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66 pages 2 hours read

Anne Rice

The Vampire Lestat

Fiction | Novel | Adult | Published in 1985

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Parts 4-5Chapter Summaries & Analyses

Part 4: “The Children of Darkness” - Part 5: “The Vampire Armand”

Part 4, Chapter 1 Summary

Armand’s coven takes Lestat and Gabrielle prisoner. They are carried to the Les Innocents cemetery. The stench causes Lestat to vomit blood; he tells them not to be fools for the devil. Lestat can sense that Nicolas is in the catacombs, but cannot see him at first. As drums pound, Lestat takes a torch from one of the coven members and beats his captors back with it. With a little extra room, he straightens his clothes and demands to know why they live like this. They explain that they serve Satan and live by specific rules that Lestat has broken. Lestat says neither God nor Satan has interfered when he broke the rules he never learned about from Magnus. The coven builds up a pyre and reveals Nicolas in a cage. Lestat gauges when he should attack and feels Armand approaching.

Part 4, Chapter 2 Summary

Armand enters with a “queen creature” (216). She laughs and says her predictions have come true. Lestat demands to speak to Satan before being judged by him. Armand lists off the rules Lestat broke, and the queen tells Lestat that he is on “the Devil’s Road” (218). She says she’s as old as Magnus and a young vampire says she is as “insane” as Magnus. They argue about Lestat living among humans.

Their disagreement gives Lestat enough of a distraction to free Nicolas from the cage. He tells the coven to live like him, not in the cemetery. The young vampire curses at Lestat, and Lestat points out that Satan doesn’t carry out the threats. Armand says the coven is dissolved and tells the members to leave.

Part 4, Chapter 3 Summary

Lestat asks Armand to explain the coven and its rules. Armand describes the process for getting the “Dark Gift” (224), including being buried after getting vampire blood. Vampires have to follow the “Rules of Darkness” (225), including not going into churches. The queen vampire says she knew holy objects had no power over them.

Lestat tells Armand that the world has changed and needs a new evil to keep up with the scientific advances. Lestat describes a novel, romantic style of living among humans. Armand argues that Magnus became erratic because he broke the rules, but the queen disagrees. She says loving humans caused his “insanity.” Lestat argues that he has always loved humans, and the vampires who don’t are monstrous. The queen argues that he only pities humans now, and his love for them will grow. As she laughs, Lestat and Gabrielle take Nicolas out of the sepulcher.

Once free, Lestat gets food and drink for when Nicolas wakes up. Then, he locks Nicolas and the provisions in the tower. Gabrielle suggests they get Nicolas to America and leave Paris themselves. She also conveys the feeling that Lestat shouldn’t turn Nicolas.

Part 4, Chapter 4 Summary

When he wakes up the following night, Lestat hears Nicolas banging on the door of his cell in the tower. He screams about the witches’ place and Lestat turning Gabrielle—but not Nicolas—into a vampire. They argue about good and evil. Lestat initially insists that Nicolas live out his human life, but he eventually relents and turns Nicolas. As a vampire, Nicolas becomes known as “Nicki.”

Gabrielle, seeing the transformation, says it spells disaster. Nicki doesn’t speak during, or after, the transformation. He allows Gabrielle to clean and dress him, then follows her out to hunt. Lestat realizes he hates Nicki now.

Part 4, Chapter 5 Summary

The next night, Lestat goes into Paris for Nicki’s violin, hoping it will rouse him from his stupor. He feeds, then encounters members of Armand’s coven hiding near Renaud’s theater. They say Armand has been killing off members of the coven and ask for his help. Lestat learns that the queen vampire threw herself into the fire. He suggests that the remaining coven members become actors, and they ask to stay in the theater. Lestat begrudgingly agrees and gives them money. The coven members introduce themselves as Eleni, Laurent, Felix, and Eugenie.

Lestat goes to Nicki’s apartment and finds Armand there, reading all of Nicki’s books. Armand telepathically asks Lestat about his relationship with his children, who can’t speak to him telepathically. They talk aloud about how Nicki and Gabrielle will leave Lestat and how he should be with Armand. Lestat runs out of the apartment, pursued by visions of Armand singing and calling out to Lestat to come to him.

Part 4, Chapter 6 Summary

When Gabrielle wakes up the following night, Lestat tells her what happened with Armand. Lestat wants to leave Paris, but Gabrielle wants to learn more from Armand and revive Nicki with the violin. Gabrielle and Nicki go off to hunt while Lestat meets with Roget and tells him to arrange passage for him, Gabrielle, and Nicki to Italy.

Gabrielle loses track of Nicki but, with Lestat, finds Nicki in Renaud’s theater, sitting in the orchestra pit. Lestat finds a violin in his old dressing room and brings it to Nicki. Nicki plays the violin, and the music draws out Eleni, Laurent, Felix, and Eugenie. They dance on the stage, pretending to be puppets, and Nicki joins them on stage, dancing while playing. Lestat finds it grotesque. Nicki declares the founding of the “Theater of the Vampires” (262). The dancing vampires hug and kiss Nicki.

