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Rick RiordanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In Chapter 5, Carter says his dad once told him that “the right choice is hardly ever the easy choice” (74). The characters of The Throne of Fire find themselves faced with many choices, and the most difficult ones often have the greatest impact. Through Bes’s choice to sacrifice himself for the Kanes, Carter’s choice to put Zia ahead of the mission, and Walt’s choice to fight despite his worsening condition, the novel shows that choices can be difficult, even when they seem right.
In Chapter 21, Carter, Sadie, and Bes play senet against Khonsu to win three hours of time—enough to enter and get through the Eighth House. Bes dislikes Khonsu because the moon god is known for his deception, and Bes knows that there’s no way Khonsu would permit all three of them to make it through the game. Understanding the importance of Carter and Sadie’s success, Bes sacrifices himself because he believes the battle against chaos is more important than his existence. On top of that, since meeting the Kanes, Bes has felt like he found family. While at first he only aided them as a favor to Bast, whom he loves, by the time they get to Khonsu’s game, Bes has come to value the siblings’ lives over his own. His choice to sacrifice himself shows his faith in them, and the fact that he does not warn them about his strategy proves his understanding of their compassionate hearts. Even so, Bes does not want to die; he mentions that sometimes gods can come back—an attempt at comforting the kids, and a hint of his own weak hope that this will not be his true end. His decision is heartbreaking, both for him and the kids, but it is the only path to defeating Menshikov and Apophis, and Bes understands that.
Similar to Bes’s sacrifice, Walt decides to fight despite it speeding up his death because he feels like it is the right thing to do. Walt will die regardless of whether he uses magic, and to him, helping his friends keep chaos from rising is more important than giving himself a few extra months to live. Additionally, Walt does not want to be treated as helpless because of his disease—if the Kanes begin to view him as incapable, it would defeat the purpose of them recruiting him to begin with. Sadie argues with Walt about his choice, wanting him to use as little magic as possible, but her argument is as equally based in concern for Walt as it is selfishness. Sadie doesn’t want Walt to die because she cares about him and wants more time with him, but she also doesn’t want him to suffer unnecessarily. Regardless of how she feels, the choice is Walt’s alone, and Walt puts the battle for the greater good above himself.
While Bes and Walt’s choices are rooted in doing the “right” thing, Carter’s choice to put finding Zia over the mission is shrouded in uncertainty. Carter wants to believe finding Zia is the right thing to do, but he doesn’t know if that’s true or if he is convincing himself it’s true because he has feelings for her. Rescuing Zia isn’t as difficult a decision as Sadie thinks it should be for Carter, which makes Sadie think it isn’t the right path. Bes also warns Carter not to have too many expectations about the rescue attempt, which implies that, while rescuing Zia is not a bad choice, it is also not the heroic gesture Carter believes it is.
Zia is hidden with Ra’s crook and flail, which suggests Carter was supposed to find her. However, this is balanced by the fact that Zia has no memory of Carter when she wakes and even lashes out at him immediately. Even though Zia calms down and ultimately sides with the Kanes, she and Carter never really find their footing with each other, which leaves Carter’s decision with an air of uncertainty. Carter and Zia’s situation illustrates the way that emotions can trick people into believing a decision is meaningful and objectively correct, even when that may not be the case.
The same can be said for beliefs, as illustrated through Menshikov and, to a lesser extent, Desjardins. Though Menshikov is a flat antagonist and obvious villain, he pursues his goal—the awakening of Apophis—because of his beliefs. Menshikov subscribes to the words of the ancient prophets, who predicted the rise and triumph of Apophis over Ra. Thus, all his choices and actions are dictated by this belief, even though he is on the “wrong” side. Desjardins initially sides with Menshikov, as he does not believe the Kanes are in the right in siding with the gods, but he is not nearly as fervent in his devotion as Menshikov, and he wavers more and more as the story progresses. In the end, he chooses to support the Kanes, not Menshikov. Like Bes, he sacrifices himself for their success—a difficult decision, given that, until that point, he stood against them.
