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52 pages 1 hour read

Bryce Courtenay

The Power of One

Fiction | Novel | YA | Published in 1989

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Book 2, Chapters 16-22Chapter Summaries & Analyses

Book 2, Chapters 16-22 Summary

Peekay arrives at the Johannesburg train station where he meets Morrie Levy, a wealthy, comical Jewish student with a mind for business who describes himself as the “token Jew.” Morrie is initially surprised by Peekay’s lack of surname. The boys quickly bond.

Sergeant Bolter is sent by the school to meet the boys. He uses a strict military roll call to call them to attention. He is also shocked by Peekay’s name, but quickly accepts it and moves on.

Peekay soon realizes that money will be important while he attends the Prince of Wales School. Morrie offers to help Peekay. Unwilling to accept charity and still wary of trusting others, Peekay agrees to become Morrie’s partner while at school, adding a business element to their friendship.

Peekay learns that the school boxing team is the worst in the league, possessing the “Wooden Spoon,” a symbol of their status as losers. Peekay joins the team. Morrie, aware of Peekay’s undefeated status, becomes Peekay’s manager, devising a gambling scheme based on careful observation and risk assessment to earn money and build the reputation of the boxing team.

Peekay fights against the Afrikaans school, Helpmekaar, for his first fight. Helpmekaar is renowned for its boxing team. The gym at Prince of Wales School is almost empty when Peekay fights. He easily defeats a larger opponent named Jannie Geldehuis. Geldehuis and the opposing coach congratulate and praise Peekay. Peekay notices a group of well-dressed Black men who stand in one corner to watch the fight shouting “Onoshobishobi Ingelosi.” When the fight is over, they quietly leave.

Morrie makes a significant sum of money betting on Peekay while he carefully observes different boxers. Peekay gains popularity amongst the boys who bet on his fights as he continues to win. The Black servants at school begin doing Peekay small favors to make his life easier and more comfortable.

Morrie and Peekay’s gambling business grows extremely successful, and Morrie suggests that they stop before something goes wrong. Peekay suggests that they start a bank with their winnings and loan the boys money when needed for a small fee. The “Boarder’s Bank” is an immediate success. It provides Peekay with a ready supply of money at school.

Peekay remains undefeated in the boxing ring, and “the People” continue to come to his matches, chanting for Peekay. Peekay notices that many of the more racist Afrikaans schools segregate the spectators. He hears the term “Apartheid” for the first time.

Peekay receives letters from home that update him on the success of Mrs. Boxall’s Sandwich Fund. The narrator notes that the Sandwich Fund would go on to become the Black Sash, a South African women’s group that protested Apartheid.

Morrie and Peekay challenge the history professor’s lecture one day using Miss Bornstein’s lessons, letters, and sources of information. They become well known for their liberal and critical thinking, and both are selected by the headmaster, called Singe ‘n’ Burn by the students, to be in an elite group of scholars whose studies fit the model of the modern Renaissance man. Peekay and Morrie privately debate the value of history. Morrie angrily notes that history covers over the ugly parts.

Peekay goes home to visit his friends and family for the holidays, noting that it feels like “sloughing a skin” to return to Barberton (380). He notes the changes in the prison and decides that he must find a new coach to continue improving as a boxer.

Peekay hikes the hills with Doc and studies with Miss. Bornstein, who increases his educational load and variety. Peekay now hopes to attend the University of Oxford, and Miss. Bornstein notes that Peekay will need to win a Rhodes Scholarship to attend.

Doc and Peekay take an extensive hike across the cliffs. Peekay notices that Doc looks older and is now fragile, realizing that he is now 87 years old. Doc discusses music and explains the beat of drums and says that the voice of “the People” is really the music of Africa. He adds that the sound is impossible to replicate.

Peekay and Doc continue hiking despite Doc’s frequent stops and Peekay’s increasing fears for his friend. They discover a chamber within a cave on the cliffside with giant crystal stalactites and stalagmites. Doc is enchanted grows emphatic that these “crystal caves” must be their secret. He tells Peekay that they must be thousands of years old and ponders how nice it would be to be buried in the crystal cave, becoming one with Africa.

Peekay grows frightened and begs Doc not to die. They leave, slowly making their way home. Peekay cannot imagine Doc’s death and reflects on his past experiences with death. He imagines death as a quick and often brutal event.

Peekay returns to school, and Morrie tells him that he has arranged for Peekay to meet with a renowned boxing coach, Solly Goldman. Peekay meets Goldman and spars, impressing Goldman with his speed and technique. Goldman agrees to coach Peekay.

Peekay goes home for Christmas. Doc has been ill but is improving.

The narrator adds more historical context. In 1948 the Nationalists win most of the South African elections including the office of the Prime Minister. Apartheid is instituted.

Solly tells Peekay that a boxing promoter has approached him with an offer for a professional fighter to fight against Peekay. The fighter is Black and 16 years old, like Peekay. Peekay arrives and recognizes the promoter as one of the Black men that has been attending his fights. He confesses that “the People” wanted the fight arranged, and Peekay realizes that this is about the “Onoshobishobi Ingelosi."

Peekay enters the ring and discovers that the boxer is a Zulu by the name of Gideon Mandoma. He is the son of Peekay’s beloved Nanny, who left Mandoma to care for Peekay. For the first time, Peekay is scared of a fight, realizing that Mandoma has more reasons to win than Peekay.