Lestat goes back into his dressing room. Nicki follows and mocks Lestat’s distaste for the music and dancing. Nicki rants about the new evil and performances of it. Lestat calls it petty, lacking in the sublime. Nicki demands that Lestat give him the theater, and Lestat agrees.

When Nicki blocks Lestat from leaving, Lestat uses his telekinetic vampiric power to throw Nicki back and pin him to the wall. Nicki admits that he wanted to fail at being a violinist and resented Lestat’s success. When Nicki insults Lestat’s desire for goodness, Lestat hits Nicki. Nicki says he hates Lestat, and will take the theater. Lestat leaves. Armand telepathically tells Lestat how he will harm Nicki and the others. Lestat vows to Gabrielle that he will prevent this violence.

He visits Roget and learns Nicki tried to contact Renaud’s troupe. Lestat sends word to the troupe to avoid Nicki because he is behaving erratically. He then goes to the theater and gives Eleni control of it. She promises to control Nicki’s outbursts and knows that Armand is watching them.

Part 5, Chapter 1 Summary

Lestat goes to the ball in the Palais Royal. Among the humans, he sees Armand. Armand telepathically flirts with Lestat, claiming to love him and wanting them to be together. After Armand lures Lestat into a private room, Armand attacks Lestat, biting his neck. Lestat fights with Armand, overpowering the older vampire with violence. When he has the opportunity to behead Armand, Lestat stops and sheaths his sword. Lestat helps up the injured Armand and takes him to Gabrielle. They feel Armand’s coven from a distance.

Part 5, Chapter 2 Summary

Gabrielle and Lestat take Armand to the stables and ride with him to Magnus’s tower. Armand demonstrates that he can pry up the gates with his bare hands, and has chosen to leave Lestat alone. Gabrielle gets Armand warm by a fire and cleans up the blood he lost in the fight. Lestat marvels that Armand’s injuries are already healed.

Armand asks Lestat to love him and travel with him. Lestat rejects him. Armand says all the people Lestat turns into vampires will hate him, and he tries to come between Lestat and Gabrielle. Armand claims to be the only one who can truly connect with Lestat because they can communicate telepathically, insisting that he is the only one who understands Lestat. Lestat curses Armand, but when Armand starts to leave, Lestat embraces him and leads him back to the fire.

Gabrielle condemns the telepathic illusions Armand has been sending her and Lestat. She explains that she is going to stay with Lestat for a while, but eventually wants to explore beauty in remote locations, far away from humans. She also isn’t sure Armand can teach them anything. However, Armand prepares to share his story.

Part 5, Chapter 3 Summary: “The Story of Armand”

Armand was taken by Tartars in Russia and sold into enslavement for sex trafficking. He worked in a Venetian brothel until Marius bought him.

In Armand’s recounting, Marius takes small drinks of blood from Armand and promises to make him a vampire when he is a little older. For a few years, Armand assists Marius with his paintings and helps manage the house. He learns to read, write, and play music. One day, Marius gets Armand’s consent to turn him into a vampire. They only kill “the evildoer” (295). Marius takes trips to care for Those Who Must Be Kept without Armand, but doesn’t reveal where he goes.

A few months later, vampires set Marius, and his house, on fire. They also take Armand and make him swear to serve Satan. The vampires read his mind and realize Marius didn’t tell Armand the location of Those Who Must Be Kept. Armand becomes part of the coven in Rome, serving Santino. However, Armand dreams that Marius escaped his house while burning.

Armand learns the rules of the Children of Darkness: 1) Only coven leaders make new vampires with the Dark Trick, 2) the Dark Gift must be given to only adults who are sound of mind and body, 3) new vampires should not have access to the blood of the eldest vampires, 4) only the coven leader can kill another vampire, and 5) no one is allowed to write about vampires.

Armand hears rumors about the ancient vampires Mael and Pandora, but never meets them. Santino is impressed with Armand’s work in the coven and sends him out as “a missionary” (303) that brings lone vampires into various covens. Armand teaches the Dark Rituals and perfects the art of calling humans who want to die to him to feed on.

Over the years, he sees covens collapse and elder vampires throw themselves into the fire. Armand never makes another vampire himself, and feels deep despair. When he hears stories about Lestat’s red velvet cloak, Armand is reminded of Marius’s red velvet clothes. He compares Lestat and Gabrielle to angelic figures in Marius’s paintings.

Part 5, Chapter 4 Summary

Lestat asserts that Marius might still be alive. Armand says this is merely a fantasy. Lestat then asserts that Armand has always submitted—to Marius and the Children of Darkness—while Lestat has always rebelled. Armand wants to serve Lestat, but Lestat rejects him. They disagree on the relationship between humans and vampires. Lestat prefers Marius’s way of being to the rites of the Children of Darkness.

Gabrielle tells Armand to study the works of art and literature created by humans, noting that the theater would be the best place for this course of study. They debate if the Theater of the Vampires is voluptuous or spiritual. Gabrielle asserts it is both. Armand asks them to run the theater with him, but they want to travel the “Devil’s Road” (314) around the world. Lestat tells Armand to leave Nicki alone if Armand doesn’t want to run the theater, and Armand says Lestat secretly wants Nicki destroyed completely. Gabrielle also asks Armand not to harm Nicki. The vampires all embrace, then Armand leaves the tower suddenly.