The characters are also faced with smaller choices. Sadie, for example, finds herself torn between two crushes: Anubis and Walt. Both of these potential romances seem doomed to fail, as Anubis is a god, not a human, and Walt will soon die. But even small inner conflicts like these can have an impact on greater things. Menshikov takes advantage of her feelings when he tries to lure the Kanes to their side, waving the promise of a cure for Walt’s curse in the Kanes’ faces. Later, Sadie breaks down, telling Walt she feels like she failed him by not taking advantage of the situation. Though she made the “right” choice by not siding with Menshikov for personal gain, her feelings for Walt make her oblivious to the wisdom of her choice, as she is focused only on the potential consequences.
The choices made throughout The Throne of Fire show the characters at their most vulnerable. Decisions are difficult even when the “right” one seems obvious, and it’s impossible to say what might have happened if the characters had made different decisions. Once a choice is made, it can’t be unmade, and the characters must move forward and face the results—and consequences—of their decisions.
Power comes in many forms throughout The Throne of Fire. Both magic and inner strength allow the characters to overcome impossible odds and achieve things they could not otherwise.
In The Red Pyramid, Carter and Sadie had access to nearly unlimited power while they hosted Horus and Isis. When they gave up the gods at the end of the book, their magic reserves diminished, and they were forced to build up their strength through training. At the outset of The Throne of Fire, the siblings are more powerful than they were at the end of The Red Pyramid but still nowhere near where they were while hosting the gods. As the story progresses, they find they can channel godly power when they relate to Horus or Isis, and doing so does not cause the same problems as directly hosting the gods. This is possible because of Sadie and Carter’s ties to their individual gods. Horus and Isis led very different existences from Carter and Sadie, but the kids can still find common ground with which to access the gods’ powers. Sadie, for instance, is able to tap into Isis’s power at the end of the book, summoning an air of regal authority that she uses to gain the attention of the fighting magicians. This relatable strength gives them insight into the gods and allows them to fight the forces of chaos with the strength of order.
However, this power does not come freely and easily. Isis and Horus constantly speak to Sadie and Carter, tempting the siblings to relinquish control to them. In Russia, Isis urges Sadie not to think. When Sadie gives in to her strong emotions and uses Isis’s power to save Carter, she obliterates the serpent-dragon that attacked him, a sign of just how dangerous Sadie would be were she to let Isis take her over. Similarly, Carter spends much of the novel wavering over whether raising Ra is the right course of action. Horus takes advantage of this and repeatedly urges Carter to use Ra’s crook and flail—powerful magical items—to channel power and fight Apophis on his own. Wisely, Carter understands that while Horus’s wisdom is invaluable, Horus also wants power for himself, and he resists the temptation. Menshikov also tries to tempt the Kanes with the power of chaos, but they resist, a sign of their maturity and inner strength.
While Carter and Sadie represent order against the chaos symbolized by Set and Apophis, the two forces are not necessarily different. When Carter, Sadie, and Bes believe they can’t finish the journey through the Twelve Houses, Carter remembers Sadie telling him that “we could make Ma’at out of Chaos, even if it seemed impossible” (373). Rather than opposing forces, order and chaos create a balance, and one may be used to influence the other. Carter and Sadie don’t fight to banish chaos from existence, but rather to make certain chaos does not overpower order. Order and chaos each have their own strengths, and when they are balanced, those strengths are more powerful because they keep the world moving forward.
Magic is not the only type of power in the story universe. In Chapter 7, Sadie’s friends are introduced to the Egyptian world through being attacked by Nekhbet and Babi. Rather than crumpling or forgetting the gods as many mortals do, Sadie’s friends take the threat in stride and help her how they can. This mainly amounts to taking care of Sadie’s grandparents once they are no longer possessed, and while this may not be as universally important as stopping the rise of chaos, it is no less valuable. Sadie’s friends represent the strength in achieving everyday tasks and how that strength is made greater by extraordinary circumstances. Jaz, Walt, and even Zia also represent the power of loyalty, as it is their defense of the Brooklyn headquarters that permits Sadie and Carter to finish their quest to awaken Ra. Without their support, Sadie and Carter would not have succeeded—at least not without great consequences.
Similarly, Sadie uses the power of persuasion to great effect. Though it isn’t shown, Sadie changes Zia’s mind about the Kanes and convinces her to join them. Later, with the support of Carter (and the power of Isis), she convinces many of the enemy magicians to change sides and fight alongside them. Walt tells her that she is very good at making convincing speeches and urges her to put out another call for help. Sadie does so, and, in the last chapter, Riordan reveals that that’s what the entire novel is.
