49 pages • 1 hour read
Adele MyersA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The source material contains discussion of miscarriage and racism.
The chapter begins as 15-year-old Maddie Sykes’s mother shines a flashlight in her eyes and tells her to get up. It is early June 1946 in the Holler, in the Blue Ridge Mountains of North Carolina, and school has just been let out. Maddie recalls a previous night when her mother, Grace, whom she calls Momma, woke her up on the middle of the night and insisted that she help her burn a collection of Maddie’s father’s belongings. Maddie’s father, Jack, whom she calls Daddy, died in the war the previous fall, and Momma has been behaving erratically since. As Maddie expresses: “Momma loved me, I knew that, and I loved her too, but something in her died with Daddy” (4). Maddie knows that Momma has started looking for a new husband. Maddie hides a few precious possessions of her father’s in her sewing kit, which she keeps tucked in her mattress. As she packs her belongings, she reflects on the difficult financial times that she and Momma have faced since Daddy’s death, but sketching and sewing allow Maddie to escape her trying circumstances. She has started making money for her work and is looking forward to her break spent sewing and enjoying the activities of a teenage summer. She remembers at the last minute to grab her sewing kit. As they begin driving, Maddie realizes that it is only her one suitcase in the car as her mother tells her to go to sleep in the backseat.
This chapter begins with an introduction to Aunt Etta, Maddie’s great-aunt who lives in Bright Leaf, North Carolina, and is regarded as “the best professional seamstress in all tobacco country” (9). As a child, Maddie spent parts of her summers with Aunt Etta, meeting halfway at a Texaco station to get picked up, and it was there at Aunt Etta’s that Maddie learned to sew. As she awakens in the backseat, she sees the Texaco sign, but Momma tells her that they are driving the whole way to see Aunt Etta. June and July are Etta’s busiest months, during which she sews clothing for the “tobacco wives,” who are married to the richest and most powerful men in Bright Leaf: the owners of the tobacco fields, barns, and cigarette factory. Maddie would usually visit Etta in August once the tobacco wives’ busy social season came to a close, and she was back to sewing for the factory workers and townspeople. Maddie recalls seeing the polished tobacco wives around town in their exquisite clothing, and under Etta’s supervision, Maddie graduated from making factory uniforms to working on winter gowns for the wives. As Maddie and Momma arrive at Aunt Etta’s in the present, Maddie realizes that Aunt Etta is surprised by their visit and that her mother is leaving her with Aunt Etta.
Aunt Etta makes Maddie breakfast and Maddie apologizes for being dropped off unexpectedly. Aunt Etta explains that Maddie’s mother had a difficult time as a girl when she lost her father and that the old wounds haven’t healed. She tells Maddie that they have busy day ahead visiting Mrs. Winston, who is regarded as the first lady of Bright Leaf, and that the work they do for her is very important for business. They must maintain a good impression and keep things professional. Mrs. Winston’s husband, Richard Winston, is the president of Bright Leaf Tobacco. As Maddie changes into her best dress in Etta’s home workspace and studio, she runs into Etta’s neighbor, Frances, who is the lead executive secretary of Bright Leaf Tobacco. Frances claims that she was just visiting for a slice of bread, but Maddie overhears the two women taking quietly upstairs, and there seems to be something unspoken going on between them.
Maddie and Etta ride the bus to the Winston family home and Maddie takes in the familiar surroundings. They chat with the bus driver whose wife is sick with cancer but plans to return to the factory once she heals. There are factory workers on the bus with them and laborers who work in the fields farming tobacco; some laborers are white but most of them are Black, and there are many young children. Maddie and Etta arrive at the Winston home, a sprawling mansion lined by trees and staffed with servants. Etta reintroduces Maddie to Mrs. Winston (who goes by Mitzy) during her dress fitting, and Mitzy immediately takes a liking to Maddie. She is a charming and outgoing woman who treats Maddie warmly and invites her to the upcoming Summer Solstice event. Maddie tells her that she would love to attend college on a fashion apprenticeship someday. She gets lost in thought recalling how Daddy encouraged her to go to college but her mother disapproved because “women were supposed to act like they couldn’t do anything without a man” (42). Maddie can tell that Mitzy wishes she had children and notices pink marks and stretched skin on her stomach during her dress fitting. The chapter ends as Mitzy expresses her gratitude for the factory workers, especially the women who have taken over working while the men were fighting overseas. She asks Etta to share Summer Solstice raffle tickets with the factory workers so that they can win prizes.
