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Christina LaurenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The novel emphasizes the importance of personal authenticity over social pretense through the triumph of Anna’s values over the Westons’. The novel’s premise—that Anna must conceal her true self to fit in with people for whom “literally everything is for show” (200)—makes this struggle its central conflict. The battle for Liam’s inheritance is a concrete one, but the battle to prevent pretense from destroying both Anna’s and Liam’s personal authenticity is the emotional crux of the storyline.
From the start, Anna marvels at how the wealthy think and behave differently, marveling at the fact that they always seem to know when to tip and which fork to use, and she watches with bemusement as they use euphemisms like “eccentric” or take out the trash while wearing their Gucci slides. Everything about the Westons—even their shoes—denotes extreme status and privilege. Thus, Anna must metaphorically step into someone else’s shoes to play her role on the trip. Her unease with this assignment is apparent when she is late to meet Liam at the airport because she cannot walk effectively in her designer sandals. When she “stumbles, ankle twisting awkwardly on the skinny, murder-sharp heel of her shoe” (45), this moment suggests the precarious and dangerous aspects of the pretense that she must maintain. Likewise, her claw-like artificial fingernails, which also stymie her movements, symbolize her need to “be a lioness [...] heading into the den” (46). Anna must wear her pretense like a suit of armor to protect her authentic identity from exposure.
The idea that pretense is both dangerous and harmful is also developed by the island setting. Literal danger awaits the young GW when he wanders out of his family’s bungalow, and Anna wonders, “Does no one ever bring children or disabled or elderly people here? Are the guests who come here so obsessed with capturing the perfect *vibes* in their Instagram post that they don’t want [...] guardrails ruining their shot?” (121). The island setting develops this theme metaphorically as well, as the characters are physically cut off from the “real world” and placed into an illusory environment that is controlled by the Westons and their wealth. The family ships in trunks of costumes in their efforts to impress one another at specifically themed parties, thereby replacing the authentic beauty of the island with the symbols of their wealth. At the costume party, for example, Liam observes that “there aren’t any flowers anywhere; instead, the real show-stopper is a gilded tree in the center of the room” (200). In their efforts to elevate societal pretension, the Westons have ironically replaced the authenticity of living trees with golden symbols.
Ultimately, the exhaustion of keeping up pretenses creates misery for many characters, and the difficulty of keeping secrets also takes its toll. When Alex finally exposes Anna’s identity, the wedding guests’ “gazes turn harsh, judgmental, and they look at her with the disdain she’d expected all along” (270). However, this moment simply frees Anna to be her authentic self and to speak her mind. Stripped of her illusory suit of armor, she proves herself equal to the task of confronting Ray Weston. Only after she and Liam escape the closed setting of the island can they finally have a completely open discussion about the future, and it is ultimately the memory of Anna’s messy yet fierce authenticity that helps Liam to free himself. As the whole Weston family confronts the secrets they have kept, they undergo a collective catharsis that allows them to move beyond the pretense of the perfect family business and toward something that resembles genuine happiness.
Wealth is a primary focus for many of the characters in the novel, and this emphasis demonstrates that the societal impacts of wealth or its lack create misery on both ends of the social spectrum. By juxtaposing Liam’s privileged family and professional life with Anna’s poverty-stricken circumstances, the authors implicitly critique the often unearned power and privilege that arise from extreme wealth, and the unfolding complications highlight the many social problems that such a disparity creates.
This theme is introduced in the first chapter when Anna gets fired by Ricky, a teenager who is undeservingly promoted to manage his parents’ convenience store; once he gains this power, he wields it to take revenge on Anna for denying him a date. This experience is a small preview of the much more virulent revenge that Ray Weston tries to exact on those who defy him. Although the two characters differ greatly in degree, several parallels exist between Ricky and Ray; Ricky gets his power through the business that his parents have given him to manage, just as Ray has inherited his position as CEO of the company that his parents built. Similarly, Ricky fires Anna for the small error of taking a pack of gum, while Ray fires the server Thuy even though his own clumsiness causes her to spill the drinks on her tray. Additionally, just as Ricky spies on Anna by watching hours of surveillance tapes, Ray misuses the PISA system to surveil and sexually harass his employees. The authors use these implicit parallels to suggest that some people are naturally inclined to abuse their money or social position to manipulate others and behave as petty tyrants.
Ray’s petty tyranny makes the Weston siblings miserable, even though they have all the material privileges they could want. Only Liam tries to use his money to help others, and although he does not use his wealth as a weapon, he benefits from these privileges and often takes his advantages for granted. For example, he casually reveals that all the Weston children are given management positions within the family company at an early age and admits that “Raymond Weston never met a nepo baby he didn’t like” (55). Additionally, the cavalier ease with which Liam pays Anna $100,000 to ensure the safety of his siblings’ inheritances indicates that for him, money simply is not an issue, and he has little understanding of the toil that Anna endures to earn a mere pittance. Throughout the novel, the authors imply that by focusing on inheriting money and position, wealthy families like the Westons consolidate their power and make it more difficult for others to close the income gap.
The societal impacts of this disparity are most prominently developed through the anecdote about Ray firing the loyal dock manager and through David Green’s cancer diagnosis. Because David is a mechanic who owns his own shop, he is underinsured and has no pension or paid medical leave, so Anna works five nights a week at the convenience store, “three lunch shifts at Amir’s cafe, the occasional dog-walking hustle, and plasma donation when things get really tight” (6) to help pay his medical bills. Despite her herculean efforts, even this combined income is not enough to cover the costs involved. Only her connection to Liam enables Anna to fully support him, but Liam’s self-imposed position as an outcast among his siblings suggests that his generosity is the exception to the rule; more often than not, people like Anna are forced to tolerate bosses like Ricky in order to survive, and it takes people like Liam—those who have both scruples and social power—to change corporate and societal culture for the better by using their own resources to help people who have been hurt by these class-based disparities.
