50 pages • 1 hour read
Emma DonoghueA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In 1918, both World War I and the deadly 1918 influenza pandemic are raging. Death is everywhere. This is especially true for Julia, a nurse at a major hospital in Dublin. She sees signs of sickness and death even as she commutes to work on the tram, such as people covering their faces and closed-up storefronts. Julia describes Dublin as “a great mouth holed with missing teeth” (7). At the hospital, Julia sees bodies on stretchers as they’re carried to the morgue, and people share frightening stories about the flu. One of Julia’s patients, Mary O’Rahilly, tells her, “People are afraid to go near each other, it can pounce so fast! The other day, the peelers smashed down a door in the tenement behind ours and found a whole family expired on the mattress” (64). Over the three days that the novel covers, Julia sees the deaths of patients Ita Noonan and Honor White as well as her volunteer helper, Bridie Sweeney. Julia marks the deaths of her patients with etchings on the back of her watch. She admits, “[I]n this hospital we prided ourselves on losing as few mothers as possible, so there really weren’t that many circles marked on my watch. Most of them were from this autumn” (34). The fact that most of Julia’s marks are from fall 1918, when the pandemic is at its peak, reveals the deadliness of the disease.
Julia refers to death as the approach of the bone man—a character from folklore who symbolizes death—as when she notes, “The bone man was making fools of us all” (19), describing death’s unpredictability and commonness. When someone in her ward is close to death, she thinks, “The bone man was in the room. I could hear him rattling, snickering” (281). Throughout the novel Julia senses the bone man nearby, ready to take another life.
The novel’s section titles—Red, Brown, Blue, and Black—also reflect progression toward death by referring to the way the skin changes color as a person dies of the flu. Julia sees these skin color changes in patients as they near death. The pandemic is so deadly that men are even dying in the streets. While commuting home on the tram one day, she sees a body slumped over in the street: “A Negro man sat slumped against a wall. No, a white man, metamorphosed. Red to brown to blue to black. This poor fellow was at the end of that terrible rainbow” (152). These clues show how rampant death has become in 1918 Ireland.
Julia’s specialty as a nurse is midwifery. In the novel, the hospital has reassigned Julia from the main Maternity ward to a makeshift ward called Maternity/Fever, which keeps pregnant women who have flu infections quarantined from those who don’t. In Julia’s early 20th-century Ireland, women typically marry young and have many children. A common expression goes, “She doesn’t love him unless she gives him twelve” (24). Julia explains that contraception, or other methods of preventing pregnancy, are illegal and looked down upon, saying, “In other countries, women might take discreet measures to avoid this, but in Ireland, such things were not only illegal but unmentionable” (24). However, given the poverty and poor living conditions of many Irish families at the time, repeated pregnancies can be dangerous for mothers and babies. Dr. Lynn tells Julia, “Did you know, [...] we lose half again as many lying-in cases here as they do in England? […] Mostly because Irish mothers have too many babies […] I rather wish your Holy Father would let them off after their sixth” (141). Julia’s patient Ita Noonan, for instance, has seven living children but has been pregnant twelve times. This exemplifies both the commonness of having many children and the high infant and child mortality rates in Ireland at the time.
In addition, much shame and stigma surround pregnancy, partly because of Catholicism’s predominance in Ireland. If a woman is unmarried, older, or simply didn’t expect to become pregnant, she might be ashamed of her situation. When Honor White refuses to take whiskey and other drugs to help with her pain, Julia thinks, “[P]erhaps she was putting herself through this labour in a spirit of grim penance for what the nuns called her second lapse, her second offence” (214). Julia reflects, “I’d occasionally been called in to see a woman who’d been labouring away at home quite unsupported, and it often went badly, even after my arrival; it was as if the isolation had snapped her spirit. That wasn’t only the unwed either. One wife near fifty was so embarrassed to find herself in that condition again that she hadn’t told a soul, not even her husband” (214). Sister Luke, the nun who oversees the Maternity/Fever ward at night, makes judgmental comments about Honor White becoming pregnant for the second time as an unmarried woman. Sister Luke thinks that Honor White’s piousness might just be for show and comments, “Well, if it’s sincere. But a year of praying did nothing to reclaim her nibs” (172). Sister Luke then explains that Honor White will have to live in a mother-and-baby home after she gives birth, staying on to work off the cost of her room and board. When Julia asks if the home allows mothers to take their babies home after their year of servitude is up, Sister Luke responds, “Take it away and do what with it? Sure most of these lassies want nothing more than to be freed from the shame and nuisance” (173). Sister Luke adds that because this is Honor’s second unwanted pregnancy, she is “a hardened sinner” (173) and “will have to stay two years this time. Some are kept on after that, even, if they’re incorrigible—if it’s the only way to prevent another lapse” (173). Honor White’s story exemplifies the shame surrounding pregnancy in Ireland at the time.
In 1918 Dublin, poverty is widespread. Many people live in slums and suffer from malnourishment. Many malnourished women come into the Maternity ward at the hospital. Julia describes them as “[a]lways on their feet, these Dublin mothers, scrimping and dishing up for their misters and chisellers, living off the scraps left on plates and gallons of weak black tea.” (23) She notes how poverty is the reason that many women who enter the hospital are weak or underfed but because poverty isn’t a medical condition she must document the women’s condition in other ways: “The slums in which they somehow managed to stay alive were as pertinent as pulse or respiratory rate, it seemed to me, but only medical observations were permitted on a chart. So instead of poverty, I’d write malnourishment or debility” (23). Julia and the other nurses try to help the women regain strength while they’re in the ward by feeding them generously.
Because of poverty, infant mortality rates are high. After advising that Mary O’Rahilly breastfeed her baby, Dr. Lynn comments, “Not that these slum women have much to spare […] That baby will suck the marrow from her mother’s bones and still have less chance of surviving her first year than a man in the trenches” (208). Widespread poverty is one reason Dr. Lynn thinks that Ireland should be independent. In her eyes, the British Empire’s misgovernment of Ireland is a major cause of its poverty and poor living conditions. When Julia criticizes activists who use violence in fighting for Ireland’s independence, Dr. Lynn explains, “Here’s the thing—they die anyway, from poverty rather than bullets. The way this godforsaken island’s misgoverned, it’s mass murder by degrees. If we continue to stand by, none of us will have clean hands” (209). Dr. Lynn holds that activists must take drastic measures because Irish people are dying from poverty. Though Dr. Lynn’s point of view is controversial, it reflects how bad poverty has become.
By Emma Donoghue
9th-12th Grade Historical Fiction
View Collection
Books on Justice & Injustice
View Collection
Books that Feature the Theme of...
View Collection
Canadian Literature
View Collection
Fate
View Collection
Health & Medicine
View Collection
Irish Literature
View Collection
LGBTQ Literature
View Collection
Popular Book Club Picks
View Collection
The Best of "Best Book" Lists
View Collection