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58 pages 1 hour read

Holly Black

The Queen of Nothing

Fiction | Novel | YA | Published in 2019

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Symbols & Motifs

The Golden Bridle

The golden bridle is a symbol of control, subjugation, and the negative aspects of power. It first makes an appearance on Queen Suren, covering her mouth and throat. “Its straps sit oddly against her skin, as if they have partially sunken into it” (83). Jude calls the bridle “a horrible thing,” crafted by Grimsen. Lady Nore and Lord Jarel use the bridle to control their daughter, and they lead her around with it. The bridle makes not just a controlled child but a beast out of Suren. In The Queen of Nothing, the bridle is an object of barter and a trick rolled into one. After Cardan’s transformation, the bridle is cut off Suren, leaving her face scarred. Lord Jarel and Lady Nore offer the golden bridle to Jude as a means to control Cardan in his serpent form. Their offer symbolizes a temptation for Jude. If she gives in to the temptation of unfettered Power and Control, she will herself come under the bridle’s control, since the object is meant as a trick. Lord Jarel tells Jude that the bridle “will fit itself to the creature being restrained,” indicating the absolute and cruel control the object wields (241).

Jude does not accept the bridle unquestioningly, which shows both her wisdom and her composure before the temptation to power. Jude knows Faerie rulers do not give up power willingly; thus, the offer of the bridle, which Lord Jarel could easily yield himself, must be a trick. Mother Marrow confirms Jude’s suspicion and tells her that binding her hair to the bridle will put both Jude and Cardan under the control of Lord Jarel and Lady Nore. Once Jude knows the facts, she intends to use the bridle against Madoc and the Court of the Teeth. However, at the moment of the climactic battle, Jude completely breaks away from the temptation the bridle represents. She doesn’t use it at all, which symbolizes her desire to rule fairly, without manipulation or unfair control. In the last chapter, Jude keeps the bridle in the custody of the High Court, hoping it never needs to be used. Now that Suren is out of the bridle’s control, she speaks for the first time in the text, “her voice […] thin and rough, as if from disuse” (297).

The Prophecy

In the opening chapter, royal astrologer Baphen consults the star charts at the time of Cardan’s birth and prophesizes, “He will be destruction on the crown and ruination of the throne. Only out of his spilled blood can a great ruler rise” (2). The prophecy forms a key plot point and motif in the narrative. After hearing prophecy, Cardan’s father, High King Eldred, washes his hands of the child, while his mother, Lady Asha, turns bitter toward Eldred and decides to overindulge the child. Baphen notes with trepidation that “some prophecies are fulfilled by the very actions meant to prevent them” (3). The text raises an important question here: Had the prophecy not been made or not been revealed, would Cardan’s life have panned out differently? As it happens, the prophecy causes people to behave differently toward Cardan and thus becomes self-fulfilling. Given the centrality of predictions and omens in the realm of Faerie, the prophecy eclipses Cardan’s actions. It is believed he will be a poor king because it is so predicted, as Madoc notes. Cardan’s kingship is, according to Madoc, a foolhardy attempt to “charm his way free of fate” (93). Such a thing is impossible, according to Madoc, and hence he is justified in claiming Cardan’s crown.

Knowledge of the prophecy makes Cardan act in a way that ends up fulfilling it. He physically breaks the crown, believing the prophecy to be a metaphor, but instead unleashes Grimsen’s curse on himself and the throne. What Cardan doesn’t understand is that in the world of Faerie, the metaphorical and the literal often coincide. The throne splits in half when Cardan breaks the crown. Yet, the physical change heralds the figurative one: a change in the world order. Jude understands the key to the prophecy when Mother Marrow tells her it is the answer to its own riddle. Jude must literally spill Cardan’s blood to catalyze the figurative aspect of the prediction. The blood spilled, a great ruler does rise, and it is none other than Cardan. The prophecy is fulfilled, but in a way that few could have predicted. As in Greek myths and other stories involving prophecies, Cardan’s prophecy is difficult to interpret and influences people’s actions in ways that have unpredictable outcomes.

Pizza

Elements of the human world are often juxtaposed with those of the faerie world in the narrative, providing much humor, delight, and warmth. Human elements, such as favorite foods, pop culture references, irreverent clothes, and games provide a welcome counterpoint to the strange and ritualized world of Faerie. The juxtaposition indicates that both realms are important and balance each other out in the lives of the characters. Each contains strengths from which the other can benefit. In terms of world-building, the human elements make the text’s universe relatable. All these ideas come together in the symbol of the pizzas that Oak loves. Oak, who is fully fey, loves the human world and immerses himself in its Uno, its video games, and its pepperoni pizza. There is a scene in the human world in which Jude finds that “someone has placed a few dandelion heads beside the pepperoni on a few of the slices” of a pizza (49). This image suggests that Taryn or Vivienne is partaking of both Faerie and human food, symbolizing the union of the realms.

The pizza as a symbol of unity, warmth, and a new world order returns at the novel’s end. Oak is “scandalized” that Cardan has never tried pizza (303), and the siblings take Cardan to a pizza place in the mortal world. Cardan wears a T-shirt over his tight pants and boots to pass off unnoticed in the human world. Jude, who feels all faeries look down upon humans, half suspects that Cardan will find the mortal world mundane. Cardan surprises her by goggling at humans much as Jude used to goggle at faeries. Cardan looks almost shy at the happiness they’re all experiencing. The novel ends with the siblings, Heather, and Cardan toasting to “family and Faerieland and pizza and stories and new beginnings” (306).

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