63 pages • 2 hours read
Jill LeporeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Marston is the central figure in the book, as everything Lepore writes about intersects in him: the Wonder Woman character and her roots in feminism and psychology, the origin of the lie detector test, and the polyamorous structure of the Marston family. Born in 1893, he graduated from Harvard in 1915, which was at a time when the struggle for woman suffrage was at its height. This had a profound and lifelong influence on him. Two other aspects of his undergraduate life had ramifications for the rest of his life, namely his psychological research with Professor Hugo Münsterberg on lie detection and his writing a prize-winning screenplay. The former resulted in an early career path while the latter led to his work in another form of storytelling—comics.
Marston’s family took the form it did at his instigation. He and his girlfriend Elizabeth Holloway married the same year they both graduated from college and began their life together in tandem: each studied for a law degree followed by a graduate degree in psychology. In 1925 he met Olive Byrne at Tufts University, where she was a student in his psychology classes. She became his research assistant in lie detection experiments and later his lover, living with the Marstons in New York and Connecticut. He gave his wife an ultimatum: either she would accept Byrne as his live-in mistress, or he would leave her to go with Byrne. Because Holloway really wanted to maintain her career, she accepted the arrangement whereby she worked full-time, and Byrne raised all the children in the family. Ultimately, Marston led a secret life, and Lepore explores the irony of that in the context of Marston’s work in lie detection.
Marston’s work on Wonder Woman stemmed from his involvement in the struggle for women’s rights and the feminism of Byrne’s aunt, Margaret Sanger. The character of Wonder Woman was intended to represent the positive force women bring to the world through love (rather than the male traits of conflict and power). Wonder Woman also served as a role model for young readers—male and female—to learn that women are men’s equals in life. Again, Lepore points out the paradox here since the Marston household was anything but the matriarchal society portrayed by Wonder Woman’s idyllic home of the Amazons, Paradise Island. Marston was the indisputable leader and benefactor of several sexual relationships, which is counter to the idea of women being equal.
Holloway was born in 1893 and was headstrong and independent from an early age. She was a brilliant student and did much better in law school than Marston. Together they were a formidable team, as she later helped him devise his lie detection experiments in psychology. She was a New Woman, the term used at the time for a woman seeking equality with men and a career of her own. Though she had earned a law degree, most of the jobs in law available to women then involved low-level, clerk-type work. She then turned to writing and editing, working first for an academic journal devoted to child psychology and then as senior editor for Encyclopaedia Britannica. Especially during the 1930s, the income from her career was what kept the Marston household afloat.
Her acceptance of the unorthodox family life they had goes further back than Olive Byrne. During World War I, Marston and Holloway were apart for some months while he treated victims of shell shock at a military camp in upstate New York. There he had an affair with Marjorie Wilkes Huntley, and when she visited the Marstons in Cambridge the next year, the three of them may have begun a three-way relationship. It’s not clear how Holloway truly felt about Marston’s ultimatum later regarding Byrne or how compelled or willing she was to accept it, but it did allow her to solve the problem of not having to give up her career to raise children. Lepore suggests that Holloway might have also been open to the idea since all of them had attended Aquarian meetings at the home of Marston’s aunt. In addition, after Marston’s death in 1947, Holloway and Byrne continued living together until Byrne’s death 43 years later.
Byrne was born in 1904 and had an unstable upbringing. Her mother abandoned the family when she was only two years old, her father died when she was young, and she was raised by her grandparents until they both died. After that, she grew up in an orphanage and only saw her mother again only once before the age of 16. Both her mother and her aunt Margaret Sanger lived in New York City and fought for women’s rights, especially in the area of birth control.
By the time she got to Tufts University, Olive Byrne had adopted some of the radical thinking of her mother, with whom she had been reunited as a teenager. The two spent time together at Ethel Byrne’s home on Cape Cod and visited Provincetown, where Ethel had friends. It was there that Olive first met gay men and women and saw some kissing. Olive became a proponent of free love and founded the Liberal Club at college, which was modeled after the club her mother and aunt belonged to in Greenwich Village. She wore her hair in short bob and dressed like a boy. There she met Marston and would have a profound effect on him.
Byrne, more than anyone, became the inspiration for Wonder Woman. When she and Marston held a ceremony to signify a kind of marriage between them, she began wearing close-fitting bracelets in lieu of a wedding ring. These bracelets were a signature part of Wonder Woman’s appearance and powers. In addition, some of the same themes later used in Wonder Woman appear in Marston’s 1932 novel Venus with Us, whose main female character is a thinly veiled version of Olive Byrne.
Sanger was born Margaret Higgins in 1879. She and her sister Ethel Higgins (later Byrne) were part of a poor family of 11 children. Their mother had a total of 18 pregnancies, and they saw firsthand what lack of birth control could do to a family. Both grew up to fight for women’s rights, especially a woman’s right to control and regulate her pregnancies through birth control. Together the sisters opened the first birth control clinic in the country, leasing an office in Brooklyn in 1916. After ten days, it was shut down by authorities, and they were arrested. Both were convicted of illegally distributing information about contraception and were sent to jail (though Byrne was released early after falling ill on a hunger strike).
Sanger sought allies to help her grow the movement. Doctors were the only ones who could legally provide information about birth control, so she worked to team up with them. Movements needed money, leading her to reach out to “uptown” people as well as those who favored contraception for reasons very different from Sanger’s—like eugenicists. In 1920, she published a book called Woman and the New Race, in which she argued that birth control was more important than the right to vote. Unwanted pregnancies were keeping women enslaved, in effect, and unable to reach their full potential. Contraception would allow women to throw off their chains and use their feminine nature for good in the world. Marston and Holloway both read the book, and its arguments had a strong influence on how Marston later depicted Wonder Woman. In fact, Olive Byrne once told a new writer of the comic to read this book as it contained everything she’d need to know about Wonder Woman.
Sanger founded the American Birth Control League in 1921, which was renamed Planned Parenthood in the 1940s. She traveled around the world to promote her cause. In the 1950s she helped find donors to fund research into the birth control pill, first approved for use in America in 1960, and lived long enough to see it legalized for general use by the Supreme Court case Griswold v. Connecticut. She died in 1966.
By Jill Lepore
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