logo

64 pages 2 hours read

Mario Vargas Llosa

The War of the End of the World

Fiction | Novel | Adult | Published in 1981

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 4, Chapters 1-3Chapter Summaries & Analyses

Part 4, Chapter 1 Summary

Months later, the baron has withdrawn from public life. Estela has lost her mind, Canudos is destroyed, and Gonçalves is governor. One day the baron has a visitor: the nearsighted journalist. He seems far older. He wants a job at the baron’s paper, partly in order to pay for the Dwarf, who he says saved his life with his stories, to be treated for tuberculosis. But the journalist has also returned for another reason: because people are forgetting Canudos. He intends to write about it, and the baron reminds him that he used to want to be a poet or dramatist. He has already read all that’s available and demands the baron tell him everything he knows.

Flashing back to Canudos, after the victory against the Seventh Regiment, Abbot João and Catarina awake and make love. They discuss the bravery of the Mirandela Indians, who assisted in the battle. No missionaries had managed to preach to them; but when the Counselor appeared, they listened. Later, a large group moved to Canudos. As João heads through the streets to meet Antônio Vilanova, he overhears the Dwarf recounting one of his favorite tales, and detours to listen. He says one day he would like to hear the tale of Robert the Devil. Father Joaquim is with Antônio: he has received news that 5,000 soldiers are advancing from Queimadas and more from other directions. They should send everyone back to their villages, but if they want to fight, Joaquim says, he knows someone who can supply weapons. But the only way to pay his price is with the jewels offered to the Virgin and Jesus.

The journalist listens to the Dwarf’s tales, consumed by powerless terror at his blindness. No one gives any money. Jurema, the journalist, and the Dwarf are given room to sleep in the Vilanovas’ storehouse, as well as some flour to eat. Days pass and Father Joaquim doesn’t come to see them. At one point Pajeú arrives and the journalist senses that Pajeú desires Jurema. The Dwarf thinks she is lucky: He is one of the people in charge, so will give her a house and take care of her.

Lieutenant Pires Ferreira lies in his hotel room in Queimadas. He has been there since Moreira César ordered him to care for the sick in the rear guard. Leaving his room to punish Private Queluz, he runs into an officer who is concerned that the commanders have not changed the army’s woolen uniforms after the toll taken by the heat and landscape in the three failed campaigns. The rifles too, often fail due to sand in the mechanism. Private Queluz is to be flogged for trying to rape a teenage bugler. After the beating, cheers erupt from the tannery. The army is leaving for Canudos in two hours.

Part 4, Chapter 2 Summary

Returning to the conversation months later between the baron and the journalist, they discuss an attack on a monarchist newspaper in Rio. Whipped into a frenzy by conspiratorial propaganda, a mob burnt down the paper’s offices. The owner was Gentil de Castro, a naïve friend of the baron. After the attack, he was smuggled to the station to escape Rio, but it was late and nearby demonstrators spotted Gentil and shot him. The journalist brings up the dead of Canudos: He estimates the number of fallen to be at between 25,000 and 30,000. He says only seven people survived, including him.

Pajeú struggles not to think about Jurema, as he leads 300 men to draw the soldiers toward A Favela, where an ambush lies in wait. When they return, he thinks, he will ask her name. Observing the advance, he realizes they are taking a longer route than the previous expeditions, because the terrain is flatter. To avoid giving away their position, his men must stand by and watch as one of them is killed by a cavalryman. The soldiers are hauling an enormous cannon, which the jagunços nickname A Matadeira—the Killer. Jurema appears in Pajeú’s dreams that night. In the morning, they meet with another patrol. Swapping news, Pajeú notices a half-Indian boy crying: The jagunço killed by the cavalryman was his father. Keen to avenge him, the boy agrees to Pajeú’s plan: He will let himself be captured and tortured in order to guide the army to A Favela. The groups ambush the soldiers, retreating fast and leaving the boy behind. Hours later they see the result: the column is heading toward A Favela. That night, they meet up with Abbot João to plan the upcoming attack. The plan is put into action the next day: Pajeú’s men attack in order to make the route they are guarding seem impassable, diverting the soldiers toward Abbot João. It works.

