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R. K. NarayanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Throughout the Ramayana, disruptive acts often interfere with the intentions of various characters to follow a harmonious course of life; at times, these disruptions take the form of battles between heroes and demons, illuminating the ever-present tension between the forces of good and evil. At other moments in the epic, interpersonal disruptions complicate human life on a smaller scale, drawing attention to the ease with which harmony can become unbalanced. Disruption is not the domain of the gods above, but the result of choices that various characters, both human and divine, good and evil, make at different points throughout the epic.
At the start of the epic, Rama seeks harmony when he decides to follow his father’s wishes and go into the forest willingly to be exiled; even in the forest, where Rama attempts to live peacefully with Sita and Lakshmana, evil interferes with Rama’s willingness to accept his fate. These disruptors cause various challenges and attack Rama’s self and his family and others who come into their lives; because Rama has a duty to help anyone who seeks his assistance, he must embrace these opportunities to help others who need his support, no matter how disruptive. The omnipresence of disruption in Rama’s life on earth, even while he is trying to do good, suggests the omnipresence of darkness inside every person; internally, each individual must engage with his or her own personal set of disruptive forces to live a virtuous, harmonious, and balanced life.
Disruption also appears as a sign that matters of great emotional importance are at hand. Early in the epic, Dasaratha suffers deeply when he learns that Kaikeyi, his third wife and mother of Bharatha, has betrayed him and Rama. His heartache and pain lead to his death, demonstrating Dasaratha’s vulnerability to deep emotion. Later, when Sita first sees Rama from afar, she is deeply disturbed by her feelings for him; almost immediately, she suffers for her love of him. Her own personal harmony is restored when Rama passes the test of strength that her father has designed for her suitors. Rama and Sita marry, and they become a paragon of marital bliss and loyalty, until evil interferes once again to disrupt their lives. This evil takes the form of the demons Soorpanaka and her brother Ravana. When Soorpanaka is unable to seduce Rama, she is deeply disturbed by her feelings for Rama, and she goes to trouble to hide her emotional attachment to Rama from Ravana; at the same time, Soorpanaka is able to disturb Ravana, whose lustfulness is legendary, with vivid descriptions of Sita’s beauty. Ravana’s determination to kidnap Rama’s wife causes his own end at the hands of Rama. Rama’s victory is both an example of good’s triumph over evil and an optimistic message that implies that harmony will always eventually be restored, no matter the disruption.
Amongst the characters of the Ramayana, whether they are paragons of good or representations of evil, strong family ties exist. These bonds suggest that filial duty and responsibility are a fundamental part of life to the audience of the epic, no matter the individual family’s potential to do good or to do evil. To readers from an individualistic culture, this emphasis on collectivism may seem unusual, as even evil creatures are presented as deserving of a supportive family and society.
In the Ramayana, the strongest family ties exist between fathers and sons and between brothers. Dasaratha’s closeness with his son Rama is clear in the distress Dasaratha feels when he knows that he must separate from Rama. Rama and Lakshmana must leave the king’s side to assist the sage Viswamithra and complete their initiation, and the thought of Rama leaving fills Dasaratha with regret. When Rama must be exiled for 14 years, the length of the separation overwhelms Dasaratha with grief, and he dies of a broken heart shortly after Rama makes his exit. Rama’s decision not to challenge Kaikeyi’s wishes reflects his sense of filial duty to his father; he does not resent Kaikeyi for her machinations and instead accepts and respects his fate as a part of the system in which his own father interacts.
The relationship of Rama and Lakshmana and Bharatha reflects great devotion as well; Lakshmana is unafraid to accompany Rama on his journeys, and while the brothers are together, they fight valiantly, defending each other from threats and seeking to right the wrongs of their world together. Rama’s brother Bharatha displays selfless loyalty to Rama, seeking to prevent his own usurpation of Rama’s rightful throne and placing Rama’s sandals on the throne as a symbolic rejection of the crown. In contrast to these idealized brotherly relationships, Vali and Sugreeva, the monkey rulers of Kiskinda, appear to have a damaged relationship characterized by mistrust and suspicion. They battle, and Vali dies at Rama’s hands for his inability to trust Sugreeva; however, at least in death, truth and hope take the place of anger and jealousy when Vali is able to appreciate Rama as the source of his salvation and Sugreeva takes the throne of Kiskinda with the blessing of his brother.
Other important familial relationships exist in the Ramayana, like the marital relationships between Dasaratha and his wives and between Rama and Sita. The poet Kamban and his translator Narayan both treat marriage differently than father/son dyads and brothers; marriage, which involves trusting women, has the potential to go wrong and to cause a husband to experience feelings of shame and disillusion. Dasaratha’s horror at Kaikeyi’s betrayal transforms his love and affection for her into fear and rage, and he frets more over the impact of her decision on his son Rama than on his marriage to her. As well, when Sita is finally free of Ravana, Rama must test Sita’s loyalty to him instead of accepting her word that she was not intimate with Ravana. Rama’s need to test Sita’s virtue is unique to their relationship; at no point in the epic does Rama feel the need to test Lakshmana’s loyalty, perhaps because the relationship between brothers is infallible.
Throughout the epic, acts of morality and the pursuit of a virtuous and righteous life are rewarded, and these incidents have a didactic purpose. The earliest audiences of the Ramayana as well as contemporary readers of Narayan’s brief translation and other versions of the epic learn from the Hindu teachings how to live from Rama and his band of followers. The decision to live a moral life is a positive one, in and of itself, but Rama’s ability to win a beautiful wife, Hanuman’s success in battle, and the happy ending of the epic all suggest that reward awaits the virtuous.
Rama, the paragon of human goodness, is an incarnation of Vishnu, one of the gods in the Hindu triumvirate; Vishnu’s role within the triumvirate is to protect the universe, while Brahma creates the universe and Shiva destroys it. Rama’s role in the Ramayana as the incarnation of Vishnu specifically involves tending to troubles that afflict the earth at the time of his incarnation. Rama is not a perfect human, and he displays many flaws at different points throughout the epic, suggesting that moral perfection is not essential to a life well-lived. Rather, Rama lives authentically, aiming to do the best he can at all times; once in a while, Rama falls short, but the poet and his translator describe the circumstances around such faltering as inevitable, making Rama a nearly infallible being even when he does fail. As well, Rama’s virtue appears reflective of the choices he makes in his human form; the absence of constant divine intervention means that Rama is a virtuous man in his own right and, therefore, a suitable model to whom other humans can aspire.
Because Rama’s role is to protect and to preserve, as well as to rescue and to save, it makes sense that he embodies human virtues and ideal qualities that make him a model of morality and righteousness. Throughout the epic, from the earliest chapters that describe his tests and initiation as an epic hero through to the final chapters when Rama defeats the embodiment of evil, who takes the form of the 10-headed demon Ravana, Rama teaches a message of goodness to the audience and to contemporary readers of Narayan’s The Ramayana.
By R. K. Narayan