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53 pages 1 hour read

Patti Callahan Henry

The Secret Book of Flora Lea

Fiction | Novel | Adult | Published in 2023

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Chapters 10-22Chapter Summaries & Analyses

Chapter 10 Summary: “March 1960”

Hazel’s boss, Edwin, calls her to ask if she knows anything about the stolen property. She explains that she left the book out before she left, and Edwin hints that Poppy is under suspicion. Hazel worries about what action to take and decides she can’t let someone else be blamed for her mistake.

Chapter 11 Summary: “September 1939”

Hazel and Flora ride with Harry to Bridie’s house in the countryside town of Binsey. Bridie welcomes them to her home, which is idyllic and charming. When Bridie accidentally refers to it as the girls’ home, Flora becomes offended and scared. Bridie apologizes and everyone settles in. The girls are enchanted by the house, but Hazel feels guilty for her happiness when her mother is in London. While they wait for dinner, Hazel and Flora read a note their mother left for them; it tells them to watch out for each other. Flora solemnly promises to watch out for Hazel.

Chapter 12 Summary: “March 1960”

Hazel brings the Whisperwood book back to the bookshop and confesses to her crime. Edwin and Tim are sympathetic to her story, though the policeman is not. The bookstore refuses to charge Hazel, but the policeman keeps a record of her confession. When Hazel reveals the damaged illustrations, Edwin tells her she must keep the book and pay for it over time. He gives her the original purchase receipt, which has a phone number leading to Peggy Andrews. On her way home, Hazel remembers her coffee appointment with Barnaby, but continues home. There she finds another note from Dorothy Bellamy and throws it away in anger. She waits until nine o’clock in the morning American time and then calls Peggy’s number. She tries to explain how Whisperwood was once her story, but Peggy becomes defensive. Hazel gives Peggy her phone number before Peggy hangs up on her.

Chapter 13 Summary: “March 1960”

In Massachusetts, Peggy considers the strange phone call. She suspects the English woman has sinister intentions with her work. She thinks about the difficult period her mother faced when two of her family members were lost and about how the success of their shared story is giving her mother new life. Peggy writes more of her story, then goes for a walk and thinks about her unexpected success. Her publishers are encouraging her to write an entire series. During her walk, Peggy encounters her friend Wren Parker, a childhood crush with whom she is still enamored. They talk about her book, and she remembers growing up next door to Wren and her growing infatuation with him. However, her mother has refused to let him into their lives, believing him to be a bad influence due to his past. Peggy tells Wren about Hazel’s phone call. He encourages her to follow up on it.

Chapter 14 Summary: “March 1960”

After Peggy hangs up on her, Hazel goes through her things and uncovers Flora’s teddy bear, along with old articles, drawings, and letters from Harry. To stave off her panic, Hazel calls Kelty to come over. Together they look at articles about Flora’s disappearance, and Hazel tells her about the Whisperwood story. Kelty recalls that Flora had told her that she would take her Whisperwood the first time Kelty arrived at the Aberdeens, upset about Mrs. Marchman’s treatment of her. Hazel remembers how she pushed Harry and Bridie away after the disappearance, telling them she never wanted to see them again. Together Hazel and Kelty consider what to do next.

Chapter 15 Summary: “September 1939”

Hazel and Flora prepare for their first dinner with Harry and Bridie. Bridie prays before they eat, and Flora asks about Harry’s father. He tells her that his father is “gone” but doesn’t elaborate. Bridie mentions that she’s preparing for the upcoming equinox, a word Flora doesn’t understand; in response, Bridie tells them about Persephone and Demeter and the changing cycle of the year. Hazel notices that Bridie and Harry are doting on Flora and feels jealous.

Chapter 16 Summary: “September 1939”

As Hazel and Flora lie awake, Hazel tries to comfort her sister. She tells her a story of Whisperwood, and they imagine they are lions running through the woods. After Flora falls asleep, Hazel gets up and writes a postcard for her mother. The next morning, she discovers a drawing of Flora’s bear from Harry slipped beneath their door. Hazel and Bridie share breakfast together, and Hazel tries to impress her with her manners. Harry joins them after milking their cow. Flora wakes alone and is frightened, but Hazel rushes to comfort her.