Jurema agrees to go with the Sardelinha sisters, wives of the Vilanova brothers, to cook for the men out harassing the advancing soldiers. The Dwarf and the nearsighted journalist follow her. They meet up with the Vilanovas and are soon caught in a battle. The journalist clings to her, as she remembers his helpless terror the last few weeks. “My poor son,” she thinks (404). The situation is grave as ammunition runs low. The women who came to cook begin to run. Jurema follows, thinking they are fleeing, but soon realizes they’re heading toward the battle to see their men for the last time. Falling into a hole with one living and one dead jagunço, Jurema hands him rounds, anticipating that she is about to die. But then it falls silent and the soldiers move away.

The narrative perspective shifts to one of the soldiers, Sergeant Frutuoso Medrado, revealing why they are retreating despite being on the verge of victory: Pajeú’s ambush has surrounded the soldiers coming from Queimadas, and the battalions marching from the north must reroute to help them. They will march through the night. Medrado feels affection for his troops, especially Private Coríntio, with whose wife he is having an affair. He tries to keep their morale up by making jokes. Hours into the forced march, they are ambushed. Medrado is run through with a lance, but still alive. A captain from the baggage train they were sent to rescue weeps that the jagunços have stolen all their supplies, before falling dead. Coríntio appears; instead of helping Medrado, he drives his bayonet into his throat. He knew about the affair after all.

Part 4, Chapter 3 Summary

The conversation between the baron and journalist continues. They discuss the impact of the press on public opinion and how the mob in Rio was brought to believe in the conspiracy between England and the monarchists. The journalist discusses his replacement at Gonçalves’s paper, who accompanied the final expedition and wrote of seeing English officers: “The simple fact is he didn’t write what he saw but what he felt and believed” (416). The replacement never mentioned the priests in Canudos, such as Father Joaquim. The baron met him once and recalls his debauched ways. The journalist insists he was a coward, whom the Counselor turned into a brave man, “the most difficult conversion of all” (418). They consider whether the Counselor was in fact sent by God. Another person present in Canudos, whom both men knew from before, was “the filicide of Salvador,” a maidservant who suffocated her son out of fear his crying would lead to her being fired (420). The journalist concludes that Canudos “changed my ideas about history, about Brazil, about men. But above all about myself” (423).

Big João discusses tactics with old Joaquim Macambira, who is anxious about A Matadeira (a cannon dubbed “the killer” in English) destroying the towers of the Temple. They discuss with admiration Abbot João’s plan to pin down the troops at A Favela and send a raiding party to loot the baggage train. On returning to Canudos, they learn that the plan was a success: One hundred head of cattle and even more rifles are in the possession of the defenders. However, A Matadeira begins to bombard Canudos, and they realize they have to neutralize it. Joaquim Macambira and his sons plan to climb the hill and sabotage it. Big João begs Abbot João to accompany them, but he is needed to defend the Counselor. Abbot João and old Macambira argue about the need for him and his sons to disguise themselves in soldiers’ uniforms. The old man refuses for fear he will be “condemned to hell” (435). After the Macambiras have departed, a child guide who helped them climb the hill reports to Big João that, after a firefight, he thinks they were all killed.

The Dwarf helps the nearsighted journalist back to Canudos, where they reunite with Jurema. At the Vilanovas’ storehouse, they help pack ammunition. One night Pajeú returns and asks Jurema to be his wife. The Dwarf is surprised at feeling pity for him; he realizes that until now “his life had been empty of love” (438). The journalist groans, and Pajeú asks if he is Jurema’s husband; she replies he is like her son. Shots ring out and Pajeú leaves without receiving an answer. Jurema admits that she does not want to marry him. A few days later, the Dwarf sees Jurema and the journalist talking with Father Joaquim. He says they will break her refusal slowly, but first she must bring him food in the trenches; “Give him that pleasure” (443). The journalist begs his help to leave; without his glasses he is blind and cannot do it alone. But the priest refuses sadly, advising the journalist to put his faith in God. Later, the Dwarf accompanies Jurema to the trench. They ask Pajeú about A Matadeira: It exploded a few days after the Macambiras were killed. Pajeú is venturing out on another raid; he will be gone several days.

