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66 pages 2 hours read

Alex North

The Whisper Man

Fiction | Novel | Adult | Published in 2019

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Part 5, Chapters 53-58Chapter Summaries & Analyses

Part 5, Chapter 53 Summary

Amanda is working the case outside Tom Kennedy’s home. She calls the hospital for an update on Pete, who is in critical condition. She’s confused as to why Pete would have been there since he didn’t tell her where he was going, and she knows that Pete shouldn’t have been there and blames herself partly for pushing him to go.

She goes inside to check on the CSI work before finding Tom Kennedy. She reassures him that she’ll find Jake and reminds him that Neil Spencer was well cared for at first. This is no comfort to Tom, who reminds her that Neil Spencer was then murdered. She puts forward her theory on why Jake was chosen: that he was living in this house and was therefore a target of Francis’s obsession. Amanda then asks Tom why Pete was at the house. When Tom tells her that he was babysitting Jake, she sees the resemblance between them and realizes they must be related.

She lets it go for the time being. When Karen offers to let Tom stay with her, Amanda pushes him toward that option, knowing that he needs support. She promises Tom that she’ll be in touch with him the moment she has more information.

Part 5, Chapter 54 Summary

Francis stands in his driveway in an area just outside Featherbank. He thinks about how the neighborhood avoids this house and that it may be because of him. He wonders about the Kennedy’s house and its reputation even though only he knows the real reason to be afraid.

The reason that Francis kidnaps boys is to make amends for those his father murdered. Standing there, though, he’s thrilled by the violence he committed and how good it felt. He thinks that his father won’t have to hate him anymore now that they’re both murderers. This idea competes with his desire to protect and care for Jake, but he lingers on how it made him feel to kill Neil Spencer.

Part 5, Chapter 55 Summary

Jake wakes in a strange room, his imaginary friend with him. She says that she’ll do her best to help him and will never leave him. After calming him down, she tells him that he should find out as much as he can about where they are.

The room is in an attic and is decorated as a typical child’s room except for the single bare lightbulb. A doorway out leads to a small bathroom and a staircase down with a handrail that reminds him of the one at his old house. He conflates the current situation with the day he discovered his mother and panics.

The girl calms him down again and urges him to think of his father’s words of love. She then warns him that the man who took her won’t be kind like his father, so he must be good for him.

At the bottom of the stairs, the door opens, and Jake pretends to be asleep. Francis Carter comes upstairs and tells Jake (who he thinks is still asleep) that he’ll look after him. After Carter leaves, Jake’s imaginary friend asks him what they’re being, and he responds, “We’re being brave,” echoing words he and his father shared (292).

Part 5, Chapter 56 Summary

Tom wakes up on Karen’s couch early the next morning, disoriented and worried. He briefly thinks of what life would be like without Jake before shaking himself out of it and becoming determined to find his son.

Karen wakes up and encourages Tom to call the police station instead of waiting for them to contact him. She takes her son, Adam, to school, promising to return soon. Looking for a way to feel close to his son, Tom decides to open the Packet of Special Things, which he’s always respected as something private to Jake.

Part 5, Chapter 57 Summary

Francis wakes up to a silent house, feeling the potential of having a new child to care for. He has an internal argument with his father about Jake’s goodness: His father’s voice insists that Jake is bad, just like Francis and every other child.

While showering, Francis fights his urge to murder Jake. He intends to care for him but not give him as many chances as Neil. He goes downstairs to prepare breakfast, using the moldy crumpets and old orange juice from when Neil was in the house.

As he heads up the stairs, he hears voices. Jake is talking to his imaginary friend. When he enters, the voices stop, which annoys him. He doesn’t like secrets being kept from him. Jake is otherwise polite toward him. However, he denies talking to anyone, which makes Francis want to strike him.

Francis gives Jake the moldy breakfast, and Jake balks at eating it. He says he isn’t hungry and would like to do some drawing, then calls Francis by the name he’s been using, George. Francis is angry both because Jake recognizes him from earlier interactions and because Jake doesn’t call him sir. Francis tells Jake that he must eat his breakfast, and Jake complies.

