53 pages • 1 hour read
Karina Yan GlaserA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Jessie awakens on Christmas Eve with a knot in her stomach. Everyone gathers in the kitchen, and Oliver asks if Isa and Jessie will still prepare the Christmas meal for the family. Isa is the last to come downstairs, and she answers curtly to all of Jessie’s questions about the meal planning. They argue about divvying up the cooking duties, and Mama reminds them they must push past their conflict to complete the meal. The rest of the family leaves to work the toy drive so Isa and Jessie can get to work. The sisters complete their tasks in the kitchen without speaking, and when Isa is finished, she stomps downstairs to practice her violin.
After working the toy drive, Hyacinth leaves abruptly, saying she must walk Franz, but she is really going to work on her secret plan. Hyacinth has been caring for a mother cat and her kittens, and she goes to check on them in the makeshift shelter she fashioned from a discarded cabinet and old blankets. When she sees the fluffy kittens, she remembers her father’s words: “Until one has loved an animal, a part of one’s soul remains unawakened” (225). Hyacinth wraps up one of the kittens in her scarf, carries it to the brownstone, and leaves it outside Mr. Beiderman’s door. After knocking, Hyacinth runs away quickly before anyone answers.
Mr. Beiderman calls Papa and angrily explains the petition and unwanted deliveries. Allegra gave out his phone number to the neighbors, and he received so many phone calls asking him to allow the Vanderbeekers to stay that he had to disconnect his phone. Papa apologizes and promises Mr. Beiderman that he will speak to the children and that their antics will cease. The children overhear the phone call and know they are in trouble. They confess to everything including turning away the possible tenant. Papa expresses his empathy for how difficult the move has been for the children but proclaims his disappointment in their reckless behavior and tells the children that along with extra chores, they will each write a letter of apology to Mr. Beiderman and promise to leave him be. Everyone is sorry and Isa bursts into tears, as she feels she failed, and she “felt the weight of failure hang heavy on her” (231). Mama and Papa gather all the children into a group hug.
After finishing the letters, they deliver them to Mr. Beiderman’s door and add to it Mr. Rochester’s business card with a note saying he is the best candidate to rent the brownstone. Uncle Arthur and Auntie Harrigan arrive for the Christmas dinner, but Auntie notices the glum mood of the children and asks them what’s wrong. After they explain the situation, Auntie Harrigan tells them that she is proud of them for trying to do something nice for another person. Isa and Jessie are still not speaking but finish the meal preparations while Laney practices Paganini’s tricks. Since their home is full of boxes, they decide to move the dinner to Miss Josie’s and Mr. Jeet’s apartment. On the way out, Uncle Arthur tastes the twins’ beef stew and must spit it out because it is too salty. Oliver is thankful they at least have the bread from Castleman’s.
As the twins change for dinner in silence, Jessie tries to think of a way to solve the conflict between her and her sister. She regrets all the harsh words they exchanged and looks around their shared room and remembers all the happy memories they have together. Jessie knows she can’t fix all their problems, but she will try to fix the rift with Benny.
A fierce wind blows outside as Mr. Van Hooten arrives for dinner. Each guest brought a dish to contribute to the meal, and Auntie Harrigan adds water and extra broth to fix the over-salted stew. The food is delicious, but a gloomy pall hangs over the table as everyone knows it is their last Christmas together in the brownstone. After dinner, Laney and Mr. Jeet entertain the guests with Paganini’s tricks, which include jumping through a knitting hoop and playing a tiny piano. Everyone applauds and Laney is overjoyed with all the attention. The guests clap and shout for an encore but soon hear loud banging from overhead. Miss Josie says Mr. Beiderman often bangs on the floor when they are making too much noise. Everyone is shocked at the cruel behavior, and Mr. Van Hooten says, “Did you say Beiderman?” (244). Isa springs from the table, grabs her violin, bounds up the stairs, and bangs on the door. As soon as the haggard Mr. Beiderman answers the door, Isa begins to play “Les Furies” pouring all her anger, frustration, and heartache into the music. Once she feels her anger leaving, she begins playing a softer tune called “The Swan.” Isa loses herself in the music, but when she stops playing, she sees Mr. Beiderman crying. He simply says, “I’m sorry” (247) and closes the door.
