61 pages • 2 hours read
Frances Hodgson BurnettA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The sun shines all week, and Mary works in the garden daily. For the first time in her life, she is always happy. Now that she is doing something important to her, she realizes that meaningful work is only a different kind of play. When not in the garden, she visits with Ben, asking questions about roses. He mentions that he learned about roses from a lady who loved them. The lady is gone now, but he used to tend her flowers whenever possible. Mary asks if he still goes to see them. He suddenly becomes angry and tells her to go play.
Mary reflects how odd it is that she likes Ben despite his crossness. At the end of the walkway, a little gate opens into a wood. Mary hears a low whistling sound on the other side. Opening the gate, she sees a boy sitting under a tree in the wood, playing a wooden pipe. He has a turned-up nose, red cheeks, rust-colored hair, and very round blue eyes. All around him, wild animals sit watching him and listening to the music of the pipe.
He greets Mary by name as if he knows her quite well and tells her he has brought the garden tools and seeds she asked for. He asks Mary where her bit of garden is. Mary decides she can trust him to keep her secret, so she confesses, “I’ve stolen a garden […]. Nobody wants it, nobody cares for it […] They’re letting it die, all shut in by itself.” Then Mary bursts into tears.
When Mary recovers her composure, she takes Dickon to see the garden. Dickon looks around in wonder. He says Martha had told him the garden existed, but he never thought he would see it. Mary asks him if the roses are alive, and he assures her they are “as wick as you or me” (66). He tells her that her weeding around the sprouting bulb flowers was exactly the right thing to do and admires the amount of work she has done. He also notices that someone else has been there and done some pruning in the 10 years since the garden was closed.
Recalling the little song the missionary’s children had chanted at her after her parents died, Mary asks Dickon if there are flowers that look like bells, saying that she wants flowers like that in her garden. Dickon promises to bring her seeds and starts for the kind of flowers she wants.
At dinner time (midday), Mary leaves, and she is worried that when she comes back, he will have disappeared like a wood fairy. At the door, she turns and asks him again not to tell anyone her secret. He answers, “If tha’ was a missel thrush and showed me where tha’ nest was, does tha’ think I’d tell anyone? Not me. Tha’ art as safe as a missel thrush.” (71)
Before dinner, Martha asks Mary how she likes Dickon. Mary replies that she thinks he’s beautiful. Martha is amused because Dickon is not the kind of boy who would be considered handsome. Martha tells Mary that Mr. Craven has returned from his travels and wants to see Mary before he leaves again in the morning.
Mary has been told that Mr. Craven is a “hunchback,” but actually, he has “high, rather crooked shoulders” (75). She thinks he would be handsome if he didn’t look so sad and troubled. He asks Mary whether she wants a governess, but Mary tells him she wants to play outdoors. He says that Mrs. Sowerby advised him that was what would be best for her. Mary then summons all her courage and asks him if she might have a bit of earth. His eyes become soft and kind, and he tells her she can have as much earth as she wants and that she reminds him of someone else who loved the earth.
When Mary returns to the garden, she finds Dickon has gone, but he has left her a note with a drawing of a missel thrush and the words, “I will cum bak.” (78)
Mary has always been drawn to gardens when she felt troubled. When cholera first struck her home in India, and she had no one to look after her, she played in the garden, putting flowers in piles of dirt. She also tried to make little gardens when she stayed with the missionary family before being sent back to England. Those gardens didn’t grow because Mary didn’t know how to plant them properly. Only here at Misselthwaite Manor has she finally begun to learn how to make life grow both in the ground and in herself.
When Mary tells Dickon about the garden, she describes it as unloved, unwanted, and dying because one cares for it. Her tears reveal she is not just talking about the garden but also about herself. This is the first time Mary has expressed out loud that she feels she is dying from a lack of love. Because Mary identifies with the garden, resurrecting it is a way of resurrecting herself.
When Mary asks Dickon whether there are flowers shaped like bells, she is defying the people who tried to shame her into being the kind of person they thought she should be. Instead, she embraces the contrary part of herself. She can do this because she has discovered she likes Ben, even though he is as contrary as she is. In many ways, her contrariness gives her strength. Being contrary gives her determination, stubbornness, and a refusal to let other people push her around. Those qualities become especially important when she meets Colin and stands up to him to keep him from bossing her around and dominating her.
When Mary thinks that Dickon seems like a wood fairy, she recognizes that he symbolizes nature’s spirit. When she first sees him, he plays on a wooden pipe surrounded by wild animals listening to him play. In that scene, he is like the nature god Pan, who plays the pipes and watches over small animals. Dickon’s physical description is also similar to that of the sprite Puck, another nature spirit with a turned-up nose, round face, and curly red hair. Dickon’s similarity to those nature spirits fits perfectly with his ability to speak to and understand animals and make plants grow.
Dickon describes Mary as being like a missel thrush with a nest, which indicates that he regards her as one of his wild things that needs protection. He is the first person Mary has met who thinks she is important. All the new people in Mary’s life see something different in her, and they are all correct. Ben sees his crotchety nature in her. Martha sees her as a little sister to be looked after and taught to look after herself. Dickon is the only one who sees the small, precious, fragile growing thing, and he is the one who will help that part of her grow into something deep and powerful.
Work is an important idea in these chapters. First, Martha is excited to go home and work alongside her mother on her day off. Because those tasks are important to her, she enjoys doing them, especially at home, surrounded by people she loves. Mary is learning that she also enjoys working when doing something meaningful.
Upon meeting Mr. Craven, Mary finds that the description of his supposedly hunched back has been exaggerated. People speak of him as physically “crippled,” but because Mary understands sadness, she can see that his trouble is in his heart, not his back. Like the garden, Mr. Craven is not completely dead inside. He only needs a little care to bring him back to life.
In a different story, if Mary were a different kind of little girl, she would restore him just by being good and sweet. However, Mary is not that kind of little girl, and in real life, just being good and sweet rarely makes other people better. Only when Mary has restored the garden will the spirit of Colin’s mother be strong enough to heal Mr. Craven’s heart. Mary plants the first seed by reminding Mr. Craven of his wife, who loved gardens. He doesn’t say so, but Mary probably looks like her aunt. Lilias was Mary’s father’s sister, so there would naturally be a resemblance.
Mary hasn’t been completely honest with Mr. Craven. If he knew she was talking about his wife’s garden, he would forbid her to take it, so she doesn’t tell him what she has in mind, much less that she has already begun. However, because Mary reminds him of his lost wife, he speaks the words he would have said to Lilias: “When you see a bit of earth you want, take it” (77). Mr. Craven is talking about Mary choosing a place on the manor grounds for a garden, but his words could also be seen as advice to Mary about life in general: Don’t be afraid to carve out a place for yourself in the world.
By Frances Hodgson Burnett