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Told from main character Bobby’s point of view, this first chapter opens with, “My father still lives back the road past the weir in the cottage I was reared in. I go there every day to see if he is dead and every day he lets me down” (9). There is a pervasive, lifelong tension between Bobby and his father, Frank.
As Bobby goes up to Frank’s house, there is a “red metal heart in the centre of the low front gate, skewered on a rotating hinge” (9). When Frank dies, Bobby will inherit the cottage and what’s left of his grandfather’s farm. He daydreams about burning down the house and selling the land. He believes that Frank is only staying alive to hurt him; the longer Frank stays alive, the more the land value decreases. It’s clear that Frank is a malevolent character, as Bobby describes him with a heart that is “caked with muck” (10).
Bobby can’t believe that his former boss, Pokey, betrayed him and the other workers. When the economy downturned, Pokey fled the country without paying the men their pensions or stamps. Pokey never even registered the men as working for him, which means that the men are now unemployed and without pensions. This is especially difficult because for a couple of years, Bobby was “clearing a grand a week” as Pokey’s foreman. Bobby naively assumed he was “set for life. Houses would never stop going up. I’d see babies like our own being pushed around the village below and think: lovely, work for the future, they’ll all need their own houses some day too” (113).
Bobby was incredibly smart in school, but “I couldn’t ever let on I knew anything, though, that would have been suicide in my gang” (14). However, no matter what Bobby did, nothing was ever good enough for his father. Growing up, Bobby was always jealous of Seanie Shaper because Seanie’s house was full of joy and laughter. In a way, Bobby hated Seanie for having a loving, happy father “and not even knowing his luck” (16). Bobby imagines killing his own father, but states that “[i]t wouldn’t be murder anyway, just putting the skids under nature. It’s only badness that sustains him” (16).
Bobby hates Frank for “the killing sting of his tongue. He ruined every day of our lives with it.” (18). Bobby and his mother, once inseparably close, eventually stopped talking to avoid Frank’s insufferable commentary.
Bobby thinks about how lucky he is to be married to Triona, the beautiful woman who knows him better than he knows himself and loves and supports him unconditionally. Triona used to date Pokey, and Bobby says, “I’d never forgive him for having touched her” (19).
Josie is the father of Eamonn, his first son, and Pokey, his second son. Josie admits that he loves Eamonn more than Pokey, and wonders whether this is simply wrong, or a sin that requires confession. Feeling guilty, Josie gives Pokey everything to make up for this difference (2). Pokey’s name was supposed to be “Sean Pol,” but Eamonn called him “Pokey,” and the nickname stuck.
Bobby visited Josie’s house to talk about Pokey skipping town without paying the men their pensions. Josie regrets how he treated Bobby and says:
I should have apologized to that man on my son’s behalf. I snapped like that out of crossness with myself. I was too ashamed to look the man in the eye; Bobby Mahon, who never missed a day, who I was always so glad was foreman after Pokey took over—I thanked God there was a man there to keep Pokey from getting too big for his boots (22).
Josie feels guilt and shame for the way Pokey turned out. Josie acknowledges he was absent for much of Pokey’s childhood, letting his wife Eileen raise Pokey. Josie also feels regretful of his only daughter; they were once very close, but now he can’t stand to be around her because she talks about “poverty and Palestine and carbon dioxide and Tibetan monks,” and she has a girlfriend (23).
Josie has always been a self-made man who “never stopped working” (24). Unlike Josie, Pokey is a liar, a cheater, and a man who takes advantage. Josie wonders how Pokey and Eamonn turned out so differently: “That Bobby Mahon and my Eamonn are very alike in ways. They’re both men you’d be proud of, who you’d be embarrassed opposite, having to tell of the failings of other men and feeling as though those failings are your own” (26).
When Lily was younger, she was the town prostitute. After giving birth to her fifth child, she revealed to a nurse that the father was one of her clients named Bernie; once he found out, he punched Lily in the face and mouth until her front teeth fell out, called her names, and threatened to kill her (27).
Lily thinks about all the men she’s slept with: “I’d never blame a man for calling to me. Men have to do what they have to do. Nature overpowers them” (28). She hardly ever turned a man away, unless they repulsed her, which rarely happened. However, she once turned away a man because he was too good, and she “was afraid of blackening his mind against himself” (29). Men first started noticing her when she was 11 years old, which Lily attributes to her “wanton look” (28). However, she is now crippled from rheumatoid arthritis, and many people think she resembles a witch.
Lily no longer has any male visitors, and her children never visit: “They’re pure solid ashamed of me, after all I done for them” (30). Her oldest son, John-John, only “visits” to steal money or yell at her. Bobby is her only semblance of company: He passes by her house every day on his way to visit Frank, smiles and waves at her, and treats her like a fellow human being. She thinks, “Oh, he’s solid gorgeous, so he is. I’d have married a boy like that if I hadn’t been so busy going around being wanton, so determined not ever to be bound by a man” (31). Once, when Bobby was little, he and his mother came to Lily’s to escape Frank’s anger, and Lily thinks it’s terribly sad that Bobby and his mother weren’t close at the end of his mother’s life.
