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119 pages 3 hours read

Viet Thanh Nguyen

The Refugees

Fiction | Short Story Collection | Adult | Published in 2017

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Background

Historical Context: French Colonialism and the Vietnam War

The Refugees is rooted in the experiences of victims of the Vietnam War, stemming from the refugee crisis that it spawned. The Vietnam War was a decades-long conflict, beginning around 1954 and ending in 1975 with the fall of Saigon. Vietnam was colonized by the French in the 1800s; along with parts of modern Laos and Cambodia, it formed the colonial territory known as French Indochina. France occupied Vietnam for more than six decades, and Japan invaded Vietnam before and during World War II under the guise of aiding their war effort against China. Japan left much of the country’s administration to the diminished French colonial government. Resistance against both Japanese and French occupation grew during this time under the leadership of Ho Chi Minh and his Viet Minh resistance, aided by the United States, which had not yet entered World War II but opposed Japanese expansion. Evidence of French colonialism is still present in modern Vietnamese culture, from food to linguistics; modern, written Vietnamese is a Romanized version of the language as opposed to Chữ Nôm, the precolonial script based on Chinese characters. Older characters in The Exiles, particularly Professor Khanh in “I’d Love You to Want Me,” sometimes refer to Vietnamese cities by their French colonial names.

Ho Chi Minh’s forces took over Hanoi in Northern Vietnam following Japan’s defeat in World War II, establishing the Democratic Republic of Vietnam. The French backed Southern Vietnam as an independent state, but they were ousted in the battle of Dien Bien Phu in 1950. A subsequent Geneva Convention divided the country at the 17th Parallel, with the South led by Ngo Dinh Diem, an anti-communist politician. Diem cracked down on the “Viet Cong,” an epithet for communist sympathizers in the South who would become the primary adversaries of American and South Vietnamese forces during the Vietnam War.

American involvement in the Vietnam War was due to the Truman Doctrine, in response to the fear of the “domino effect” of countries falling to communism. Under President John F. Kennedy, the United States began a military buildup in Vietnam that led to a full-scale military campaign under Lyndon B. Johnson. The American war effort proved difficult, due in part to the resourcefulness of the Viet Cong, who had been dug in (quite literally—their infamous trenches and “tiger traps” are depicted in Mr. Ly’s tour in “Fatherland”) since the days of resisting the French. The casualties of the war years were catastrophic: 2.2 million Vietnamese civilians, over 1 million Viet Cong and other Northern forces, and nearly 60,000 American soldiers died between 1954 and 1975. Sentiment for the protracted war soured in America, and Saigon fell to Northern forces in April 1975 and was renamed Ho Chi Minh City.

Sociological Context: Emigration, Immigration, Exile, and Diaspora

A mass movement of a specific population, or diaspora, often occurs due to wars and internal conflicts in countries. Following the Vietnam War, there was a mass migration of people from Vietnam and other Southeast Asian countries due to the unstable conditions and hostile regimes instated after the United States intervened in the region. The difference between “emigration” and “immigration” is a matter of perspective. A person is an “emigrant” or “émigré” when they leave their country of origin; they are an “immigrant” in their new country. Both terms infer a long-term or permanent stay in their new country. Refugees are a protected class of immigrants who are forced to leave their country of origin due to dangerous conditions and seek asylum elsewhere. Refugees are essentially people living in exile, meaning they cannot return to their home countries. While many factors lead to immigration, immigrants who can freely return to visit their home countries are not living in exile.

The mass migration of Vietnamese people following the Vietnam War is known as the Vietnamese Diaspora. About 4.5 million Vietnamese nationals and their descendants currently live outside of Vietnam, with the bulk of this population residing in the United States. “Little Saigons” (sometimes called “Little Vietnams” to avoid the political implications of using Saigon, the Southern Vietnamese capital which was renamed Ho Chi Minh City after the communist revolution) exist all over the world as Vietnamese cultural nuclei. Several prominent ones in California provide the settings in The Refugees. Orange County’s Little Saigon has the largest population of ethnically Vietnamese people outside of Vietnam. The stories “The Transplant” and “I’d Love You to Want Me” take place in and around Orange County’s Little Saigon; “Someone Else Besides You” partially takes place in the San Gabriel Valley.

Cultural-Historical Context: Evacuations and Vietnamese Boat People

When American forces retreated from Vietnam, several operations were put into place to evacuate American personnel and South Vietnamese forces who were at risk due to their anti-communist activity in the war. Other operations to evacuate South Vietnamese people were executed, but many were left behind. Many were persecuted, sent to New Economic Zones (reeducation camps), imprisoned, or killed. The harsh conditions led to the mass migration of Vietnamese nationals in the coming years.

Vietnamese boat people, often referred to just as boat people, are victims of the humanitarian crisis following the fall of Saigon who fled from Vietnam aboard boats on the Pacific Ocean. The crisis peaked in 1978-79, and over 800,000 people fled Vietnam by boat between 1975 and 1995. Most of the boats used were small fishing vessels or other boats not equipped for long-distance oceanic travel. Refugees endured harsh and often deadly conditions due to weather, hunger, thirst, and disease. Pirate attacks, such as the one depicted in “Black-Eyed Women” were common and often deadly. Survivors endured further harsh conditions in refugee camps in countries like Guam and the Philippines before being processed and accepted by the United States and other countries. Due to the huge influx of refugees, many of these camps risked becoming humanitarian crises in and of themselves. Many who survived the boat journey were marked by the trauma of the experience. In The Refugees, it haunts the protagonist of “Black-Eyed Women” and Mrs. Khanh in “I’d Love You to Want me” in particular.

Authorial Context: Viet Thanh Nguyen

Viet Thanh Nguyen is an author and English professor at the University of Southern California. He earned his doctorate at the University of California Berkley. Nguyen came to the United States at age four with his family as Vietnam War refugees. In many regards, Nguyen and his family are immigrant success stories: His family established a successful business, his older brother went to Harvard, and Nguyen became a celebrated author and distinguished scholar. In addition to The Refugees, Nguyen has published two novels: The Sympathizer, a Pulitzer Prize-winning, dark-comedy spy novel set during the end of the Vietnam War, and its sequel, The Committed. His nonfiction and scholarly works like Race and Resistance: Literature and Politics in Asian America have been cited widely. Nothing Ever Dies: Vietnam and The Memory of War was a finalist for the 2016 National Book Award for Nonfiction.

Nguyen’s academic and critical work is rooted in the intersection of his identities as Vietnamese, Vietnamese American, American, and a refugee. Many episodes recounted in The Refugees are taken from his real-life experiences as a refugee growing up in America. “War Years,” for example, is semiautobiographical: His parents owned a New Saigon Market in San Jose, California, which was eventually demolished under eminent domain to make way for the new city hall. In the 20 years it took him to compose the stories in The Refugees, Nguyen turned to the many contradictions he found in his own personality and life story as inspiration. He grew up watching his parents struggle with their small business in an impoverished area of San Jose, and he took many lessons from his mother to heart. Nguyen describes himself as an atheistic lapsed Catholic (a vestige of French colonization in Vietnam), and, while not communist, he approaches social issues from a leftist, Marxist perspective.

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