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Holly BlackA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Rulers of the lower courts and their attendants arrive at Cardan’s palace, ostensibly to offer him support against Madoc. The council suspects their real motive is to identify weakness in Cardan’s kingdom and attempt a coup of their own. Cardan wants Jude to reassure all the rulers they will win against Madoc, since she unlike him, can lie. At the reception of the rulers, Jude gets a chance to speak with Heather. She is worried Vivienne may have tricked Heather into accompanying her to Faerie. Heather says Vivienne agreed to bring her to the faerie realm on one condition: once they head back to the human world, Vivienne will wipe out Heather’s memory of all things faerie, including her. Heather doesn’t want to forget Vivienne, but Vivienne has made the deal in such a way that backtracking now is impossible. Meanwhile, Cardan toasts all the new guests, offering traitors the hospitality of his queen, implying Jude’s retribution. Jude knows Cardan is making her seem ferocious to win her the respect of the courtiers. She notes that each of them bows to her when they take her leave.
Back in the royal rooms, Jude and Cardan make love. Jude is surprised at Cardan’s vulnerability. He tells her that though she mocks and doubts him, “by you, I am forever undone” (202). Cardan has missed Jude as much as she has missed him. She realizes Cardan has genuine feelings for her.
The battle plan is to allow Madoc to come to Cardan’s court for his parlay. If Madoc asks for a duel, Cardan will refuse. They will then meet on the field of battle. As Jude, Cardan, Randalin, Fala, Yorn, the Bomb, and Grima Mog discuss their plan, they receive a message that Madoc’s boats have been spotted. He will be ashore in three hours. The various commanders ready their battalions for any eventuality. In the evening, Madoc appears before Cardan and Jude for his parlay. Before entering the court, Jude tells Vivienne to take Oak and the others away in case matters worsen. The siblings and Heather will be observing the court proceedings from a secret place. Cardan takes a moment to tell Jude he loves her.
Madoc is accompanied by Oriana, Grimsen, and members of the Court of Teeth. He is surprised to see Jude alive. Jude asks her father to surrender. Madoc refuses and challenges Cardan to a duel for the crown. Cardan dismisses Madoc’s claim for the Blood Crown because the crown can be worn only by Queen Mab Greenbriar’s descendants. Madoc says Grimsen, who forged Mab’s crown, will find a way around the condition once Madoc wins the duel. Madoc pulls out the sword Grimsen made for him and places it on the ground. Immediately, the floor splits, the crack extending to the stone throne and splitting it in two. The sword’s power established—it was built from the rocks of Queen Mab’s barrow, or mounded tomb—Madoc says Cardan can use it against him in the duel he proposes. Alternatively, he should let the courtiers vote whether they prefer Cardan or Madoc as High King. If Cardan rejects both proposals, the magicked arrowhead still lodged in Queen Orlagh’s chest will kill her. Cardan does something unexpected in response to Madoc’s parlay. He says Madoc cannot claim the throne even if he defeats Cardan because Jude is also the ruler of the land. Then Cardan breaks the Blood Crown to end the feud over the crown forever. The prophecy about him being the ruination of the crown was never literal but symbolic of Cardan changing the old ways. He then asks the gathered court if they accept him as their king, and the Folk bend their knee to Cardan.
Cardan doesn’t realize that Grimsen places a spell on every object he crafts. Breaking the crown releases Grimsen’s curse, and Cardan transforms into a monstrous black snake before the eyes of the court. Grimsen screams that the snake will “poison the land. No riddle will fix it. Only death” (216). Madoc declares that the king of Elfhame no longer exists and plans to slay the serpent and take the throne. Jude shouts that Elfhame still has a queen and asks the guards to arrest Madoc. To Jude’s surprise, Randalin supports Jude’s orders. The serpent slides towards Grimsen and kills him. Then it wraps itself around the broken throne. The guards take Madoc away and shut the brugh.
Jude asks Grima Mog to be her new Grand General; she accepts. Jude tasks her with keeping an eye on the serpent’s whereabouts at all times. Jude tells the Bomb to ascertain who is truly loyal to her and which courts have aligned with Madoc. If the Bomb’s spies learn of a plan to assassinate Jude, the Bomb can go ahead and have them killed without asking Jude. Jude tasks Taryn with dressing her impressively, since Jude needs more than ever to command the respect of her subjects. Jude now asks to meet Baphen to figure out a way to break Grimsen’s curse on Cardan. She wants Baphen to tell her the exact words of his prophecy at Cardan’s birth. Baphen reveals there are two parts to the prophecy: One is that Cardan will be the ruination of the throne, which has already come true. The other is that “only out of his spilled blood can a great ruler rise” (225). Jude’s heart sinks because this may mean that Cardan’s transformation is irreversible and he needs to be killed.