Lily once had real feelings for Bernie—a “fat mongrel of a man” (32)—and would have done whatever he wanted her to, despite his abuse. Lily and Bernie’s son lives in the city working as a solicitor. She paid for his education, but her son never invited her to the graduation ceremonies. She admits that she can’t help but love all her children, and she cries “over them in the dark of night. […] I don’t know why they all ran from me” (33). She has a plan to kill herself when she’s too old to care for herself, rather than make her children care for her.
Vasya is from Siberia, from a family of reindeer herders. His family’s herds were too small to support the entire family, so he and his brother “journeyed south to a city that was spreading outwards like a dirty puddle” to find work (37). However, his brother drinks a bad batch of homemade vodka, gets into a fight, and is found dead in an alley.
After the death of his brother, Vasya moves to Ireland, and Pokey hires him: “In this country I speak in sentences of two words or three. I nod and smile often and I feel redness in my face when spoken to” (35). Everyone refers to Vasya as Russian and makes fun of his foreignness. When Pokey skips town, Vasya begins working under Bobby. Vasya likes Ireland’s landscape, and he knows that he can never go back home to his family in Siberia without his brother.
Réaltín is a young single mother who lives in one of the 44 houses in Pokey’s otherwise abandoned and half-finished estate. Réaltín reflects:
It was a few months before we copped on to what was after happening. The builder was gone bust. My house and the old lady’s were the only ones he could finish, because we were the only ones who’d paid. We heard he’d put all his money into some stupid thing to do with a fake island or something out in Dubai. Now he’s made a run for it (43).
Réaltín’s father is at her house nearly every day, cutting the grass of every empty house on the block: “He does it to make my life seem more normal, to see can he make the place look like a proper estate” (44). He dumps the lawn waste at Josie’s house to make a statement, but Josie never says anything about it.
Réaltín’s young son is named Dylan, and Seanie is the father. Réaltín and Seanie aren’t together, but Réaltín’s father wishes they were: “It kills Daddy not to be able to talk to him about hurling and cars and machinery and whatever men do be fascinated by when they’re not ruining women’s lives” (45). She would never admit it, but Seanie might not be Dylan’s biological father. Around the time she got pregnant, she also slept with her “creepy old pervert” boss, George, at a business party (45). Having sex with George was an awful mistake, but she blames it on her grief: her mother passed away, and Réaltín is jealous of her father’s new girlfriend, Bridget.
One morning, Réaltín is concerned to see strange men on her front lawn: Bobby and some of his workers have come to Pokey’s unfinished estate to see if any “C2 boys” had come by; these are “[s]elf-employed workers […] sub-contractors, foreign workers who were only taken on by builders if they registered as self-employed. That was the builder hadn’t to pay the proper rates; stamps, tax, pensions or what have you” (48). They haven’t been by, and Réaltín doesn’t have much money to fix her home’s construction problems. Bobby offers to fix them for her at a discounted rate. This makes her happy because she’s attracted to him, thinking he’s “really good-looking, tall and fair-haired and weather-beaten in a lovely way” (47).
The larger events in town loosely connect each chapter and each character’s point of view. The first few chapters introduce the main tragedy of the novel: The former bountiful economy in the small Irish town has collapsed, and many men are now unemployed. Pokey’s construction business was the main source of revenue and jobs in the town, and now that he’s gone under and left town, everyone’s life is negatively impacted. As Pokey’s former foreman, Bobby feels the ache of the loss more acutely than others; Bobby has not only lost his high-paying job, but he also feels responsible for the men and unfinished jobs that Pokey left behind.
The failed economy is the central plot that drives the novel, and the disconnect between parents and their children is a major theme that drives the emotional plot of many characters. Bobby describes Frank as a harsh man that essentially drove Bobby and Bobby’s mother apart. Although Bobby sees Frank every day, there is a vast emotional chasm between them. A similar void exists between Josie and his son Pokey. Josie loves his oldest son, Eamonn, and admits that he never liked Pokey as much; Josie blames himself for Pokey’s failures. Josie and his daughter are no longer close because he is ashamed of her lifestyle. Comparatively in Chapter 3, Lily’s children are ashamed of her lifestyle. Chapters 1 through 3 reveal deep misunderstandings and hurt feelings between parents and their children. These chapters also reflect a disconnect between two very different generations—the older generation did whatever was needed to survive, while the younger generation resents the means their parents took to reach the ends.
Chapter 4 reveals Vasya’s sense of otherness; he is not originally from the small Irish town and does not speak the language. The other workers in Pokey’s construction company make fun of Vasya and refer to him as Russian; they do not acknowledge Vasya’s actual heritage. One of the novel’s recurrent themes is Vasya’s isolation due to his separation from home.
Finally, in Chapter 5, Réaltín explains that she and her father bought the home from Pokey when land and home prices were high, thinking of it as an investment. However, when Pokey’s business went under, the sky-high land and home prices fell, leaving buyers with a devastating financial loss. Réaltín can’t sell because she’d never make back what she owes, and she has no money to finish what Pokey started. Just like the men who lost their jobs, Réaltín is unable to escape or improve the reality of her situation.