The novel’s focus on romance, family, and marriage extensively explores the benefits and limits of loyalty. The contrasting dynamics of Anna and Liam’s respective families emphasize these ideas in different ways, with the Greens representing pure loyalty, trust, and authenticity while the Westons represent selfishness, infighting, and betrayal. For Anna, loyalty is a straightforward exchange; those who show loyalty have earned it in return. Because Anna knows that David Green will support her unconditionally, she has the strength to be herself and to make her own decisions; she knows that loyalty has nothing to do with money, and this confidence helps her to place a higher value on traits such as honesty and integrity. By contrast, Anna’s mother has a distinct lack of loyalty, as illustrated in her early abandonment of the family and her insistence upon toying with their emotions. Anna’s mother would “call every few months and tell [David] she missed him and wanted to come home […] and then remember that she was above it all and leave again” (205). This damaging behavior is tied to her mistake of valuing societal pretense and wealth over genuine family life, and Anna has sustained lasting damage because of her mother’s callous approach. The behavior of Anna’s mother aligns with that of the Weston clan, for although they claim to value family loyalty, the only thing they truly value is money.
For Liam, the Westons’ false equivalence between loyalty to family and loyalty to money creates the central conflict, for he must ultimately sacrifice his happiness to remain loyal to his family and protect his siblings’ inheritances. (His grandfather’s stipulation about the inheritance has “made loyalty and servitude the bargaining chips that keep the money flowing” (317).) Even at the end of the novel, when Alex ultimately does the “right” thing, he is more powerfully motivated by his loyalty to his inheritance than by his emotional connection to Liam. Because of the Weston family’s dysfunction, Liam cannot understand Anna’s version of loyalty. When she says that she would still want to be on his team even if he didn’t have a penny, her forthrightness inspires something that “feels like anger. Or dread. Or fear” (194). Because of his family, Liam cannot understand the feeling that he only later describes as “the comfort of having an ally” (203).
Anna and Liam’s relationship is shaped—and almost ended—by these disparate views of loyalty. Because Liam cannot instinctively be loyal to his principles, even for his own good, Anna wonders whether he is “too broken” for a relationship between them to work. When her father reminds her that caring about someone means “they deserve the benefit of the doubt” (300), Anna is reminded that Liam is not motivated by the same loyalties as the rest of his family. When he chooses his happiness and a life with Anna over his family’s money, he shows where his loyalties lie, and she returns his loyalty by flying to Palo Alto to support him. When the novel concludes with Liam gaining personal freedom, David regaining his health, and Anna earning recognition as an artist, the authors emphasize the importance of loyalty as a principle, but the story also emphasizes the importance of carefully choosing where that loyalty is placed.
The novel pointedly emphasizes the importance of the intent behind any given marriage, especially given that Liam and Anna’s relationship begins as a marriage of convenience, for the loophole in Liam’s trust demonstrates the pitfalls of even the best of intentions. The various marriages on display in the story illustrate the complex ways in which love and money can affect marital relationships; while money is the primary motivator for the relationship between Ray and Janet and between Alex and Blaire, it is also the force that nearly ends Liam and Anna’s more genuine connection. Through these dynamics, the novel suggests that a marriage undertaken and sustained by money alone is a fraudulent one, while a marriage based on respect and genuine attraction is far more authentic and long-lasting.
For Liam’s grandfather, who married for love, the motivations behind making the Weston siblings’ inheritances contingent on marriage were pure. As Liam explains, “He and my grandma Lottie [...] were very happily married for nearly sixty years. [...] He wanted that happiness for his grandchildren” (29). However, no contract can guarantee happiness in a marriage, as the “real” Weston family marriages suggest. For example, Janet is “a gently placating and toxically enabling woman” who stays married to Ray because she enjoys the privileges that his social status confers upon her (205), and she is dedicated to maintaining social pretenses and only divorces Ray when confronted with the public scandal of his lover and his financial disgrace. Likewise, Blaire continually complains that Alex has no idea what romance is, and she tells him that she will only stay married to him if he manages to save his inheritance from Ray. Because money is central to these relationships, the spouses involved remain unable to find any fulfillment in their connection. Because Liam’s grandfather has tied marriage and money together, the terms of the inheritances unwittingly create the conditions for Ray to manipulate these relationships for his own gain.
By using Charlotte’s wedding as the inciting incident for bringing the family together, the authors further examine the dangers of tying marriage and money together. When Ray holds a grand 10-day event on a private island and invites business associates and the press, he demonstrates that his intent is not to celebrate the love between his daughter and her fiancé; instead, he uses the event to further enrich himself and torment his sons. For Janet, who spends her time chasing vendors who serve non-Weston brand soft drinks, the wedding is also more about the show than about the happiness of the two people at its center. When Alex ruins the wedding with his selfish announcement about Anna and Liam’s sham marriage, he confirms that for most of the Westons, the wedding is an excuse to make themselves the center of attention, and they have no real interest in celebrating Charlie’s marriage to someone she loves.
Only Liam has attended the wedding with the intention of celebrating his little sister. His marriage to Anna, which he is forced to put on display, poses the question of whether a marriage begun on a lie can “be real.” Ironically, although the stipulation in the trust defines Liam and Anna’s marriage as fraudulent, their growing connection is the most functional marriage in the Weston family. They have obvious physical attraction, demonstrate mutual respect, and support one another unconditionally. At the end of the novel, the protagonists show that no matter how a marriage begins, the only things that give it meaning and enable it to survive are the honesty and authenticity that two people find in one another.
By Christina Lauren