A young army doctor, Teotônio Cavalcanti, is now in charge of the field hospital because his superior has been killed. Since joining the army from medical school, “certain beliefs of his that seemed rock solid have been profoundly undermined” (450). He is depressed by sordid business deals that go against patriotic principles: how petty goods are resold for tremendous sums. Making his rounds, Pires Ferreira calls him to his bedside. He has been blinded and lost both hands. He asks Teotônio to kill him. The doctor tries to persuade him otherwise, but Pires Ferreira is insistent, and eventually he agrees.

Part 4, Chapters 1-3 Analysis

Part 4 is structured differently from the others in order to foreground the theme of How Stories Create History. The events of Canudos are now framed by a conversation months in the future between the Baron de Canabrava and the nearsighted journalist. Each chapter begins with the continuation of this conversation, before flashing back to Canudos’s final days. The nearsighted journalist becomes the main point of view character on the ground, while the military campaign is told through a succession of minor military characters, some of whom provide a point of view for only a few pages. As the first point-of-view character to arrive in Canudos who was never a follower of the Counselor, the journalist acts as a reader surrogate, bringing a detached, skeptical perspective to the society there. His neutrality was established in Part 2, when he told Epaminondas Gonçalves that he had no political convictions. In stark contrast to Gall, who saw evidence for his own beliefs no matter what the situation, the journalist struggles to understand Canudos on its own terms. The conversations between him and the baron function as a kind of commentary on the novel itself, with various ideas suggested and contradicted without any single one predominating. Whether the Counselor was really sent by God, whether it was a class struggle, as Gall believed, whether the rebels were manipulated, uniting all these explanations is “[p]eople’s credulity, their hunger for fantasy, for illusion” (415). The baron expresses Vargas Llosa’s theme: that history is created by stories people believe in enough to try to enact them.

The secondary military characters, the medical officer Teotônio Cavalcanti and Sergeant Frutuoso Medrado, represent the thousands of bewildered young men dragged into this war from all over Brazil. Similarly to the journalist, the war turns Cavalcanti’s preexisting ideas on their heads: “certain beliefs of his that seemed rock solid have been profoundly undermined” (450). Brought up on heroic stories of war, he discovers that “[i]t is not what is most sublime, but what is most sordid and abject, the hunger for filthy lucre, greed, that is aroused in the presence of death” (451). This process of disillusionment is one that Gall and Moreira César fail to undergo, resulting in The Tragedy of Political Idealism. The brutal result of this tragedy is emphasized in Cavalcanti’s section, with unvarnished language that describes in detail the horrific injuries sustained during the campaign.

But simultaneous to the mounting violence of Part 4 is the love affair between Jurema and the nearsighted journalist. This is a corollary of The Radical Power of Religious Fanaticism: that the society of Canudos under siege is able to foster such a pure loving relationship. Ironically, given his skepticism, the journalist experiences the pure kind of love preached by the Counselor; because he is blind, he cannot see Jurema, and thus falls in love with her as a person, instead of for what she looks like. The Counselor would describe it as a spiritual, rather than earthly love. And Vargas Llosa makes clear it is not just a matter of lust or desperation, but a real and deep bond. Jurema calls him her “son,” and when they transition to becoming lovers, this motherly kind of love is combined with sexual love. Canudos’s radical power is to introduce this to the journalist, whose “life had been empty of love” until then, and who had believed he would only ever have relationships with sex workers because of his ugliness (438). That Canudos can foster both violent extremism and selfless love is a paradox that is at the heart of its radical power. 

blurred text
blurred text
blurred text
blurred text