Part 5, Chapter 58 Summary

Tom opens the Packet of Special Things and finds several objects from his and Jake’s life with Rebecca as well as things Jake has accrued since then. He finds a wristband from a music festival he attended with Rebecca in their early relationship, Jake’s first lost tooth, a drawing he did for Jake, and several other items. Some of them make sense to Tom, while others are meaningless.

He then finds an old piece of notebook paper that clearly has Rebecca’s handwriting from when she was much younger. It’s the full text of the rhyme that Jake has been repeating: “If you leave a door half open, soon you’ll hear the whispers spoken” (304). He realizes that Jake learned the rhyme from this piece of paper. Tom keeps digging through the items and finds some photographs of Rebecca, eventually finding one of her first day of school—and Tom was unaware that Rebecca attended Rose Terrace Primary School, the same school Jake now attends. Tom knew that Rebecca had moved to the south coast at a young age but didn’t know or remember where she was before that.

Looking through the rest of the photographs, Tom comes across one of a young Rebecca in front of the house he currently lives in. Like many kids in Featherbank, she was aware of the local “scary house”: This photo has the caption “Being brave” on the back. Tom realizes that she looks just like the imaginary friend Jake has been drawing: The young girl Jake has been talking to manifests his mother when she was his age.

Tom weeps at this realization, worrying that he’ll never see his son again. When he recovers his composure, he looks at the last items in the packet and finds a piece of paper that grabs his attention, sends him out the door, and moves him to call Amanda.

Part 5, Chapters 53-58 Analysis

In Part 5, Francis Carter is finally in the spotlight. He’s a man at war with himself because of the trauma he experienced at the hands of his father, Frank Carter. The reader views Francis Carter through his own perspective and through Jake’s. Francis sees himself as having rescued Jake from a bad situation, but he’s torn between his impulse to nurture—born from a desire to escape his own trauma through asserting a different ideal than his father had for his victims—and his strong desire to recreate his father’s violence. Both clearly result from his trauma; they’re attempts to reclaim the agency his father took from him. The police are worried about a copycat killer, but that’s not exactly what Francis is; rather, he’s a man inflicting a kind of generational trauma on his victims.

Jake sees this clearly, though he can’t articulate it, and his imaginary friend compares Francis to Tom. She sees the way Francis is trying to step into the father role—but without the compassion and understanding that Tom brings, even when Tom’s distracted or processing his own difficulty. The narrative hasn’t shown Francis’s behavior with a child before now, as Neil Spencer’s abduction and murder happened outside the storyline. Now the tension increases with the knowledge that Francis won’t be able to control his urge to punish Jake. Jake is in an impossible situation, as Francis doesn’t have the capacity to love; no amount of goodness will save Jake from Francis’s eventual wrath.

That creates a sense of urgency that Tom mirrors when he does what he sees as a violation: opening Jake’s Packet of Special Things. Up to this point, the packet has been sacred, and Tom has respected his son’s autonomy and privacy. While the novel presents this as undoubtedly a healthy thing for a parent to do, Tom’s respect for his son’s privacy is partially rooted in his fear that he’s inadequate as a father. As a result, he often feels that his son is beyond his reach.

The contents of the Packet of Special Things reveal that Jake was closer to Tom than he knew, as many of the artifacts are from Tom and Rebecca’s marriage: Jake is mourning the same loss as Tom. The revelation that Rebecca was born and raised partially in Featherbank supports this—and clears up Tom’s worry about Jake’s imaginary girl, whom Tom found unnerving to this point. Knowing that she represents Rebecca reveals another parallel between Tom and Jake: that both are using her memory to process their emotions and their relationship to the other, whether through imagined conversations or through letters to her.

The last thing Tom finds sets him toward his confrontation with Francis Carter, as the drawing of the “corpse moth” butterfly he finds is too good to have been done by Jake and aligns with his discovery of the butterflies surrounding Tony Smith’s body. However, his lack of complete honesty with the police up to this point will complicate his knowledge of all this—an example of the novel’s recurring theme of the importance of confronting the truth rather than hiding from it.

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