Jude gets news from Grima Mog that the serpent has escaped the throne room by slipping through the crack made by Madoc’s sword. Strangely, it is snowing inside the brugh. Jude must meet the council immediately. Taryn sets up a parlor for Jude to receive visitors. Jude tells the council she has no way yet to reverse Grimsen’s curse. Grima Mog has learned that Madoc intends to attack the kingdom at dawn on the day after next. Thankfully, the kingdom under Grima Mog has enough battle resources to offer Madoc resistance. The High King has roamed the land and returned to the brugh. Wherever he slithers, he scorches the earth, indicating that he, like Jude, is tied to the land. Some council members believe that the only way to heal the land may be to kill the king, but Jude dismisses the idea.
Jude goes to the brugh to see Cardan. He has grown in size, but the gold sheen on his black scales has dimmed. Jude tries to summon magic from the earth of the brugh to somehow restore Cardan, but it doesn’t work.
Jude regrets not telling Cardan she loves him too. Everything seemed to be finally working out, before things exploded. The Bomb brings Jude more news: a group plotting her assassination has been killed, and Madoc has requested a private audience with Jude and the rest of his family. He will be accompanied by the rulers of the Court of the Teeth. Jude allows Madoc to visit, but he cannot bring a weapon into Elfhame. Jude will meet Madoc’s party on the grounds rather than inside the palace.
Jude’s throne is set up outside; she tells Oak that he must not interrupt her no matter what she says to Madoc. Oak gives Jude his word. Madoc arrives with Lady Nore and Lord Jarel. Queen Suren’s bridle is gone, and her face is covered with scars. She is leashed with a chain stitched inside her wrist. Madoc and the Court of Teeth have a fresh offer for Jude. They will accept Jude as the High Queen since Oak, after her, is the true heir to the throne. In return, Jude must accept Oak’s betrothal to Queen Suren and Madoc as her chief advisor. The Court of Teeth will also give the magical gold bridle Suren once wore so she can restrain the serpent. The bridle will allow Jude to wield total control over Cardan, even if she manages to revert his transformation.
Jude is secretly appalled at the prospects of betrothing Oak to Suren and cruelly controlling Cardan, but she also wants to avoid bloodshed. To buy time, she asks Madoc why he didn’t use the bridle himself to control Cardan and the throne. Madoc grudgingly admits his soldiers tried binding Cardan but the serpent killed them. Jude may be the only one who can approach the serpent and put the bridle on him. Jude asks Madoc to first remove the magicked arrowhead from Queen Orlagh’s breast as a sign of his fair intentions. She will not commit Oak to anything for now, but she will fulfill all Madoc’s conditions if the bridle does control Cardan. Lord Jarel gives Jude the bridle and tells her she can command it by knotting three of her hairs around it. The hairs will bind Cardan to her. A temporary truce is established, but Jude is uneasy about the whole arrangement. She goes to the shore after the meeting and tosses a note in the ocean asking for help. The note is meant for Nicasia, who Jude knows once loved Cardan.
The text uses many archaic and antiquated terms drawn from history and mythology, such as brugh, which means a large dwelling; in this case, it stands for the throne room of Cardan and Jude. This stately room is where Elfhame rulers receive their audience, and in the novel’s setting, it acts as a main stage for much of the action. While the prime inspiration for the Folk of the Air series is folklore, Black also draws upon conventions of theater and pageantry to enrich the text’s world. The juxtaposition of words like brugh and seneschal (a Middle English term for the steward of a house) with contemporary language like “adventure sport” and “pizza” gives the novel its characteristic tension and humor.
Members of Cardan’s court continue to undermine Jude in the beginning of this section. This can be seen when Randalin enters Jude’s chambers without her explicit permission and tells her that “there has never been a mortal Queen of Elfhame. And there should not be one now” (190). Randalin violates the rules of courtesy by barging into Jude’s apartments and catching her in just a robe. In the appearance-driven society of Elfhame, to view a ruler out of their elaborate costume is to challenge their authority. Once again, Jude shows herself equal to this challenge. She tells Randalin off in Cardan’s presence and chooses a new guard for her doors. Jude’s ability to establish her authority quickly will come into play very soon, with Cardan’s fate already foreshadowed.