Part 5, Chapter 5 Summary

Gabrielle says she doesn’t want to meet any other vampires, and doesn’t believe Marius ever existed. She realizes she could be a wolfkiller like Lestat, and she wants to travel through mountains, deserts, jungles, and forests. Lestat wants to be near humans and feed off of them.

They talk about the legend of Typhon, whom Armand claimed Marius killed. However, Gabrielle says she is finished with books and is going to try to sleep outside, under the earth, that day. Lestat is horrified by this, but doesn’t stop her. He wanders to some ruins and inscribes a message to Marius in the stone with his dagger. Lestat is excited about breaking the rules of the Children of Darkness.

Parts 4-5 Analysis

In this section, Lestat interacts with a vampire coven for the first time, turns Nicki into a vampire, and learns Armand’s story. Armand and Lestat are foils: While Lestat is rebellious, Armand prefers to serve someone or some cause. He wants Lestat to also serve among the Children of Darkness, who perform a certain kind of vampirism that Lestat rejects.

The coven’s rules and actions develop the theme of The Performance of Vampirism and Humanity. Lestat, after learning that the Children of Darkness live underground in catacombs, asks: “What are you meant to be? [...] The images of chain-rattling ghosts who haunt cemeteries and ancient castles?” (213). They perform as servants of Satan who must avoid churches and human society. When they bring Nicolas underground, he stands out as “Ruddy and hot and strangely unfinished […] the only mortal among [them], like a child thrown among porcelain dolls” (221). Humans have more malleable, and blushable, skin than old vampires in Rice’s universe. Her simile compares completed dolls with vampires and compares undeveloped children with adult humans. Vampires are made of cool features and the humans are made of hot skin and organs, forming a contrast between human life and the immortal state of the undead.

The struggles between Lestat and the Children of Darkness further develop The Tensions Between Good and Evil. Lestat refuses to serve Satan without seeing him: “I won’t stand here for any judgment of Satan! [...] Unless you bring Satan here!” (217). Lestat cares about evidence and proof, reflecting his human background as an aristocrat during the Age of Enlightenment, while the Children of Darkness coven, formed centuries prior, demand total and unquestioning faith in their doctrines. They believe “immortality is given to [someone] only at the price of suffering and torment” (219). This belief leads to them following a variety of rules that Lestat defies. He argues, “It is a new age. It requires a new evil. And I am that new evil” (228). The new evil includes performing on stage and making art, as well as a concerted attempt to remain close to humans and human society more generally—all of which once again speaks to Lestat’s desire to blur the boundaries between humans and vampires instead of merely regarding humans as sources for feeding.

The use of music and painting also develops the theme of The Importance of the Arts in this section. The Children of Darkness forbid vampires from making art; their rule is to “never use thy Dark Powers for any mortal vanity, not to paint, not to create music, not to dance, not to recite for the amusement of mortals but only and forever in the service of Satan” (298). The Children of Darkness’ rejection of art speaks to their rejection of human values, further cementing their commitment to remaining separated from humanity and their refusal to maintain any human understanding of good and evil. However, this rule against creating art did not exist before Christianity: Armand describes how the vampire who turned him, Marius, was turned before Christianity and lived as a painter. Marius engaged in the “heretical act of making meaning on the panels he painted” (307) before it became heretical, which suggests that Marius, like Lestat, might be more committed to human values than the other vampires are.

The power of music is invoked when Nicki, once turned, is only willing to talk after playing his violin. Lestat gives the violin to Nicki in Renaud’s theater, and the vampires that left the Children of Darkness are drawn to Nicki’s music: “It was as if one mind controlled them, as if they danced to Nicki’s thoughts as well as his music, and he began to dance with them as he played” (262). The role of music becomes essential both in reviving Nicki and in giving the lost coven members a new home. Nicki’s violin is the impetus for founding the Theater of the Vampires, which signals the former Children of Darkness’ renunciation of their prior separation from human society. As actors, the former Children of Darkness members will now create art of their own, thereby regaining something of their former artistic and ethical impulses.

Rice also develops the motif of beauty and the symbolism of angels in this section. Gabrielle is interested in the beauty of nature that doesn’t include humans. She wants to know “why beauty exists” (288), and feels compelled to withdraw from human society for a while to seek beauty in wild places. Her solitary pursuit contrasts with Lestat’s need to be publicly perceived as beautiful and loveable. Marius also seeks after beauty, as he is one of the “devils who paint angels” (310): He is a vampire creating art of heavenly beings. Although angels could be regarded as a contrast to the “devilish” vampires, the vampires themselves are often described as angelic. Lestat contemplates how Armand looks “as if the devil still retained the face and form of an angel after the fall” (216), which once again alludes to the biblical myth of Lucifer/Satan’s rebellion against God and the subsequent fall into Hell.

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