100 pages • 3 hours read
Rick RiordanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
They cross into Manhattan, but the carriers are still right behind them. Bast makes a low growling noise, and cats converge on the carriers, forcing them to stop. Bast warns that “it won’t hold them long” (123), and the group continues on foot, Sadie and Carter struggling to keep up.
Bast leads them to an obelisk in Central Park and tells Sadie to open a portal to the Duat. The carriers arrive, beaten but still moving, and Bast transforms into a giant green avatar of her goddess form to fend them off. With Carter’s help, they slice the carriers into tiny pieces, but before Sadie can open a portal, an army of scorpions charges with Serqet, goddess of scorpions, at their center. Bast orders the kids to get to the temple in the Metropolitan Museum of Art, telling them she’ll catch up, but Carter can tell by the look on her face that “she was just buying us time” (129). Carter grabs Sadie and runs.
At the museum, Carter and Sadie stumble into the Egyptian section, where they come face-to-face with one of the people who appeared on the bridge in London. She demands to know about Amos and Bast. Sadie tries to keep quiet, but a strange pressure in her throat forces the truth out of her. Carter points the sword he took from the mansion at the girl, asking who she is and what she wants. She introduces herself as Zia Rashid, adding that, right now, she’s there to “save your miserable lives” (136).
To the sound of scorpions growing ever closer, Zia leads Carter and Sadie to the museum’s temple, where they will make a stand for 10 1/2 until a portal can be opened at noon. The three finish setting up protections just as Serqet and the scorpions arrive. Zia conjures a flaming lion-headed staff and orders Sadie and Carter to “stay inside the circle no matter what” (140).
Zia fends off Serqet’s attacks, which more angers than harms the goddess. Zia leaps out of the circle just as a portal shaped like “an enormous sideways hourglass” (143) appears. Sadie can’t bring herself to leave without helping Zia, and Carter grabs her right before she steps clear of the circle.
As Sadie watches the battle, she somehow knows that Zia’s tactics won’t work. Zia imprisons Serqet in magical ribbons that momentarily dissolve her essence, only for her to reform even stronger. Knowing they can’t win and with the portal closing, the three plunge “straight into the swirling vortex” (145).
The portal spits Sadie, Carter, and Zia out into the Cairo airport in Egypt. Zia leads the others into a closet and makes a set of steps appear, down which they descend to the main headquarters of the House of Life. Each must enter by themselves, and “the challenge is different for each supplicant” (149). Zia delivers this information while looking at Sadie like she’s special, which makes Carter angry. He doesn’t understand why everyone treats Sadie like she’s better than him. To prove he’s also powerful, he marches up to the gate, which hurls daggers at him that he manages to easily deflect with guidance from a brave-sounding voice in his head. A ba that looks like a giant turkey-man appears and tells Carter to “go forth, good king” (152). Beyond, Zia leads Carter and Sadie through a marketplace to the Hall of Ages and the next step in their journey.
Inside the hall, the three pass hologram-like images of the various ages of Egypt, from the ancient gods to the modern day. Images of Moses, Alexander the Great, and the invasion of the Romans lead to the British takeover that made Cairo a modern city and left the ancient Egyptian culture to fade “farther and farther under the sands of the desert” (162). At the end of the hall, the group finds the Chief Lector Iskandar and Desjardins, the man who accompanied Zia on the bridge in London.
Sadie and Carter tell Desjardins and Iskandar what’s happened since their father disappeared, leaving out key things like Sadie’s magic and the ba calling Carter a king. Desjardins is sure the kids are guilty of cavorting with gods and need to be destroyed, but Iskandar agrees to give them a chance. The next day, Zia will test Carter and Sadie for magic. Sadie asks what happens if they fail the test, and Zia says this isn’t the type of test they can fail: either “you pass or you die” (168).
These chapters introduce new characters, angles to the conflict, and potentially misleading information. It is unknown to everyone except Iskandar at this point, but Zia, in these chapters and through the rest of the book, is a shabti. The only time the real Zia is seen is in the first few chapters. She became a host for Nephthys during the explosion in Chapter 2, and Iskandar put her into a sleeping state to protect her from the House of Life. The House is after Sadie and Carter because the kids host Horus and Isis, and Iskandar’s actions with Zia show how the House of Life will come to change over the Kane Chronicles series. Iskandar regrets not trusting Carter and Sadie’s mom about gods and magicians allying. Hiding Zia is a way to atone for his closed-mindedness.
Sadie and Carter encounter various gods throughout The Red Pyramid. Serqet is the goddess of scorpions and a driver of chaos. In Egyptian myth, she was a minor deity of death who oversaw part of the embalming process. The ribbons Zia uses to trap Serqet are supposed to dissolve a god or goddess’s essence and are one of the magicians’ many tools for battling the gods. Serqet overpowers the ribbons, which shows the growing effect of chaos on the world and how Set becomes stronger. It is also a sign of Apophis’s return.
By Rick Riordan