logo

66 pages 2 hours read

Alex North

The Whisper Man

Fiction | Novel | Adult | Published in 2019

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 4, Chapters 43-52Chapter Summaries & Analyses

Part 4, Chapter 43 Summary

Around lunchtime, Karen arrives at Tom’s door, interrupting his work. She wants to explain that she didn’t mean to deceive him and that she intends to treat everything he said as off the record. She wants to be his friend, and although she suggests that it might be a good idea to speak to the press if the story gets out further about his involvement in the case, she doesn’t necessarily mean through her. She invites him out for a drink later, and he says that he wouldn’t be able to find a sitter. She gives him her card and tells him to text her so that she has his number, but after she leaves, he realizes that he might have a sitter after all: Although the narrative doesn’t specify who that is, it implies that Tom reaches out to Pete to stay with Jake.

Part 4, Chapter 44 Summary

At the police department, Pete and Amanda comb through records, looking for information about what happened to Francis Carter after he and his mother received new identities. Francis was renamed David Parker, and they must look through the thousands of people who have that name. Amanda thinks about Pete’s state of mind, worried that he missed something that led to Tony Smith’s death and created this new situation. Pete then gets Tom’s text message. When Pete tries to ignore it, Amanda insists that he needs to take a break and that it’s her case. Watching him respond, Amanda is happy to see him looking like he “was finally looking forward to something” (242).

Part 4, Chapter 45 Summary

Pete arrives to babysit Jake and asks to be shown around, even though he’s already familiar with the house. Upstairs, Pete notices The Power of Three by Diane Wynne Jones, which Tom has been reading to Jake. Tom feels nervous about the date, which his father being there exacerbates. He thinks about the butterflies in his stomach, which makes him think of the corpse moth, leading to a worry that he didn’t lock the door downstairs.

Part 4, Chapter 46 Summary

Meanwhile, Jake is downstairs and worries about Tom going out for the night. He thinks that his fear is irrational, but the imaginary girl shows up and tells him that he’s right to be afraid, that something bad might happen if Tom leaves, and that the woman he’s going to see might replace his mother. Jake doesn’t believe that Tom wants to replace his mother, but he remembers what Tom wrote to Rebecca in the letter he read. He tries to remind himself that they talked about this and that it was important “to let Daddy be Daddy,” mirroring Tom’s frequent assertions to himself about Jake (248).

Part 4, Chapter 47 Summary

Tom comes back downstairs and sees Jake’s distress. He asks what’s wrong, and Jake asks if he thinks that Jake doesn’t want him around. Tom scoops him up, knowing that there’s a bit of truth in what Jake asked because of Tom’s insecurity about being a good father. He realizes that he and Jake probably have the same doubts and fears about each other, and although he doesn’t agree to stay home, he assures Jake that it will be fine. Tom leaves Jake to Pete, both sure that nothing will go wrong.

Part 4, Chapter 48 Summary

Officer Dyson and Amanda head to a location that they suspect was home of Francis Carter, which is 50 miles away in an area that houses students. Amanda is glad that Pete is out, doing something for himself, but secretly wishes that he were with her.

They arrive at a four-story house that’s split into apartments; the one registered to David Parker is down a basement staircase. Amanda knocks and receives no answer. She tries the door, and it opens. Inside, the apartment looks abandoned, and it’s clear that no one has been there in some time. The main rooms are in disrepair, and the bathroom is filled with standing water and rotted towels, but when Amanda goes into the bedroom, she sees that it’s decorated with the same crude drawings as they found in the room where Frank Carter kept his victims.

Part 4, Chapter 49 Summary

At Tom’s house, Pete almost tells Jake that he read The Power of Three to Tom when he was a boy—it may even be the same copy. However, he then realizes that if he’s going to have a relationship with Jake, it must be outside the context of who he used to be when he was a terrible father.

