The Paris Novel

Stella has a number of encounters with real, historical chefs, writers, and artists. Why do you think Reichl blends fiction and fact in this way? What effect does it have on the narrative?

Stella is initially resistant to traveling to Paris, claiming that she is content with her “comfortable” life in New York. What literary devices does Reichl employ to provide a contrast between her New York life and the life she builds in Paris?

Reichl’s narrative unfolds through Stella’s attempts to solve two different mysteries: the location of Victorine’s lost paintings and the identity of her father. How do these mysteries push Stella out of her comfort zone and contribute to her internal transformation?

Consider the inspiration that Stella draws from Victorine-Louise Meurent through her life and work. Compare and contrast the real-life painter with Reichl’s fictional protagonist. Why does Stella identify with her so strongly, and how does the symbolic significance of Victorine’s self-portrait contribute to Stella’s journey of Self-Discovery Through Food and Art?

How does Stella’s time as a Tumbleweed at Shakespeare and Company contribute to Reichl’s thematic exploration of found family?

Why do you think Celia wanted Stella to go to Paris? How does Stella’s journey impact her understanding of her mother and The Lasting Impact of Childhood Trauma in her life?

Jules suggests to Stella that knowing her father will help her understand herself. How does meeting Django affect Stella’s understanding of herself and her identity? Cite specific examples from the text to support your argument.

Though Stella initially seeks out her father, she quickly becomes resistant and cold to Django’s attempts to connect with her. How does Reichl’s characterization of Stella’s anxiety and emotional triggers contribute to her representation of The Lasting Impact of Childhood Trauma in the novel?