Chapter 17 Summary: “March 1960”

Hazel approaches Bridie’s cottage, which she hasn’t seen in 20 years. She thinks back to her morning with Barnaby; he offered to pay for her stolen book, and she declined. He reminded her of their upcoming trip to Paris and left for work. In Binsey, Bridie greets Hazel and warmly invites her inside. Bridie reveals that she once tried to visit Hazel, but Hazel’s mother forbade her. Hazel sees a man’s jacket nearby, and Bridie tells her that she married the local pub owner. Hazel apologizes for the discord and suspicion she brought into Bridie’s home after Flora’s disappearance. She tells Bridie about Whisperwood and shows her Peggy Andrews’s book. Hazel remembers the way the media blamed Bridie for Flora’s disappearance because of the prior disappearance of Bridie’s husband. Bridie admits that he was never her husband; Harry’s father was her lover, with a family of his own. Hazel asks about Harry and Bridie tells her he’s living in an artists’ colony in St. Ives. Bridie asks Hazel to tell her the Whisperwood story she told to Flora.

Chapter 18 Summary: “March 1960”

After visiting Bridie, Hazel goes to see Aiden Davies and tells him about the Whisperwood book. She tells him she is researching everyone who may have come in contact with the story, including four nurses who lived nearby. He gives Hazel their names and suggests enlisting Dorothy Bellamy to help. Hazel adamantly refuses. Back in London, Hazel goes to meet Barnaby for dinner. On her way, she passes an artist’s display table where she sees a painting of the Pied Piper. Nearby, she sees her half-brother Tenny with his friends. Though initially hesitant, they both acknowledge each other with a smile. Finally, Hazel arrives late for her date with Barnaby. After dinner, Barnaby insists on paying for the stolen book, but Hazel again refuses. He becomes exasperated with her independence.

Chapter 19 Summary: “March 1960”

Peggy is having dinner with her mother and thinking about Hazel’s phone call. She considers her own relationship to storytelling, her area of academic study, and her Whisperwood work. Peggy asks her mother where Whisperwood came from, and her mother is tense and evasive. Later, Peggy considers what she knows: Her mother and her aunt Maria told her the Whisperwood story in her childhood after her father died. Peggy finds Hazel’s phone number and hides it beneath her mattress.

Chapter 20 Summary: “March 1960”

Hazel arrives at her mother’s house, which her mother shares with her new husband, Alastair. She realizes her half-brother Tenny is the same age she was when she was sent away. Hazel remembers the day her mother told her about her upcoming marriage; she was hurt and betrayed. She considered telling her mother the truth about Flora’s disappearance and how much she blames herself, but she was unable to. Hazel goes inside and greets her mother and brother. Her mother asks if Hazel is pregnant or engaged, but Hazel defers. She sees a framed photo of Flora on the table and begins to cry. Hazel’s mother apologizes for sending them away and reveals that she’s been carrying her own guilt. Hazel tells her mother about Whisperwood and shows her the book and ignites a hope that it might lead them to Flora.

Chapter 21 Summary: “September 1939”

While Bridie works, Hazel, Flora, and Harry explore outside. Harry and Hazel warn Flora to never go near the river alone. Harry takes them to a graveyard by the cottage where the war nurses are staying and to a well that was meant to have inspired Alice in Wonderland. He tells them about another story associated with the well, about a princess named Frideswide who ran away from a king who wanted to marry her. When the king pursued her, he was struck by lightning and blinded. Now, Frideswide has been canonized as a saint. On their way, the children encounter Kelty, who’s being chased by two bullies. They’re harassing her because she’s an evacuee. She knocks one bully down, and Harry sends them away. Hazel and Kelty become friends.

Chapter 22 Summary: “September 1939”

Kelty comes home with the children, and Harry introduces her to his mother. Kelty wants to stay with Bridie because the woman she’s lodging with, Mrs. Marchman, is cruel to her. Later, Mrs. Marchman arrives to collect Kelty, and she and Bridie get into an argument. Bridie sends the children away, and Hazel tells Kelty about Frideswide to distract her. Soon, Aiden Davies arrives to oversee the dispute. Eventually, he tells them that Kelty is legally billeted to Mrs. Marchman and must return there.