At first glance, strength and power seem like the same thing, but they are not. Sadie’s friends have no magical power, but they are strong individuals who aren’t afraid to stand up for Sadie, even as she faces things far beyond their abilities. The Throne of Fire makes it clear strength and power come in various forms and that those forms are all equally important.
Family plays various roles throughout The Throne of Fire. Whether blood or found, the families of the novel have unique relationships that show there is no one way for families to interact. Through Carter and Sadie’s relationship, the new family the kids find, and the family dynamics of the gods, The Throne of Fire shows how all families are different.
Carter and Sadie’s relationship continues to grow in The Throne of Fire. In the Red Pyramid, the kids barely got along and spent most of the book realizing they could be a family after years of being apart. In The Throne of Fire, they have come to terms with their differences, though they still sometimes can’t stand each other. In particular, Sadie learning Carter’s secret name forces both a closeness and distance—closeness because of how sensitive the information is and a distance because Carter feels vulnerable. Sadie also must overcome her irritation with Carter’s feelings for Zia and how those feelings keep him from focusing on what Sadie feels is important. Likewise, Carter judges Sadie’s love triangle; he feels she treats Walt too harshly, and he thinks it’s ridiculous that she has feelings for Anubis. Riordan makes their dynamic clear through their alternating first-person narrations and the side comments he weaves in through each chapter.
Although the kids still bicker and gripe about each other, it is clear that they now view each other as family. When they’re being pursued by the dragon-serpent in Russia, Carter leaps onto the creature, which leads to him getting near-fatally injured. Sadie comments that she feels Carter may have done so to protect her, and scolds him for being reckless. However, Sadie immediately tries to save Carter, showing that she cares deeply for him. Sadie also tries to volunteer to sacrifice herself during the game with Khonsu, proving her willingness to put Carter ahead of herself, though she ultimately doesn’t have to as Bes offers himself up before she can.
Though Bes is a god, he develops a deep bond with the Kanes, representing “found family.” Found family is a popular literary trope that describes characters who are not related forming bonds that go beyond friendship, to the point where they view each other as a family. The fact that Bes’s name—his life—is filled with images of Sadie and Carter indicates that they brought meaning to his life, and that he treasured his experiences with them. This deepens the tragedy of his sacrifice and makes it even more painful when the Kanes visit him at the end of the book and realize he doesn’t know them.
Other characters also represent this trope. When Sadie’s friends learn about the Egyptian world, it brings a new dynamic to the relationship. Though they aren’t magicians and can’t truly help her on her quest, they are “brave, mad, ridiculous, wonderful mortals” (139). To her, they are part of the family, and though she understands that they will never truly be part of her world the way Carter is, their easy acceptance of her magician identity is a great relief. Sadie even leaves her grandparents in their care, proving that she trusts them with her flesh and blood. Similarly, Carter and Sadie find a family among the magicians at the Brooklyn headquarters. Apart from Amos, who is their uncle and, thus, a member of the family by blood, Carter and Sadie have formed strong bonds with Jaz and Walt. Their new trainees begin as people they must look after but grow into friends, romantic interests, or younger siblings they can be proud of. Like with Sadie’s mortal friends, these relationships are complex and different from that between Sadie and Carter, but they are no less meaningful.
The dynamics between the gods show a darker side to family. Centuries ago, Isis betrayed Ra because she wanted her husband to take the throne, which would ensure her son—Horus—could later rule as king of the gods. This and other betrayals (such as Set taking the side of chaos) have led the gods to be distant and distrustful of one another. At the end of the book, Carter and Sadie see most of the gods together to celebrate Ra’s return, but the celebration has an undertone of hostility because so many of the gods did not wish for Ra to return. Isis and Horus openly disapprove of Sadie and Carter’s actions, and though they will lend their power in the fight against chaos, they make it very clear that they will not allow the Kanes to go unpunished if the resurrection of Ra proves fruitless. The family of the gods is not close-knit or caring like the family surrounding Carter and Sadie. Instead, the gods have been worn down by centuries of tricks, betrayals, and power-plays, and showing how family can turn toxic and negative.
When a family works together, the members can help one another become more than they are on their own. But when family members don’t trust one another, it can cause resentment.
By Rick Riordan