The theme of the importance of appearances and clothes continues in this set of chapters. Jude appears before emissaries from the lower courts in a “gown of gold […] that resembles gilded chain mail” (193). The comparison to armor is not incidental; clothes serve as metaphorical suits of armor in the Faerie court. Because the demonstration of power is as important as power itself, Cardan announces in the brugh that to “oath breakers” he offers his Queen’s hospitality, “the hospitality of knives,” establishing Jude as someone to be feared (198). Cardan’s reference to knives hearkens back to Jude’s stabbing of Balekin. The court is reminded that Jude is capable of murder and hence worthy of respect. While this may appear to be at odds with the moral mores of contemporary human society, in Faerie the association of cruelty with capability is accepted.
Jude’s need to keep up appearances intensifies after Cardan’s transformation. Without him in her corner, Jude’s authority is all the more suspect. To create the impression of a strong and stately ruler, Jude enlists Taryn’s help to build her a throne room and wardrobe. Jude’s focus on attire is new; in past books, she hasn’t dwelled much on clothes. Jude now understands that image is part of power in Faerie. This is also a commentary on how power operates in the real world.
The key scene of this section is Cardan’s transformation into the serpent in Chapter 23. Cardan assumes the prophecy about him ruining the crown is figurative, with the crown a metonymic expression for the current system of rule. Thus, literally breaking the crown will do no harm but will serve as a symbol of a changed order. As it turns out, the prophecy is literal, with the destruction of the physical crown constituting the ruin of both Cardan and his land. Cardan turns into a black-and-gold serpent, the hues consistent with the color symbolism around him. A cursed transformation is a ubiquitous trope in myth and folklore. Often, such curses—an accursed sleep, a beast-like state—can be reversed by true love or courage. This tradition foreshadows the ultimate fate of Cardan. Cardan’s first act as a snake is to swallow Grimsen whole, an example of the violence that is a feature of life in the Faerie world. It also symbolizes Grimsen being consumed by his own curse. Thus, Grimsen’s egotism costs him his life. With Cardan transformed, it is now Jude’s job to save him and the kingdom. Here, the narrative reverses the gendered trope of the damsel in distress and the rescuing knight—instead, it is Jude who must save Cardan. Like a knight in a fable, Jude must solve a riddle and perform acts of bravery to fulfill a quest.
Randalin’s unexpected support of Jude when Madoc taunts that the soldiers won’t obey her because “the crown is gone” shows that he is devoted to the land above all (217). Randalin may have been prejudiced against Jude, but he knows that Jude is a far better ruler than the bloodthirsty Madoc can ever be. Further, Cardan has publicly declared Jude’s authority, and the fact that the land healed Jude is well known. This makes Randalin finally trust Jude.
Scenes of humor continue to provide relief in tense situations. For instance, when Oak, Taryn, and Vivienne meet Jude before her second meeting with the Court of Teeth, Heather is not with them. Vivienne tells Jude that Heather is researching clues to solve Cardan’s dilemma. “She says that if this were a movie, someone would find a poem about cursed snakes and it would give us the clue we needed” (237). Vivienne’s funny quip is a foreshadowing: The clue to Cardan’s transformation may indeed be hidden in a story. It is also a metatextual or self-referential nod to the story Black is creating. Such inside references to stories and storytelling often occur in the plot. Lines between the faerie and mortal worlds continue to blur, such as when Jude notes that Taryn may have willingly been consuming faerie fruit at a banquet. Though the narrative doesn’t explain why Taryn can tolerate the fruit, it may be because she, like Jude, has developed some magic or because of her pregnancy with a half-fey baby. When Jude examines the throne room Taryn has built for her, “Taryn gives me a very mortal thumbs-up” (227). Mortal signs and faerie symbols are coming together.
The golden bridle, a prominent motif in the novel, is reintroduced in this section. Last seen muzzling Queen Suren, it is now offered to Jude. Jude notes the bridle has been cut out of Suren’s face, leaving her with raw scars. These details show that the bridle is associated with cruelty, malice, and control. It is a brutal tool for exerting Power and Control, one that Jude does not want to use on the serpent that was once her husband. The motif of lies and deception recurs as well, with Lord Jarel meaning to trick Jude with the offer of the bridle. Believing Jude is a naïve mortal, Lord Jarel is sure his scheme will succeed. But Jude is suspicious of his offer from the very beginning, wise as she is to the ways of the Folk. She buys time to decide on the offer and refuses to compromise Oak’s freedom, which shows her wisdom as a ruler and an older sister.
By Holly Black
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