The next day, Harry does schoolwork while Hazel and Flora explore. They pretend they’re in Whisperwood and imagine themselves as fairies. They become so distracted that the whole day goes by, and everyone becomes frantic with worry. Kelty finds them, and they return to Bridie’s. Harry’s concern makes Hazel abrasive, and she can feel herself becoming attracted to him. He admits that he’s worried about losing them because he’s already lost his father.

Chapters 10-22 Analysis

This section follows the preceding turning points: In 1960, Hazel deals with the repercussions of her impulsive theft, while in 1939, Hazel and Flora adjust to their new life outside the city. They are still children at this point, so they’re still largely reacting to their circumstances, rather than taking action. The novel highlights the contrast between city and country as they’re welcomed into Bridie’s rural cottage. Despite being a wartime novel, the Binsey setting gives the story a comforting, welcoming, cottagecore tone. The first night in Hazel and Flora’s new lodgings hints at the attraction between Hazel and Harry, which neither of them fully understands. In 1960, in contrast to the reactionary stage of Hazel’s arrival in the Aberdeen home, Hazel takes ownership of her choices (after a brief period of fear and doubt) and confesses to her employers. In doing so, honors her commitment to telling the truth—a promise that will later bring her to Flora in an unexpected way.

Part way through this section, the narrative detours from its established voice and moves into Peggy’s perspective, introducing her as a new character central to the plot. Like Hazel, Peggy has built her life around the act of storytelling. She is immediately suspicious of Hazel’s intentions, not yet recognizing the common thread between them—not just the art of living in Whisperwood, but the act of deriving comfort and belonging from places in literature. This chapter briefly touches on Peggy’s professional life, reminding the reader that storytelling is a business as well as an artistic medium. As a bookseller, Hazel represents the opposite end of the market pipeline, with both Hazel and Peggy also filling the role of readers and book lovers in between. Peggy’s perspective introduces her mother and Wren as supporting characters in her own story. Much like Hazel, Peggy is caught at an intersection between past and future; her mother represents the limitations of her past, while Wren represents the possibilities of her future.

When the narrative returns to Hazel’s perspective, the novel takes time to deepen the friendship between Hazel and Kelty. Kelty never has her own narrative voice, and she fills two distinct characters in the novel: her adult self and her childhood self. In these chapters, Kelty provides the encouragement and support Hazel looks for in Barnaby. She reveals that she heard Flora mention Whisperwood, which opens the possibility that the story could have made its way to anyone. In 1939, Bridie and Harry receive more attention as Hazel and the reader learn more about what makes them human. An intentional discrepancy arises when Bridie prays before dinner, yet also teaches Flora about the mythic origins of the equinox. Here she displays her Personal Interpretation of Religion and Spirituality, highlighting the way she honors multiple paths without judgment. During this time, the growing connection between Hazel and Harry deepens through Harry’s drawings, and Hazel’s revelation that “Harry had chosen her. Nothing could be done to suppress Hazel’s smile” (103). This exploration is immediately followed by the 1960 chapter in which Hazel reconnects with Bridie, learning more about her through experienced, adult eyes. Bridie encourages her to own her truths and to return to her love of storytelling. In spite of this, however, Hazel is still vehemently against Aiden’s suggestion of enlisting the help of Dorothy Bellamy. This blindness toward Dorothy is Hazel’s most deeply rooted flaw and the one she needs to overcome to achieve her goal.

Throughout these chapters, Hazel becomes more enmeshed in her pursuit of Flora, straining her relationship with Barnaby. At the same time, however, she begins repairing some of the cracks that had previously appeared in the one she shares with her mother. Her mother was able to heal in a way Hazel was not, but by drawing nearer to the truth, they become aligned once again to the same goal. On the periphery of this journey is Peggy’s exploration of where the Whisperwood story came from and what it truly means to her. In 1939, this story takes on new resonance in its parallel with the story of St. Frideswide and its connection with the landscape around them. This section ends with the juxtaposition of Kelty’s circumstance against Hazel’s fortune; despite Hazel’s best attempts to provide for her friend, she learns that she cannot always save everyone.

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