The War of Art: Winning the Inner Creative Battle

Pressfield admits that he caved to Resistance throughout his twenties. How did he resolve this issue? What effect does this and other personal anecdotes have on the book’s tone? Answer with references to the book.

What are some seemingly constructive pursuits that Pressfield is convinced are actually forms of Resistance? Explain what they are and how they stop the artist from pursuing her craft.

Pressfield distinguishes between being an “amateur” and a “professional.” What does he claim are the characteristics of both?

Pressfield insists that doing creative work is not an egotistical act, but a God-given instinct that benefits others. How does he craft this argument? Explain with references to the text.

Pressfield uses personal stories to illustrate his points. Analyze three of his anecdotes and the lessons they convey. How would the book read differently if he used scientific data to support his points instead?

Pressfield claims that living an artists’ life is hellish, but also argues that overcoming Resistance makes people feel much better, and could end much of the world’s suffering. How does he reconcile these two observations?

How does Pressfield infuse his work with a religious or spiritual component? Cite examples from the text.

Pressfield argues that when people begin to overcome Resistance they may encounter “sabotage” from others in their life. Why does Pressfield believe this occurs, and how can people avoid it?