24 pages • 48 minutes read
Mark TwainA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The story’s lack of specificity lends it an allegorical quality. It could be set in any place and time. The focus is less on the individual characters and more on the ideas that the characters represent. The story carries moral lessons about patriotism, religion, and ignorance. Twain uses the church to represent the country as a whole, full of destructive nationalism and religious zealotry. The stranger personifies ideas that run counter to these currents, like pacifism, reason, and Christian charity. The story’s brevity enhances its allegorical quality. It is easily remembered and retold, a sort of fable intended to instruct generations beyond Twain’s own.
Components of satire include hyperbole, irony, and juxtaposition, all of which are present in “The War Prayer.” Twain exaggerates the country’s nationalism when he writes that “in every breast burned the holy fire of patriotism” (Paragraph 1), and both the minister’s prayer and the stranger’s prayer are full of irony. The minister asks the “ever-merciful and benignant Father” to help the country’s soldiers “to crush the foe” (Paragraph 3), an oxymoronic statement in which readers see the incongruity of the minister’s words even if the minister and churchgoers do not. The story’s ending borders on tragic irony, with the church labeling the stranger a lunatic even when he is the sanest of any character in the text. While humor is often a component of satire, Twain avoids the use of it here, suggesting the topic is no laughing matter.
Repetition is most prevalent in the stranger’s prayer with the continuous use of “help us” (Paragraph 9). This repetition emphasizes the importance of the stranger’s words, which contain the crux of Twain’s message. The words are a plea, drawing attention to the fact the church has prayed for God to help them kill their enemies, set fire to their homes, orphan their children, widow their wives, and cast the survivors out of their homes and turn them into refugees. Each time the stranger says “help us” it is a reminder that the church has asked these things of God. Twain thereby highlights the church’s hypocrisy.
The story is built on juxtaposition. The first half focuses on the country’s patriotic fervor and the minister’s prayer. The second half offers a counter-narrative with the stranger’s prayer. Twain contrasts these two halves, asking his readers to consider the implications of the minister’s words, both “the spoken and the unspoken” (Paragraph 7). Juxtaposition undercuts the nationalism and religious zealotry exhibited by the church. The stranger’s prayer illustrates the fallacies of the church’s beliefs. It is a retort to the minister and also Twain’s retort to a country and a populace set on war. Given the story’s brevity, the juxtaposition becomes more obvious, strengthening the power of Twain’s argument.
By Mark Twain