After Jake is asleep, Pete contemplates the coincidence that brought him here as well as what he can gain now by giving up drinking. He starts thinking about Frank Carter’s victims: If they were meant to stand in for Francis, on whom he couldn’t act out his violent urges without getting caught, Tom wonders what that would have done to the boy’s psyche. He thinks about Carter’s comment on Francis being someone who “takes care” and realizes that by abducting Neil Spencer, Francis might have been trying to right the wrongs his father committed. Suddenly, a scream from upstairs startles Pete from this line of thought.

Part 4, Chapter 50 Summary

At a local bar, Jake and Karen get beers and find a spot in an outdoor area. They discuss their kids and that Pete is watching Jake. Karen has a copy of one of Tom’s books, which she asks him to sign. He does so, and they joke about selling it, but Karen sees that Tom is distracted, worrying about Jake. She knows the feeling, and she agrees to call it a night after they finish their drinks. They both agree they want to see each other again. Tom’s phone rings, interrupting the moment.

Part 4, Chapter 51 Summary

A nightmare about the memory of finding his mother’s body triggers Jake’s scream. This scene is from Jake’s perspective and deliberately mirrors Tom’s recurring nightmare of the last time he saw his father. Jake wakes and goes to the top of the stairs to see Pete coming up; when he asks about the nightmare, Jake doesn’t want to tell him. Pete is fine with that and explains his theory that bad dreams are a way of the brain expressing difficult things. Jake is somewhat comforted but still wants Pete to call Tom.

As he’s dialing, Pete hears the front door open. He hangs up, assuming it’s Tom, and goes back downstairs. Jake listens from the top of the stairs. He hears a fight and then a body hitting the floor before someone whispers his name.

Part 4, Chapter 52 Summary

Karen and Tom head home on Tom’s suspicion that something might be wrong. He tried calling Pete back but got no response. They arrive at the house to see the front door open. Inside, Pete is lying on the floor, surrounded by blood. Tom runs upstairs and finds bloody footprints going up the stairs. In Jake’s room, the bed is made up and Jake’s Packet of Special Things is on the floor, which confirms to Tom that Jake has been taken against his will.

Part 4, Chapters 43-52 Analysis

The key development in these chapters is Tom’s resolve to treat Pete as a stranger slipping away, and although he’s not able to tell his son the full truth about Pete, he can make space for the two to have a relationship. He begins referring to Pete more often in the narrative as “my father” (243). Several pieces of the characters’ emotional arcs click in to place here, and many of them revolve around the similarities between father and son: Pete reads the same book he read to his son to his grandson. Tom realizes that he and his son both feel the disconnection between them and long for each other. Pete shares his experiences of traumatic events replaying as dreams with Jake. These instances and others show patterns that repeat across generations regardless of whether the characters are aware of this repetition.

Pete becomes closer to understanding the killer as he realizes that his son’s memories have had a profound impact on who he is and sees Jake’s anxiety about his father going on a date. He extrapolates outward from his own life experiences to thoughts about Francis Carter’s, realizing that his is a twisted, much more intense version of what Tom Kennedy believes he experienced and that Francis Carter’s kidnappings may be an attempt to heal that trauma. His understanding comes too late, unfortunately, to prevent Jake’s kidnapping.

Elsewhere, the plot moves along in ways that align more with genre conventions. Karen’s job as a reporter is a misdirect, as her integrity and interest in Tom prevent her from being a problem. Amanda and Dyson’s discovery of Francis’s rented home out of town is horrific but doesn’t provide any new evidence beyond the confirmation that Francis has been affected by his father’s crimes and has abandoned the apartment. By focusing so much on the possibility of healing between Pete, Tom, and Jake and so little on the investigation leading up to the climax when Jake is taken, the novel provides a sense of security that is inherently false within the context of the story’s events. This approach builds a sense of dread, which the back-and-forth cuts between Pete and Jake at the house and different scenes outside the home punctuate.

blurred text
blurred text
blurred text
blurred text