When Isa returns, everyone is in awe of her bravery, and Mr. Van Hooten weeps saying that he wished she played like that at rehearsal. Isa finds Jessie hiding on the fire escape and they look at the water wall, which has been damaged by the windstorm. Isa tells Jessie that she just wants to understand why she told Benny she wouldn’t want to go with him to the dance. Jessie confesses that she didn’t mean any harm, but she was already sad to lose the brownstone and feared she might lose Isa too. The sisters reconcile and Jessie promises to clean Isa’s bathroom for three months as penance.
Everyone reconvenes at the table to finish the meal and Papa delivers a moving toast, thanking his neighbors for being such a beautiful part of his children’s lives. Everyone cries and Laney walks around the table and hugs each guest and family member. The children are sad that Operation Beiderman failed, but in the process, they came to a greater appreciation for how much their community means to the family and that no matter where they live, they will always have one another. As he is leaving, Mr. Van Hooten pulls Isa aside and tells her that Mr. Beiderman’s daughter Luciana was his student, and that the violin Isa plays once belonged to her. Isa feels terrible for playing it in front of Mr. Beiderman, realizing that seeing and hearing it again probably caused him pain. Jessie says, “I spend so much time avoiding him, and now all I want to do is make him feel better” (256). The children empathize with Mr. Beiderman now that they better understand why he is so angry. Later, as Isa lies in bed on her last Christmas Eve in the brownstone, she gazes over every familiar part of her room, committing it to memory.
On Christmas morning, Oliver awakens before everyone else and sees many packages with his name on them, including one he knows contains the Lord of the Rings trilogy and a handmade gift from Hyacinth. He feels guilty for the paltry gifts he cobbled together for his sisters and races back to his room with an idea. The rest of the family awakens, and the children demand to open gifts before breakfast. Oliver asks everyone to open his gifts first, and the entire family is shocked to find that Oliver has created custom IOU cards personalized for each family member. Laney has a coupon for reading time, and the twins’ card promises that Oliver will not tease them for a month. Oliver gifted Mama and Papa his services at the soup kitchen and help with yard work, and to Hyacinth, he gives two heart-shaped buttons and a coupon for two hours of button viewing. The rest of the family opens their gifts, including Papa, who got a new set of coveralls from Mama, which he puts on right over his pajamas. For their parents, the children framed Laney’s sketch of the growth chart on the wall, which brings Mama to tears.
While the family makes breakfast, Benny arrives with fresh cookies and pastries. He asks Isa to go on a walk and apologizes for his behavior. Jessie called him and explained everything. He tells Isa he’s always thought she was beautiful and asks her to be his date for the eighth-grade dance, and Isa knows she will never forget this moment. They return to the brownstone and invite Benny and his parents to breakfast. Laney and Hyacinth ruined the pancakes, so they are glad to have the Castleman’s treats. Franz begins acting strangely, and Hyacinth thinks he wants their food, but he pulls on her shirt and drags her towards the door. Outside the door is a box with the kitten she gifted Mr. Beiderman and a note asking her to come to visit him.
Hyacinth calls an Operation Biederman meeting in the hallway. She shows them the note, and all the children are shocked that she gave the Beiderman a kitten. Before they realize it, Laney bangs on his door announcing their arrival. Mr. Beiderman answers the door looking far less scary than the first time Hyacinth saw him. He kindly invites them inside his apartment, which is decorated with all the gifts they gave him, and he is playing Isa’s CD. Mr. Beiderman’s walls are covered in paintings that feature a young girl. Mr. Beiderman apologizes for everything, and Isa tells him they are sorry that he lost his family. Mr. Beiderman explains that he overheard Isa playing Luciana’s favorite song on the violin and felt like he could not bear to have them live there anymore. He made all the paintings of his daughter because he misses her and his wife so much. Laney asks if they can be friends, and Oliver apologizes for his note. They invite Mr. Beiderman to Christmas breakfast, and he claims he can’t leave his apartment, but the children drag him downstairs.
