38 pages • 1 hour read
Tana FrenchA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
After a full night’s sleep, Conway drives back on Monday morning to tackle the investigation. She spies a man in a black overcoat and a trilby hat standing at the end of her lane. When she looks again, he’s disappeared. As she scans the morning paper, she isn’t happy to see the headline article of The Courier: “Crowley is still trying to pump Aislinn into the story of the year. […] Unless we make the collar soon, the brass are gonna start feeling the pressure, they’re gonna kick the gaffer, and the gaffer is gonna kick me” (145). Fortunately, Sophie in Forensics has some encouraging news to report. She’s prevented Breslin from gaining access to Aislinn’s computer files. Sophie tells Conway about an encrypted folder that might hold some useful information once her team can crack the password. Sophie also says that Aislinn’s apartment has been wiped down—no fingerprints could be found anywhere. Conway concludes that the mob might have cleaned the apartment after the murder.
Aislinn’s browser history reveals her interest in two gangland murder cases that Detectives Breslin and McCann handled. The gang’s leader is Cueball Lanigan. Conway suspects he might be Aislinn’s mystery boyfriend. Conway goes looking for Breslin to get an update but overhears him in a confidential conversation with McCann. They seem to be talking about her. When confronted, Breslin says the conversation was about McCann’s marital difficulties. Conway goes to the incident room to give out the day’s assignments. Breslin has managed to shake off the back-up detective that Conway assigned to follow him. Conway tells one of her team to retrace Rory’s steps because he left 10 minutes unexplained in his statement to the police. She tells another detective to check into local pubs around Aislinn’s home. Aislinn and her unknown boyfriend might have been spotted there. Conway tells Steve they need to speak privately, away from the station. He locks his papers in his desk before following Conway out the door.
Conway and Steve head out to search Aislinn’s apartment. On the way, Conway gives Steve the recap of Breslin’s suspicious behavior, which confirms their mob theory. She tries to keep Steve’s elation in check even though she feels the same: “I’ve been trying not to say it out loud because I don’t want to jinx it […] This is new, it’s stupid, it comes from the squad training me to look for booby traps everywhere” (164). Their search for hidden evidence at Aislinn’s apartment turns up nothing. The results are almost too neutral: “Me and Steve give good search, but I feel like Aislinn snuck something right past us, and no matter how many times I think back, I can’t figure out what or where it could be” (168).
The two check the local dive bars to see if anyone remembers Aislinn. One bartender recalls her drinking with an older man—early fifties, tall, with a full head of hair. Conway thinks this sounds like the man she spotted near her home. As they leave the bar, Conway finally recalls where she saw Aislinn before. It was during the time Conway was assigned to Missing Persons: Two and a half years earlier, Aislinn came in asking for an update about her father. She looked like a dowdy brunette at this stage.
Conway feels contempt for Aislinn because she refused to move forward with her life as Conway herself had done: “Because she was twenty-six years old and chasing after Daddy, whining for him to fix everything for her. That’s fucking pathetic” (175-76). Because Conway brushed her off and didn’t help her, Steve speculates that Aislinn might have undertaken her own investigation and pursued the possibility that her father had been involved with a gang. Instead of an older boyfriend, perhaps Aislinn’s mystery man was her father.
Conway and Steve return to the incident room to go over paperwork. Nobody on their team has turned up anything useful. One of the floaters is listening to an interview with Crowley bemoaning the fact that the police are doing nothing to solve Aislinn’s murder. The coroner calls Conway to let her know the autopsy results. Aislinn was punched hard enough to break her jaw; however, she died from a skull fracture when she fell against the fireplace surround. There are two skull injuries, one less severe than the other. Conway and Steve speculate that perhaps Aislinn fell before being punched. The murderer lifted her up to check if she was dead before letting her head drop back to the floor. Such a sequence would indicate murder instead of manslaughter and make Rory a less likely suspect.
A messenger from Missing Persons drops off the records of Aislinn’s father’s disappearance. A cryptic note from Detective O’Rourke warns Conway to contact him directly if she finds anything she doesn’t like in the files. Conway and Steve quickly comb through the material before Breslin returns. They discover that Desmond Murray ran away to England with a woman named Vanessa O’Shaughnessy. Strangely enough, Missing Persons never informed his family about this. Conway calls O’Rourke to inquire but gets his voice mail. Conway feels frustrated by all the blind alleys and misdirection associated with this investigation: “I feel like I’m missing the bleeding obvious here, but the harder I concentrate, the more all the signals turn to noise. […] Someone wants me to make a mistake” (197-98).
Breslin returns to the incident room, asking for an update. Conway tells him what they’ve learned. Breslin asks about the box delivered from Missing Persons. Steve downplays the gang angle to throw off suspicion. O’Rourke from Missing Persons returns Conway’s call. He explains that Aislinn’s father died of natural causes in England. He told Aislinn the same thing when she asked him but never said anything about the father’s girlfriend. This destroys the detectives’ theory that Aislinn was looking to reconnect with her father. Steve comes up with a new notion: He points out that Aislinn lived in a fantasy world and may have believed the mob killed her father. She may have wanted revenge and decided to infiltrate a gang to get the truth. Conway says, “Anyone who turns herself into Barbie because that’s the only way she feels worthwhile needs a kick up the hole, but someone who does it for a revenge mission deserves a few points for determination” (214).
The two detectives go to O’Kelly’s office at the end of the day and explain that they haven’t arrested Rory yet because all their evidence against him is circumstantial. O’Kelly knows they’re hiding something but doesn’t press the issue. Driving home, Conway is pulled over for a DUI. Someone on the squad has called in a false tip; her paranoia grows. When she arrives at her house, she realizes an intruder is inside. He turns out to be an undercover cop named Fleas. Because he’s embedded with the local gangs, Conway asks if he’s ever seen Aislinn with any gang member he knows. He doesn’t recognize her photo. Fleas does mention that someone is casing Conway’s street. He describes a man wearing a black overcoat and trilby hat. Conway asks him to text her if he can get a closer look at the man. Fleas leaves but never sends a text that evening.
Conway’s paranoid inner narrative accelerates in this segment when she overhears snippets of a private conversation between Breslin and McCann. Because she’s now interpreting reality through the filter of her paranoia, she automatically assumes the conversation is about her. Breslin later assures her that McCann is having marital problems, and he was simply giving advice to his teammate. Conway stubbornly remains convinced that everyone has it in for her.
The theme of abandonment reemerges with a vengeance in these chapters. Conway now recalls the details of her first encounter with Aislinn two years earlier. Aislinn’s dowdy appearance, combined with her whiny victim behavior, causes Conway to dismiss her pleas for help. Conway, of course, is still furious at her own father for abandoning her. She can’t be objective in her treatment of Aislinn because of the story playing in her own head. Steve points out that Conway’s unwillingness to help Aislinn may have changed the course of Aislinn’s life.
These chapters focus on two recurring motifs: fantasies and image projection. Both are associated with Aislinn. Now that the police have completely failed her, Aislinn decides to take matters into her own hands. She weaves a fantasy in which she is the heroine who solves the mystery of her father’s disappearance. In order to make her plan work, Aislinn must transform herself. In order to reach the male detective working on her father’s case, she must project a generic physical image that no man can resist. Aislinn consciously creates a Barbie persona who looks, dresses, and acts like a trophy girlfriend. Her persona is as much an illusion as the fairy tale itself.
By Tana French