38 pages • 1 hour read
Tana FrenchA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Breslin and Conway each adopt a different interrogation style to question Rory. Breslin’s persona is Chief Jock while Conway is Cool Girl. They get Rory to repeat his actions on the night of his date with Aislinn: He took a bus to her neighborhood, arrived a half-hour early, and went to buy flowers. Conway is convinced Rory is concealing something about that half-hour lag, but she doesn’t press him. When the detectives inform Rory that Aislinn has been murdered, he goes to pieces at the news. Breslin is primed to force a confession when Conway pulls him out of the room. He says that Rory is guilty and that they should close the case as soon as possible. Steve intercedes and tactfully tells Breslin that the two rookies in charge of the investigation need to work at their own pace. Conway sends Breslin off to interview Rory’s friends.
When Conway and Steve are alone, they discuss the possibility that Breslin might be on a gangster’s payroll—possibly in the pocket of Aislinn’s unknown married boyfriend. This case may be deeper and more dangerous than they had imagined. Conway says to herself, “Breslin the bent cop: he’s a dare, a bad poison dare that no one with sense should take, and I’ve always had a thing for dares” (116). The two detectives form a strategy to keep Breslin occupied with busy work while they pursue the gangland angle of the case. At all costs, they need to keep him away from Aislinn’s electronics until they can check all her files. They question Rory one more time but can’t yet decide if he’s guilty or innocent. Conway feels a little less paranoid now that she and Steve have decided to get to the bottom of things: “The corridor still feels like it’s twitching with covered pits and pointed sticks, but that doesn’t feel like such a bad thing, not any more” (126).
Conway prepares to lead a case meeting with her team. She’s acutely aware of how much the detectives on the squad want to see her fail:
I used to love the first case meeting, love everything about it […] By this time, even the thought of it—floaters eyeing me up and down, wondering which of the rumors are true; me eyeing them back, wondering which of them is going to glom onto any slipup, blow it up huge and barter it for a laugh and a pat on the back—turns me hangover-queasy and hangover-mean (127).
Conway and Steve distribute assignments to the floaters and the rest of the squad. They give Breslin a series of tasks that will keep him away from their gangland investigation. He offers to examine Aislinn’s tech and seems displeased when he learns that Conway and Steve are already working on it. After the meeting, O’Kelly summons both detectives to his office for an update. This is unusual so early in a case. Conway fears the chief is looking for an excuse to dump her. The two detectives offer just enough basic information to satisfy their boss. They aren’t ready to disclose their suspicions about Breslin’s mob connections yet. Because they’ve been working the case for 24 hours straight, O’Kelly advises them to get some rest. Exhausted, Conway goes home, calls her mother, and eats dinner. She monitors the false IDs she’s set up on several dating websites. The killer may have found Aislinn this way and might be trolling for his next victim. Conway hears a noise outside her house. Gun in hand, she jumps the back wall to investigate. The laneway is empty. Conway shrugs it off as her imagination and goes back inside.
Steve has now joined the set of characters who are fabricating narratives. Because he’s uncovered Aislinn’s tenuous connection to the Organized Crime Unit, he’s quickly developing a theory about a gangster boyfriend. Further, he’s convinced Conway that Breslin is a dirty cop in the pocket of the mob. This story suits both detectives because neither one likes Breslin. They are eager to believe that he’s corrupt. Conway also doesn’t like Aislinn and is quick to assume that she’s involved with an underworld figure. Conway’s inner scenario grows increasingly paranoid. She fantasizes that enemies populate the incident room; even the corridors are filled with pitfalls. To some extent, she infects Steve with her paranoia when she gets him to agree that no one can be trusted. They withhold key evidence from both Breslin and their chief because they assume everyone else is part of the conspiracy.
To a lesser extent, these chapters bring the motif of the Murder Squad and the work of detection to the foreground. Conway confesses her enthusiasm for the job, the building, the incident room, and the adrenaline rush of kicking off a new case. She temporarily suspends her paranoid dislike of Breslin to admire what a good team they make as interrogators: “We’re getting good at Rory, we know how to work him now; he’s all ours. We can bounce him up and down, fling him into fancy shapes, like our very own little yo-yo” (100). Conway is spinning a new inner story, seeing herself as an infallible interrogator. The reader is beginning to sense how easily an inner story can slip into the realm of fantasy.
By Tana French