91 pages • 3 hours read
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Lucia is the novel’s narrator and protagonist. In the beginning of the novel, Lucia has a carefree attitude. She is not concerned about politics or the revolution; rather, she is interested in boys, likes to dress up, and wishes she could wear makeup and cut her hair. Though she is a typical teenager, she cannot totally ignore the changes in her hometown, but she regards them with immature naivete, choosing to believe Castro’s propaganda over her parents.
After finding Doc Machado dead in the park, Lucia starts to comprehend the seriousness of the political situation in Cuba. She realizes that her family must be careful to avoid persecution. Her choices start to center more on her family than on herself, though she still has typical teenage desires and hopes. At times, she is conflicted about how to act and what to believe.
Once it is decided that the children will go to the US, Lucia develops emotionally and begins to act with more maturity. She is determined to appear strong in front of her parents because she senses that her distress would only make things harder for them. She also wants to be strong for Frankie, to reassure him that everything will be okay.
Lucia also develops new emotional connections at this time. After her much anticipated 15th birthday, Lucia develops her relationship with Mrs. Baxter. In Cuban culture, a girl’s 15th birthday is the day she is enters society as a young woman. In the US, Lucia is genuinely becoming a young woman. Her separation from her family, her responsibilities at the Baxters’ house, and her due to care for Frankie push her to become a young adult. Meanwhile, Lucia’s friendship with her best friend Ivette, who supports Castro’s revolution, is irreparably fractured. The dissolution of this relationship helps Lucia determine who she really is and what she truly believes about the revolution, the world, and her family.
Lucia also learns many valuable life lessons that lead her to become more emotionally mature. She has more appreciation for her family and for the people who have cared for her. She understands the value of friendship and the unfortunate truth that some friendships cannot withstand political divides.
Ivette’s character changes dramatically throughout the novel. In the early chapters she is vibrant, carefree, and obsessed with fashion and boys. She also demonstrates loyalty to Lucia as her best friend, such as when she supports Lucia after Manuel assaults her. However, it soon becomes clear that Ivette’s parents are involved with the revolution and that her parents’ politics differ from Lucia’s parents’. At first this rift is only mildly discomforting to the girls, but it ultimately drives them apart. Ivette adopts her parents’ ideals and throws herself into the brigadistas, doing her part to support the revolution. She initially seems to do this because it is expected of her, but she becomes increasingly indoctrinated and passionate in her participation. Ivette’s character serves as a contrast to Lucia’s understanding of politics and the revolution. As Ivette becomes more entrenched in the revolution, Lucia realizes that she does not share these same beliefs, which teaches Lucia a lot about what she truly thinks and believes.
While Ivette supports Lucia early in the book, by the final chapters, she has become an antagonistic force that demonstrates how politics can destroy relationships and how oppression can stifle independence.
Mrs. Baxter is a kind and hard-working woman. She is in her 50s, and she lives a quiet life with the taciturn Mr. Baxter. When she takes in Frankie and Lucia, she has many misconceptions about Cuba. Her character exemplifies how to overcome cultural biases and misconceptions. Despite her failure with the hot sauce, Mrs. Baxter does not give up on her attempts to help the children feel more at home in Nebraska. The hybrid American-Cuban meal she prepares for Christmas is a powerful gesture that moves Lucia to tears. Mrs. Baxter becomes a true foster mother to the children, who grow to love her.
Laura is a minor character, though her few appearances in the story are significant. She is first mentioned because her father was arrested for being an anti-revolutionist. Though Laura was always one of the popular girls, the kids at school turn on her, calling her family traitors. This episode foreshadows what will happen with Lucia’s own father.
Lucia encounters Laura the day she discovers Doc Machado. Laura warns Lucia not to take a certain path home that day. Lucia is intrigued by how friendly Laura is to her when they meet on the street. Laura’s friendliness is a result of their parents’ shared political views. Laura considers Lucia a safe person to chat with, and this helps Lucia understand that others may also know that her family’s loyalty to the revolution is not genuine.
Manuel is Lucia’s first real crush at school. She daydreams about holding hands and perhaps sharing a first kiss with him. When they finally get together at the dance, Manuel jokes around with the other young men who have joined the Jovenes Rebeldes. His attitude disgusts Lucia, and his attractiveness begins to fade in Lucia’s eyes. Still, Lucia is intrigued when he explains that he is just playing his part for appearances. She wonders if he is in a situation like hers, with a family at risk because they are not actively participating in the revolution.
When Manuel takes Lucia outside, he forces himself on her, literally straddling her so that she cannot get away from him. When she knees him in his groin, he spits at her and calls her a gusana: “you stupid gusana. You’re a worm just like your father” (111). This proves that Manuel is a true brigadista and that he was attempting to manipulate Lucia to gain sexual experience before leaving to teach in the countryside. Lucia’s interaction with Manuel reveals that she inherently disagrees with the revolution’s ideals and finds the brigadistas’ behavior abhorrent.
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