Maddie and Etta visit the large Bright Leaf Tobacco Factory headquarters to pick up uniforms for mending and adding special patches to advertise the newest cigarette: MOMints, a mint-flavored cigarette made specifically for women. Etta says that it is a proud moment for the women who are running the factory lines and manufacturing a cigarette for women. There will be green uniform patches to indicate the specific work that they’re doing. Etta and Maddie walk through the factory floor of Factory One, where Maddie is overwhelmed by the intensity of the sights, smells, and conditions of the difficult work. Amidst the loud machinery and air thick with mint oil, she witnesses women at work sifting through cigarettes on the line, their fingernails bloody and arms welted. She observes a few factory workers in the break room complaining about the circumstances and how men at the factory make twice as much for the same work. Maddie reunites with Anthony LaRue, a young tailor with whom she became close a few years earlier who now works in alterations at the factory. At the entrance of Factory Two, Etta tells Maddie about the reconstituted or recon cigarettes made there using the scraps and remnants off the floors of Factory One and then sold without a brand name; most people are unaware of this production, and Etta calls recon “a nasty business and hard on the workers—but a real moneymaker” (58). At home, Maddie discovers black flecks on her skin and a thick ring of brown grime around her ankles, evidence of tobacco from the factory, though they had been there no more than 15 minutes. Mitzy had a new dress delivered to Etta’s house for Maddie to wear to the Summer Solstice, and Maddie wonders what is causing Mitzy to be so kind.
The first five chapters introduce Maddie as the protagonist of the novel and establish the first conflict when she is suddenly removed from her home and left by her mother without explanation. By beginning the novel in medias res, with Maddie abruptly awoken and immediately forced into the chaos of her mother’s choices, Myers establishes the instability of Maddie’s home life. In contrast, Aunt Etta’s house is “warm and welcoming, greeting you with a smile, just like Aunt Etta did” (19). This picture-perfect description establishes it as a safe haven away from Maddie’s troubled existence in the Holler since her father’s passing. Though Maddie is only a teenager, Myers characterizes her as wise and self-reliant beyond her years as she has learned to navigate her mother’s unpredictable temperament while enduring her own grief over the loss of her father. Maddie’s difficult relationship with her mother makes Maddie a sympathetic figure. The first-person point of view reinforces this, as it provides readers with intimate knowledge of her thoughts and feelings. Maddie immediately adjusts to working for Aunt Etta and is thrust into unfamiliar circumstances that she handles adeptly, and this is where the rising action of the novel begins to take place.
There are key transitions in the first part of the novel that signal character development for Maddie. The shift in setting from the Holler to Bright Leaf represents the start of Maddie’s evolution into an adult woman: She moves from one place to another and begins a new life. Maddie reflects on the Holler only in past-tense because she is now adapting to a place with which she is familiar, but the circumstances are entirely new. Furthermore, she is not in Bright Leaf during the same season as her usual visits, which situates her as an outsider this summer. This thread of outsidership runs throughout the novel as Maddie tries to assimilate in unfamiliar territory by learning the conventions of the wealthy. For example, on her first morning there, Maddie starts drinking coffee and her clothing choices begin to indicate changes; she leaves the Holler in nothing but a nightgown and soon wears expensive clothes passed down from Mitzy. These chapters establish Maddie’s red hair as a symbol of her character evolution: As she leaves the Holler, she is reminded to cover her hair so that Momma doesn’t see the auburn curls that remind her of her late husband. However, in Bright Leaf, Mitzy comments on how those beautiful auburn curls would be the envy of ladies in town.
Myers sets Maddie’s attempts to assimilate into upper class standards against the socioeconomic disparity in Bright Leaf. Maddie’s former summer plans are quickly left behind as she starts working with Aunt Etta and experiencing harsher realities of life. As she rides the bus past workers in the fields and then experiences the affront on her senses in the factory line, Maddie comes face to face with The Contrast Between the Opulent Façade and Hidden Realities of Society as the wealthy people in the town obscure the harm and exploitation on which their lives depend. Additionally, she overhears talk of a miscarriage amongst female factory workers during her first experience at Bright Leaf Tobacco headquarters as well as the bus driver’s wife’s cancer and learns of the reconstituted cigarettes, all of which foreshadow the revelation that cigarettes are linked to disease and infant mortality. The juxtaposition in setting and quick transition from Mitzy’s air-conditioned, magnificent home to the field and factory in the heat of summer establish the social and class barriers that Etta and Maddie will move between. Myers also introduces the uneven distribution of wealth in the town along racial and gender lines, since most of the field laborers are Black, and women are paid less than men in the factories. This is reinforced when Mitzy offers raffle tickets to the factory workers in Chapter 4; while she considers this an act of generosity, the tickets represent a system that arbitrarily rewards some people with wealth and not others. While the underpaid factory workers only have a small chance of winning a prize, they have more chance than the laborers who receive no tickets.