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61 pages 2 hours read

Diane Setterfield

The Thirteenth Tale

Fiction | Novel | Adult | Published in 2006

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Part 4, Chapters 49-52Chapter Summaries & Analyses

Part 4: “Beginnings”

Part 4, Chapter 49 Summary: “Snow”

The snow is still falling, and Margaret, Judith, and Maurice are trapped at the house. Margaret spends the time writing up the rest of the story, but when the snow finally stops, she goes into the garden to grieve for Vida. Dr. Clifton finds her there and comforts her. They return to the house, and the four of them gradually begin making conversation and living again.

Part 4, Chapter 50 Summary: “Happy Birthday”

When Margaret goes home, she asks her father why her mother is the way she is. He explains that she almost died in labor, and when she recovered, Margaret and her twin had already been separated, and Moira had died. Her mother never recovered from the experience. Her mother was also the one who decided that they should not tell Margaret about her twin, as it was such a sad and difficult story. Margaret attends the funerals of Vida, Emmeline, and Adeline and then returns to Angelfield to see Aurelius. She gives him the ashes from the bones found at Angelfield, and then tells him the full story of his birth and abandonment.

They bury Adeline’s ashes at the base of Emmeline’s grave, and Margaret tells Aurelius about his father, Ambrose. Aurelius is upset because he is dead, but then Margaret tells him that Ambrose had married and had another child. Then she gives him a birthday card and tells him that today, January the seventh, is his true birthday. They go to Karen’s house, and Aurelius realizes that Karen is Ambrose’s daughter, and his own sister, and that he has a niece and nephew as well. Margaret leaves them alone together.

Part 4, Chapter 51 Summary: “The Thirteenth Tale”

Margaret states that she will not publish Vida’s biography, but rather give it to Karen’s children, Tom and Emma. After she leaves Karen and Aurelius, she goes to Angelfield, which has been completely demolished, and opens the envelope that Mr. Lomax gave her after Vida’s death. In it, she finds the thirteenth tale. It is a retelling of Cinderella from a dark, angry perspective, the perspective of Vida’s real mother, a story of rape and abandonment.

Margaret then tells the reader what happened to the rest of the people in the story. Judith and Maurice continue to manage Vida’s estate, which will be turned into a tourist attraction, featuring her magnificent gardens. The genealogist has finally found Hester, who made her way to America after leaving Angelfield. After Dr. Maudsley’s wife died, he joined her in America, and they had four children. Margaret sends Hester’s diary to one of them. Shadow the cat lives at the bookshop now, and Dr. Clifton comes to visit Margaret and her father. He invites Margaret to come visit him for a month, and to bring Shadow.

Part 4, Chapter 52 Summary: “Post Scriptum”

Margaret’s ghostly twin, Moira, finally comes to visit her, and Margaret understands it as a goodbye.

Part 4, Chapters 49-52 Analysis

Due to the snowstorm, which has nearly buried the house, Margaret, Judith, and Maurice are trapped inside with the bodies of Vida and Emmeline. When Margaret finally makes her way outside to the garden, she climbs out into the snow, which can represent a blank slate, and she begins to heal. Although they are trapped because of the storm, there is also the sense of a new beginning. The impending gloom and twilight that has been omnipresent throughout her time at Vida’s home reaches its climax in the snowstorm and with Vida’s death. Now, the storm has passed, and Margaret grieves for both Vida and her bond with her lost twin. She is slowly brought back into the present with the gentle companionship of Judith, Maurice, and soon, Dr. Clifton.

The next time Margaret returns to Angelfield to see Aurelius, she sees snowdrops peeking through the snow. Setterfield uses these flowers, very often the first sign of spring, to illustrate Margaret’s current state of mind. She is still a gothic heroine, but she is coming back to life, in a parallel to the rebirth that spring represents. Together, she and Aurelius bury Adeline’s ashes on Emmeline’s grave, bringing the twins back together. Setterfield uses this to echo Margaret’s own relationship with her dead twin, Moira, and how Margaret often wished to join her sister. She has now moved past that but retains the knowledge of just how strong the twin bond can be, and she offers Adeline and Emmeline some peace in death.

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By Diane Setterfield