107 pages • 3 hours read
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The main character of this tale is Hiroto Shimizu, who narrates the tale in the first person. In flashbacks, he tells the story of trying to leave the planet with his mother and father. An asteroid is about to crash into the earth, so they are evacuating.
In Hiroto’s flashbacks, they are in a temporary camp in Kagoshima. Government inspectors come daily to tell everyone to be patient, but eventually rumors start that something is wrong with the ships. The shipbuilders took the money and built substandard ships. Everyone packs up and goes home. Hiroto’s dad gets an offer from an old college friend to save his wife, but his parents refuse. Hiroto’s father says, “That feeling in your heart, it’s called mono no aware. It is a sense of the transience of all things in life” (244).
On Christmas Day, Hiroto’s mother takes him to Dr. Hamilton, who has a place on the only American ship left and can bring one person with him. His father thanks Dr. Hamilton for taking care of his child. His last words to his son: “Remember that you’re Japanese” (247).
On board the ship Hopeful, Hiroto goes to school. He is playing Go with two other kids, Bobby and Eric, but Bobby doesn’t like the game of black and white stones on a board. He thinks it is boring compared to video games and even chess, where he likes the queen. “She’s powerful and different from everyone else. She’s a hero” (237). He claims there are no heroes in Go.
Hiroto teaches his girlfriend, Mindy, Japanese so she can weave words into her songs. She wants to know how to stay “star” and “guest” in Japanese; she weaves those words into her songs. He phrases what she wants poetically for her: translated into English, he says, “We have come to be guests among the stars” (240). Hiroto wishes his father were there to help.
At Hiroto’s job, he finds that the ship is drifting off course. The command crew discovers something has punctured the sail. Hiroto realizes he is best suited to fix the problem quickly, though it will require several days of climbing to the solar sail to patch it. Mindy talks with him on the radio link to keep him awake. He continues to climb, imagining he is walking with his father, talking of mono no aware. His inattention causes him to almost knock a fuel tank loose and fall asleep.
During the last part of the trip, his father reminds him of strategy in the game of Go and is with him as he makes the repairs. It seems to work, but his earlier collision with the fuel tank caused a leak, and there isn’t fuel enough to finish the patch, nor enough time to make a second trip. He does have some fuel for getting home, though. In his mind, his father waits for a decision: “One stone cannot be in both places. You have to choose, son” (252).
Hiroto fixes the sail, but now has no fuel to return and not enough air to wait for a rescue, so he pushes off into space. He hears Bobby’s voice, saying maybe there are heroes in Go. At the end, Hiroto walks down the street with his father.
This story, published in The Future is Japanese in 2012, won a Hugo Award for best short story that year. It takes place during an apocalypse, caused by an asteroid crashing into the planet and corrupt companies that took the money without providing the space-worthy ships for saving the human population. Politics, then, plays a role in the end of the world. Reactions to the double tragedies help make the text more profound.
A connection to culture weaves in and out of Hiroto’s consciousness in the form of words from his father and the meaning of Kanji characters. He tries to teach what he knows to others. They misunderstand the meanings of Asian culture, and he tries to correct them, but his knowledge is scant as well. Still, his father’s words influence him: “Mono no aware, my son, is an empathy with the universe. It is the soul of our nation. It has allowed us to endure Hiroshima, to endure the occupation, to endure deprivation and the prospect of annihilation without despair” (250). Despite Hiroto’s lack of knowledge, he embodies the qualities of his culture when he makes the ultimate sacrifice to save everyone on the ship.
This narrative is also about tragedy and sacrifice. Hiroto’s actions are informed by others’ words and actions throughout his life. His parents gave him up so he would have a chance to survive. Hiroto’s father told him: “A person must rise above his selfish needs so that all of us can live in harmony” (236). So, when it is Hiroto’s turn to sacrifice to save the lives of the more than 1,000 people aboard the ship, he does not hesitate. He draws upon the tenets of his culture to keep others safe.
The story references the game of Go, or Wei Qi, which is a Chinese game believed to be the oldest game still played today. It is made up of white and black stones on a grid-like board. It is easy to learn but can quickly become complicated. The goal is to surround more territory than the opponent by strategically placing stones. The author references it by saying, “There are no heroes in Go” (238) which is true. Once a player places the pieces, they do not move. Hiroto proves to the last remnants of mankind that, while there are no heroes in Go, there are Japanese heroes.