Mama and Papa are shocked to see Mr. Beiderman in their kitchen, but quickly offer him refreshments and introduce him to everyone at the table. Mr. Beiderman tells the family that he wants them to stay in the brownstone. He asks Isa to visit him and play the violin and for Hyacinth to help him care for the kitten, which Laney has named “Princess Cutie” (284). Miss Josie and Mr. Jeet arrive, and a huge celebration ensues. Word quickly spreads down the block, and soon neighbors appear at the door to join the jubilation. Allegra arrives in a fancy dress and tells Benny that he must buy Isa an “amaranth pink” (285) corsage and find a date for Jessie, but Jessie says no thank you. The house is filled with neighbors joyously celebrating the Vanderbeekers. Once everyone leaves, the family stands outside the brownstone admiring the home they love so much happy that they can stay.
Benny arrives to pick up Isa for the dance. He has the hot pink flower and is wearing sneakers. Mr. Beiderman sticks his head out of the brownstone window to inquire about his intentions. He half-jokingly warns Benny not to try any “funny stuff.” One by one, the other neighbors stick their heads out the window as Isa walks out of the door, a vision in her dress. All the neighbors wish them well as they drive away to the dance.
The fierce winter wind outside blows, and hopelessness descends upon the Vanderbeeker household as Christmas Eve arrives and there is no solution to all the problems facing the family. When Mr. Beiderman calls Papa and reveals the children’s petition scheme and the ensuing barrage of phone calls from the neighbors, the children know that their plan has not only failed, but likely made their plight worse. Even bold moves like Hyacinth’s gift of the kitten or Laney’s Christmas tree have done nothing to sway Mr. Beiderman’s heart. Typically, the lead-up to Christmas fills children with joyous anticipation, but Glaser conveys a tone of sadness and tension permeating the Vanderbeeker home as siblings are at odds and the family’s future is uncertain.
Food is a pervasive motif in the narrative and the author uses the preparation of the Christmas meal to bring Jessie and Isa together physically, but the shared task doesn’t resolve their conflict. However, the Christmas meal brings together the entire family along with some of the most important people in their circle. The moment solidifies the importance of family and community in enriching people’s lives and reinforces the story’s theme of A Sense of Belonging to A Place and A Family. Mr. Beiderman’s banging protest interrupts the endearing dinner scene, a startling reminder of reality. Isa, emboldened by her anger toward her sister and towards Mr. Beiderman, makes a decision that leads to a breakthrough. Feeling helpless and out of options, Isa uses her music to fight back against the injustice in her life. Isa’s hasty choice cracks Mr. Beiderman’s façade and opens the door physically and metaphorically to building a bridge between them. Mr. Van Hooten’s revelation of Luciana Beiderman’s story unlocks the full mystery of Mr. Beiderman’s contempt, and Isa worries she has caused further harm. Throughout the narrative, Isa’s internal monologue reveals a fear of failure, and she worries that her rash decision is yet another defeat.
Christmas morning brings a renewed hope as the family gathers to exchange gifts. Oliver’s coupon gifts reveal his character transformation as he goes from worrying about how many gifts that he has under the tree, to genuine concern over the proper gifts to give his sisters. The children channel the same creative energy they put into Mr. Beiderman’s gifts into gifts for their families. Laney’s rendering of the growth chart symbolizes their parents’ assertions that no matter what happens, everything will be okay, and they can take their memories of the brownstone with them. Though Mama has poked fun at Papa’s coveralls in the past, gifting him a new pair shows her acknowledgment of his occupation and validation of his hard work to provide for the family. The best gift of all arrives with a simple note attached to a tiny kitten. Mr. Beiderman fittingly reaches out to the children first and invites them into his home and his life. In turn, the children invite him to Christmas breakfast, and the Vanderbeekers welcome him with open arms. Isa and Benny resolve their miscommunication, which then allows Isa to forgive Jessie and repair their relationship. The novel ends with an epilogue in which Glaser creatively depicts Isa and Benny leaving for the dance. Just as she has from the beginning, Glaser centers the narrative around the brownstone and the community. The brownstone comes alive figuratively as each family member and each neighbor pokes their head out of the windows to wish the young couple well. The scene highlights that the lifeblood of the brownstone is its people, and the moment showcases the beauty and warmth of community and family.
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