The fight has 10,000 mostly Black spectators and begins as “the People” sing the African National Anthem. Peekay begins to feel “the power of one” coming upon him. Peekay observes that the fight is not about race but the spirit of Africa.

Peekay fights the most difficult fight of his life. He is knocked down in the second and fourth rounds but manages to continue. He wins the fight with a 13-punch combination that Solly Goldman taught him. Peekay falls to his knees to the sound of the crowd chanting “Onoshobishobi Ingelosi.” He has a vision of South Africa’s dark future, witnessing everything, and cries out. He hears the voice of Geel Piet followed by Doc and understands immediately that Doc is dead. Morrie, shaken, embraces Peekay and quietly says, “there’s more to this Onoshobishobi Ingelosi business than I know about, isn’t there, Peekay” (434).

Mrs. Boxall calls Peekay to him that Doc is missing. Peekay returns to Barberton knowing that Doc went to the “crystal caves” to die.

Doc has left everything to Peekay, including his Steinway and his beloved Joseph Rogers pocket-knife. Peekay feels tired and disillusioned.

Peekay returns to school. At Gideon Mandoma’s request, Peekay and Morrie devise a plan to provide an education for the surrounding Black servants and boxers. The plan is approved by Singe ‘n’ Burn.

The plan goes into effect but draws the attention of the local police who shut down the lessons. Morrie is devastated, but Peekay tells him that they must work around the system. Instead, they create a correspondence school with the help of Miss Bornstein.

Book 2, Chapters 16-22 Analysis

Book 2 relates Peekay’s time at the Prince of Wales School in Johannesburg. This period represents the protagonist’s continuing maturation as he transitions to life without the immediate aid and support of his closest mentors. Doc remains in the background, but he figures less prominently in Peekay’s day-to-day life. This period also represents Peekay’s introduction into the larger, South African social system as Peekay transitions away from the more enclosed workings of the Barberton.

Chapter 16 immediately highlights Peekay’s quest for individuality as key to the chapters that follow. First Morrie and then Sergeant Bolter are shocked by Peekay’s lack of surname; however, the characters quickly accept Peekay’s name and move on. As the protagonist, Peekay is exceptional. His unique name emphasizes this, something the other characters instinctively recognize. This scene foreshadows the heightened emphasis upon Peekay’s attempts to find and master The Power of the Individual to embrace his identity and control his destiny.

Chapters 17 through 20 illustrate Peekay’s continuing development as a boxer and student, but they also situate Peekay in his wider social context. His friendship with Morrie Levy allows Peekay to become aware of financial and economical influences as factors that limit and control opportunity. These chapters also focus more on “the People” who act as spectators at Peekay’s boxing matches, chanting “Onoshobishobi Ingelosi” before leaving. The author uses “the People” to add an element of supernatural intrigue. The presence of “the People” hovers in the background, present but unnoticed by all but Peekay, giving them an aura of mysticism that aligns with the “night country,” the “crystal caves,” and the visions that Peekay has later in the novel. Courtenay’s presentation of indigenous Africans through a white lens relies on racist tropes that coopt “Black mysticism” and present African people as “other.” Courtenay does make clear that these communities are constrained by structures of Race, Racism, and Power in South Africa: The Black spectators are segregated, and their behavior is controlled; their support of Peekay is orchestrated and precise to meet the requirements necessary to attend the matches. In Chapter 20, the narrator also mentions hearing Apartheid for the first time in the novel, paralleling the increasing presence of “the People” alongside the increasing effects of Apartheid. While Peekay develops as a character in a changing social context, the novel therefore both presents the harms of racism and Apartheid while participating in racist tropes.

In Chapter 18, Peekay and Morrie challenge the notion of written and recorded history in two ways. Firstly, the boys challenge the lecture of a Prince of Wales School history professor as he gives an account of war. Though the teacher scolds Peekay and Morrie, their challenge earns the notice and regard of the headmaster of school who praises them for their critical thinking. Privately, Morrie also angrily reflects that history glosses over the many atrocities that occur, especially regarding those without any real power in society such as the soldiers who take order from commanders and generals. This commentary works alongside earlier moments when Courtenay uses the perspective of Peekay to challenge and critique the “official” history of South Africa by combining historical narratives with fiction.

The narrator includes more historical context in Chapter 21 and Book 2 moves toward another climactic moment as the Nationalists officially institute Apartheid. Peekay’s fight with Gideon Mandoma relates to this political context. Peekay is initially scared to fight Gideon, but calling upon “The Power of One” allows him to focus while the effects of the spectators singing and chanting empowers him to acknowledge the symbolism of the event. He recognizes that the boxing match is about embracing the warrior spirit of Africa as “the People” prepare to fight for their freedom against Apartheid. Once again Peekay is reluctantly positioned to assume the role of “Onoshobishobi Ingelosi” by “the People.” His victory accompanies his embrace of the symbolic position he holds. This acceptance fulfills the belief of “the People” that he will fight for them. While Courtenay uses this moment to uphold Apartheid as the novel’s antagonistic force, it also perpetuates racist biases through the fact that a white character is the heroic figure among marginalized South African communities who are amassed as “the People” and unnamed individually. Courtenay does suggest that Peekay’s role is limited. The narrator solidifies this when Peekay witness the dark future of “the People” under Apartheid rule at the conclusion of the fight.

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