mother knew her father was having an affair, and her father knew that her mother knew. His claim that “putting up” with a lot made Blair’s mother a good woman taught Blair that this kind of pretense is just part of womanhood—something she now finds herself involuntarily teaching her own daughter. Rebecca’s mother, who was single, felt an all-encompassing love for Rebecca and wants Rebecca to experience the same. Rebecca’s overriding need to have children is a variation on this emotion.
One of the central ironies of the book is thus that the female characters’ battles for dominance stem from the same basic insecurities, which could instead furnish grounds for empathy and solidarity. The rapport that Rebecca begins to feel with Whitney shows such genuine connections are possible. Rebecca tells Whitney about her miscarriages not to gain sympathy but just because she “want[s] [Whitney] to know” (178). Whitney offers a simple apology without advice or encouragement; she doesn’t engage in posturing. Later, Rebecca feels that this new connection pulls her to the Loverlys’ house. However, the eventual revelation that Whitney is having an affair with Ben renders her apparent rapport with Rebecca deeply ironic, as competition again undercuts the possibility of connection.