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47 pages 1 hour read

Breanne Randall

The Unfortunate Side Effects of Heartbreak and Magic

Fiction | Novel | Adult | Published in 2023

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Character Analysis

Sadie Revelare

Content Warning: This section of the guide refers to terminal illness, mental illness, and attempted suicide.

Sadie Revelare is the protagonist of the novel. Gigi’s granddaughter and Seth’s twin sister, Sadie has magic related to gardening and cooking. She has an ability to infuse food with certain supernatural effects, and to make almost anything grow. Sadie cannot separate magic from her identity, and she focuses on helping people as a substitute for forming real, deep connections with them. Like the other Revelares, Sadie has a curse along with her magic, and hers is to experience four increasingly severe heartbreaks, any one of which may cause the loss of her magic.

Sadie thrives on routine, a trait she has in common with the small town of Poppy Meadows where she lives: “the tiny town [. . .] much like Sadie herself, ran like clockwork” (5). She compartmentalizes her thoughts to repress her past heartbreaks and keep her anxiety at bay. Sadie is 28 and has never left the area around Poppy Meadows. She loves the town and sees no reason to leave. Sadie has difficulty letting go of the past and wishes that she could move forward, but “memories lived forever in Sadie. Indelible. The good and the bad” (90).

Both Seth and Jake compliment Sadie on her independent spirit and the fact that she doesn’t care what other people think. She is a complex character and changes significantly over the course of the novel. First, her character trajectory involves her grief about the loss of her grandmother, Gigi. She experiences stages of grief throughout the course of the novel. Second, she eventually learns to trust her own identity outside of her magic, and that love is worth the risk of heartbreak.

Gigi Revelare

Gigi Revelare is a significant secondary character in the novel. She dies of cancer near the middle of the novel, and much of her characterization occurs posthumously, as other characters share their memories of her. The recipe interludes in the novel are written from Gigi’s first-person point of view, and those characterize her as well.

Gigi is the matriarch of the Revelare family and has five children. Because Florence’s curse kept her away, Gigi raised her grandchildren, Seth and Sadie, as her own. She curses frequently, and affectionately calls her children and grandchildren names like “little shit ass.” Gigi is a smoker and speaks in a deep voice. Sadie notes that her nickname makes “her grandmother sound much more French and much less feisty than she actually was” (6). Physically, Gigi has short hair that is perfectly curled in a “cotton-candy puff” (6). She drives a PT Cruiser “like a bat out of hell” (66). Gigi is a very hard worker, insisting on taking impeccable care of their home and working long hours in the café.

Raquel Rodriguez

Raquel is Sadie’s best friend. She is “raven-haired” and even when she is still, “somehow seemed to be in motion. Fingers or foot always tapping, eyes so thoughtful you could practically hear her talking even when she was silent” (10). She has bipolar disorder and has made a great deal of effort to manage her condition with mental healthcare. She teaches theater at the local high school and is excited about a production of Carrie the school has just sanctioned as the upcoming musical. She was raised in a very strict family, and has two younger sisters. She is a leader, and firm with Sadie when she is failing to take care of herself or be reasonable. She practices yoga, and Sadie describes her as the most courageous person she knows.

Seth Revelare

Physically, Seth is slightly taller, broader, and stockier than Sadie. He has freckles Sadie describes as “the face of her childhood. The male version of the one she saw in the mirror every day” (96). Seth’s magic is his ability to hear what everyone wants and sense their secrets and deepest needs. This ability is also his curse, and it causes him to experience anxiety and depression. He leaves Poppy Meadows for a period of time to figure out who he is, and his sudden departure incites the conflict between him and Sadie. He describes his experience as like being in a “black hole. It’s like I have this demon living inside me that dictates when the darkness comes” (125). Seth and Raquel form a romantic relationship, and she helps him decide to seek mental health services. After the ritual, Seth feels that the darkness of his magic has improved. Initially, he distances himself from his magic, but as he matures throughout the novel, he learns to talk about it and begins to process it. Acquiring Sadie’s magic after the ritual also helps him dispel the darkness of his magic.

The twins’ trajectories are therefore the inverse of each other: Sadie focuses too much on magic as her identity and must give it up; Seth initially distances himself from his magic, and must begin to accept it as part of him. The twins function as foils to each other in other ways as well. Sadie remembers a dare from their childhood to draw on a neighbor’s garage door. Sadie draws a “dime-size heart” (159) because she doesn’t want to fail at the dare or disappoint him, whereas Seth “had sauntered over and signed his name in large, looping letters” (160). Whereas Sadie is a rule follower, doesn’t want to leave the town of Poppy Meadows, and knows who she is, Seth leaves town to find himself, and is willing to break rules.

Jake McNealy

Jake McNealy was Sadie’s first heartbreak. They were in love as teenagers, but he left abruptly without explanation. Near the beginning of the novel, he moves back to Poppy Meadows, provoking emotional turmoil in Sadie. He is a firefighter and is characterized as brave and committed to his work. Randall emphasizes these character traits in Jake’s description of his interactions with one of the families involved in a drug turf war at his previous job. He is clearly invested in those he interacts with in his first responder role. Physically, Jake has “startingly dark eyes” (59), “summer honey-wheat blonde” (66) hair, and shoulders that Sadie thinks suggest that he spends a significant amount of time in the gym.

Sadie often reflects on how much Jake has changed since she first knew him. The “new version of him” is “slow, gentle, [and] kind” (92). Sadie describes Jake as a “constellation of memories and fresh revelations” (147) and is impressed at how he has grown up since she first knew him. Jake listens to Sadie intently. Jake is honorable, committed to marrying Bethany when she tells him she is pregnant. His primary trajectory as a character involves acknowledging that he has always been in love with Sadie, something he is finally able to do when he learns that Bethany faked the pregnancy. Like Seth, he leaves Poppy Meadows to find himself and returns with a new outlook and a new ability to form lasting relationships. Jake’s primary function in the novel is as Sadie’s romantic interest.

Florence Revelare

Seth and Sadie’s mother, Florence, is initially characterized by her absence from her children’s lives. While she has abandoned her children, Gigi later tells them that her curse ensured that she had to stay away from Seth and Sadie while their grandmother was alive. Gigi and the aunts tell Seth and Sadie about their mother before her arrival, characterizing her as “wild as a march hare” (187) and noting that “trouble followed her wherever she went” (187). Her physical appearance is youthful and striking: “The air pulsed around her, and her inky black hair, cut in a shoulder-length bob with thick bangs, shone iridescent blue black in the porch light. Her face wore a smile that made Sadie shudder. It was Seth’s smile. It was hers” (213-14). Florence is much more similar to Seth than Sadie, as she is also a wanderer plagued by the past and by her magic. She tells the twins about hitting rock bottom and considering suicide, but deciding on a second chance at being a mother and having her young daughter, Sage. At the conclusion of the novel, she leaves again to attempt to find a way to restore Sadie’s magic, suggesting that her tendency to wander and leave (though well-intentioned this time) has not changed.

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