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Ralph tells his sons he’ll order a catalog after Julian and Huey agree that they want to plant a garden. Not knowing what a catalog is, Huey asks Julian. Julian responds that a catalog is a book, and when you open it, cats come out and do garden work. Huey repeatedly says, “I don’t believe you,” and adds that he’s going to ask Ralph, but Huey changes his mind after Julian mocks him for not learning things on his own. Huey has a dream about the catalog cats helping paint the house, which Julian argues they wouldn’t do: “They don’t have a way to hold rags and paintbrushes” (19).
Each day, Huey asks Ralph if the catalog has arrived, and Ralph attributes it to Huey’s excitement for the garden. Huey has more dreams, including one in which the cats harvest a large squash, which Julian asserts is realistic.
Two weeks later, the catalog arrives; Huey is excited, but Julian wants to avoid the situation. Ralph, Julian, and Huey sit on the couch, flipping through the catalog, which features only pictures of produce. Upset, Huey asks about the cats.
Ralph asks Julian what’s going on, and Julian explains that Huey thought the catalog would have cats in it. While crying, Huey explains what Julian told him about catalog cats. Ralph says it was “ignorant” of Huey to listen to Julian about the catalog cats and then explains that catalog cats are invisible and very fast: “It may be that they really are visible and that they just move so quickly you can’t see them” (27).
Ralph adds that catalog cats will help only if they see humans working. He says that he had catalog cats in his childhood garden but that you “request” them; you don’t order them from a catalog. He asks Huey to draft a request, and Huey writes a request for 12 catalog cats, “whoever wants to come is welcome” (30).
Balancing the themes of The Boundaries Between Truth and Fiction and Sibling Relationships, “Catalog Cats” uses the playful interactions between Julian and Huey to explore how imagination and logic intertwine in childhood. Julian’s inventive story about catalog cats serves as a catalyst for examining this blend of themes, as well as providing insights into the dynamics between the brothers and their father.
Julian’s tale begins with him using a form of logos, or logical reasoning, to convince Huey of the existence of catalog cats. He asserts that “ordinary cats don’t act like that. That’s why you have to get them specially—catalog cats” (18). This appeal to logic, even within the framework of a fantastical story, reflects Julian’s understanding of how to persuade his younger brother and maintain the playful deception. Huey’s belief in the story highlights the porous boundaries between truth and fiction in childhood, where imagination often blurs reality. However, Julian is reluctant to stick around when the catalog finally arrives: “I was thinking about going someplace else” (22), which suggests an awareness that his story might be seen as a lie, indicating his internal conflict about the ethics of his playful manipulation.
The relationship between truth and fiction is further complicated by Ralph’s involvement. When Ralph acknowledges the story, he uses logic to subtly encourage Huey to question Julian’s tale: “Julian has never had a garden before in his life. I wouldn’t trust a person who has never had a garden in his life to tell me about catalog cats. Would you?” (26). Despite this, Ralph chooses not to dismiss the story outright. Instead, he engages with it, using the concept of catalog cats to encourage his sons to work in the garden. This response characterizes Ralph as an engaged and playful parent who values his children’s creativity and uses their imagination as a tool for teaching practical lessons.
The use of sensory language and personification in the story enhances the whimsical tone, adding depth to the imaginary world Julian creates. For instance, when Ralph describes the catalog cats laughing at someone, saying, “And then sometimes you feel all the little hairs on your backbone quiver—that’s when you know a catalog cat is laughing at you and telling you that you are wasting your time” (28), he brings the imaginary cats to life, making them seem almost real. This vivid language not only reinforces the believability of the story for Huey but also underscores the power of imagination in shaping children’s experiences.
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Brothers & Sisters
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Childhood & Youth
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Coming-of-Age Journeys
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Family
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Fathers
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Friendship
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Juvenile Literature
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Laugh-out-Loud Books
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Mothers
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Trust & Doubt
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Truth & Lies
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